A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.
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Both 'Bad Taste' and 'Braindead' (both horror comedies) have obviously inspired the Spierig brothers, Michael and Peter, but comparisons are not necessary. 'Undead' is its own movie: a blood spattering, one-liner comedy gore fest, with blood and laughs both frequent.
It is hilarious opening: the fact that this movie is horror is obvious, but the set up and background movie are like that of a happy rural sitcom. But first glances may well be deceptive. Meteores strike rapidly, causing chaos, as well as blowing up an old lady.
Miss 'Catch of the day' is on her way out of the little Australian fishing village, but her trip comes to a halt when a meteorite stops the trip and no later and zombie kills her driver. But then local weirdo farmer Marion (in an obvious Clint Eastwood spoof) pulls out a three shotgun, er, shotgun and blows the zombie body apart in hilariously gory detail, leaving an even funnier sequence- a walking spine, resembling that of a tall headless chicken.
They are forced to hide out in his heavily protected farmhouse as well as others (including a foul mouthed cop) who seems to swear unnecessarily, but has some brilliant lines: "I'll f*ckin finish you off faster than a f*ckin birthday cake at a fat chicks f*ckin party!" or "in our day, we respected our parents: we didn't f*ckin eat em!"
In short, Undead is an enjoyable horror comedy with occasional flashes of sly genius to keep everyone happy.
*** out of **** (3 out of 4)
It is hilarious opening: the fact that this movie is horror is obvious, but the set up and background movie are like that of a happy rural sitcom. But first glances may well be deceptive. Meteores strike rapidly, causing chaos, as well as blowing up an old lady.
Miss 'Catch of the day' is on her way out of the little Australian fishing village, but her trip comes to a halt when a meteorite stops the trip and no later and zombie kills her driver. But then local weirdo farmer Marion (in an obvious Clint Eastwood spoof) pulls out a three shotgun, er, shotgun and blows the zombie body apart in hilariously gory detail, leaving an even funnier sequence- a walking spine, resembling that of a tall headless chicken.
They are forced to hide out in his heavily protected farmhouse as well as others (including a foul mouthed cop) who seems to swear unnecessarily, but has some brilliant lines: "I'll f*ckin finish you off faster than a f*ckin birthday cake at a fat chicks f*ckin party!" or "in our day, we respected our parents: we didn't f*ckin eat em!"
In short, Undead is an enjoyable horror comedy with occasional flashes of sly genius to keep everyone happy.
*** out of **** (3 out of 4)
Berkley, small town in the backwoods of Australia. One sunny day turns suddenly for worse, when a meteor storm raids over the village, turning everyone in to a brain munching zombies.
But soon it comes evident, that it's the aliens who are behind all this.
Well, the heroes of the film are our regular ragged bunch of men and women, some of them cool, some of them nervous as bleep. Two cops, pregnant woman, woman with problems, a pilot and a village idiot. And only the village idiot seems to know whats going on. Or does he?
Undead is your typical small budget, gore infested zombie flick, with a one difference: it has actually pretty neat special effects and some of the photography is pretty good looking.
But, then it comes to the plot: some jokes work, some don't. Behaviour of people stranded in Berkley doesn't have any sense at all, mostly they are just running around.
But thanks to good directing this movie rises above the most poorest excuses of the genre.
It certainly is watchable.
But soon it comes evident, that it's the aliens who are behind all this.
Well, the heroes of the film are our regular ragged bunch of men and women, some of them cool, some of them nervous as bleep. Two cops, pregnant woman, woman with problems, a pilot and a village idiot. And only the village idiot seems to know whats going on. Or does he?
Undead is your typical small budget, gore infested zombie flick, with a one difference: it has actually pretty neat special effects and some of the photography is pretty good looking.
But, then it comes to the plot: some jokes work, some don't. Behaviour of people stranded in Berkley doesn't have any sense at all, mostly they are just running around.
But thanks to good directing this movie rises above the most poorest excuses of the genre.
It certainly is watchable.
