Undead

Why didn't anyone tell me about this film? It is 3 years old by the time I first watched it, having spent my horror-watching hours on hateful crap like 'Saw' and the other torture flicks Hollywood has been churning out in that time. This is a funny and creative gore flick along the lines of early Peter Jackson and Sam Raimi: 'Bad Taste' comes to mind.

I can't say this is a great film- but it does show great promise for the writer/directors. The effects are cheap but decent. Flawed in many respects, the kitchy attitude helps to gloss over the faults allowing an enjoyable experience.

If you enjoy gooey gore, over-the-top dialog and craziness- and willing to look past a low budget ... add another 2 stars and WATCH THIS FLICK.

Something is seriously wrong in the quiet Queensland hamlet of Berkeley: rocks are falling from the sky, carrying a virus that turns local residents into flesh-crazed fiends. And that's just the start of the powerhouse slam-bang debut from Brisbane twin filmmakers Peter and Michael Spierig, an audacious triumph of invention and imagination over budget and genre constraints. Even more remarkable is the fact that two local Brisbane boys have achieved the impossible and created an original Aussie zombie epic that is set to lay waste to the international horror community.

Ever the post-80s horror boom cultural vultures, Spierigs plunder shamelessly from the expected sources - the grey apocalypticism of George A Romero's Dead trilogy, the outrageous gore setpieces of Peter Jackson's blood-soaked Bad Taste and Braindead, the camera histronics of early Sam Raimi and Coen Brothers efforts - while breathing new life into the long-exhausted zombie cycle and making a film that is entirely their own. Undead marries a wholly unpredictable narrative, jawdropping effects (graphic enough for the most jaded of gorehounds) and a frighteningly assured grasp of cinematic language. As expected there's buckets of gallows humour, but the film never trades cheap laughs for its primary purpose: delivering good old-fashioned blood-curdling shocks.

If Aussie horror is a dead duck, Undead blows it out of the water.

Both 'Bad Taste' and 'Braindead' (both horror comedies) have obviously inspired the Spierig brothers, Michael and Peter, but comparisons are not necessary. 'Undead' is its own movie: a blood spattering, one-liner comedy gore fest, with blood and laughs both frequent.

It is hilarious opening: the fact that this movie is horror is obvious, but the set up and background movie are like that of a happy rural sitcom. But first glances may well be deceptive. Meteores strike rapidly, causing chaos, as well as blowing up an old lady.

Miss 'Catch of the day' is on her way out of the little Australian fishing village, but her trip comes to a halt when a meteorite stops the trip and no later and zombie kills her driver. But then local weirdo farmer Marion (in an obvious Clint Eastwood spoof) pulls out a three shotgun, er, shotgun and blows the zombie body apart in hilariously gory detail, leaving an even funnier sequence- a walking spine, resembling that of a tall headless chicken.

They are forced to hide out in his heavily protected farmhouse as well as others (including a foul mouthed cop) who seems to swear unnecessarily, but has some brilliant lines: "I'll f*ckin finish you off faster than a f*ckin birthday cake at a fat chicks f*ckin party!" or "in our day, we respected our parents: we didn't f*ckin eat em!"

In short, Undead is an enjoyable horror comedy with occasional flashes of sly genius to keep everyone happy.

*** out of **** (3 out of 4)

I caught Undead's second and final Festival screening last night, and it is just fantastic. I cannot understand how a film so cheap (cost about two million Australian, as I recall) could look so incredibly good. Most of the visual effects were done on a laptop, and they are just stunning. According to one of the Spierig brothers (the identical twins who wrote, directed, and produced the film, as well as managing the effects) the film contains 305 special effects, and maybe ten of those effects shots don't quite work.

Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.

It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.

I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.

Berkley, small town in the backwoods of Australia. One sunny day turns suddenly for worse, when a meteor storm raids over the village, turning everyone in to a brain munching zombies.

But soon it comes evident, that it's the aliens who are behind all this.

Well, the heroes of the film are our regular ragged bunch of men and women, some of them cool, some of them nervous as bleep. Two cops, pregnant woman, woman with problems, a pilot and a village idiot. And only the village idiot seems to know whats going on. Or does he?

Undead is your typical small budget, gore infested zombie flick, with a one difference: it has actually pretty neat special effects and some of the photography is pretty good looking.

But, then it comes to the plot: some jokes work, some don't. Behaviour of people stranded in Berkley doesn't have any sense at all, mostly they are just running around.

But thanks to good directing this movie rises above the most poorest excuses of the genre.

It certainly is watchable.