I caught Undead's second and final Festival screening last night, and it is just fantastic. I cannot understand how a film so cheap (cost about two million Australian, as I recall) could look so incredibly good. Most of the visual effects were done on a laptop, and they are just stunning. According to one of the Spierig brothers (the identical twins who wrote, directed, and produced the film, as well as managing the effects) the film contains 305 special effects, and maybe ten of those effects shots don't quite work.
Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.
It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.
I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.
Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.
It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.
I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.
Rene (Felicity Mason), the town beauty queen of Berkley, Austrailia, wants desperately to get out. But as her and her boyfriend are driving out of town, meteorites fall from the sky turning various town-folk into rampaging zombies. When Rene's boyfriend gets changed, she watches as a mysterious stranger (whom we later learn is the town 'crazy') dispatches the now zombiefied BF. She decides to hole up in the isolated farmhouse of said 'kook'. It's soon up to her, the guy, a husband, his pregnant wife, and two cops to survive long enough to figure what the hell is going on.
This Aussie film, while hopelessly derivative and ripping-off a great many great genre movies, is still a lot of fun. It looks far better than it's budget would imply and gore-hounds will be satisfied. That being said, the acting isn't the greatest and the movie pretty much loses steam towards the end when it veers decidedly off-course. But it's still very enjoyable for fans of the genre.
My Grade: B-
This Aussie film, while hopelessly derivative and ripping-off a great many great genre movies, is still a lot of fun. It looks far better than it's budget would imply and gore-hounds will be satisfied. That being said, the acting isn't the greatest and the movie pretty much loses steam towards the end when it veers decidedly off-course. But it's still very enjoyable for fans of the genre.
My Grade: B-
Another great splatter horror film from the Southern Hemisphere! It is so rare these days to set eyes upon a film that is not subjected to the boring, rehashed, commercially-hungry, modern American sub-genre of horror movies such as Cabin Fever and a host of recent slasher movies that try, beyond hope, to scare or shock the viewer by throwing as much blood and fast camera movement ("Boo, are you scared?") at the screen, with little to no success. Undead finally gets back to the roots of true splatter horror in a way that would make Jackson and Raimi proud and is a superb treat to the mature viewer who has grown up with these classics and is not simply into gratuitous pure shock-value.
Undead is "cheesy" and off-the-cuff. It pays hommage to a number of cult classics out there such as Romero's Trilogy of the Dead (the isolated farmhouse from NotLD, "Let's shop!" from Dawn and the police powerplay from Day), Raimi's Evil Dead ("Join us!"), Jackson's Braindead (the shovel in the bank manager's head) and Bad Taste (the alien contingent and appearance).
Do not expect great acting (though I am sure these actors are more than capable of doing so) or a totally original script (though the ending was actually quite unusual and surprised me), for this is not what this film is about. It is about having a fun 2 hours and, in my opinion, rewarding the fans of cult classic splatter horror (and hopefully introducing a number of younger individuals to this fantastic genre).
Not a great film, but a fun (non-American, something that is so rare these days) film!
Undead is "cheesy" and off-the-cuff. It pays hommage to a number of cult classics out there such as Romero's Trilogy of the Dead (the isolated farmhouse from NotLD, "Let's shop!" from Dawn and the police powerplay from Day), Raimi's Evil Dead ("Join us!"), Jackson's Braindead (the shovel in the bank manager's head) and Bad Taste (the alien contingent and appearance).
Do not expect great acting (though I am sure these actors are more than capable of doing so) or a totally original script (though the ending was actually quite unusual and surprised me), for this is not what this film is about. It is about having a fun 2 hours and, in my opinion, rewarding the fans of cult classic splatter horror (and hopefully introducing a number of younger individuals to this fantastic genre).
Not a great film, but a fun (non-American, something that is so rare these days) film!
Did you know
- TriviaThe film was entirely funded by the directors and their family and friends.
- GoofsWhen the party enters the General Store, Marion walks in completely naked. In the next shot, inside the store, we can clearly see him wearing striped boxers.
- Alternate versionsThe original Australian version of the film had a runtime of 104 minutes (24fps). For the US release, about seven minutes of footage was removed for a runtime of 97 minutes (24fps). The following footage was removed for the US release. (Runtimes correspond to the 25fps PAL version.) 2:23 - 4:46: The introduction of Wayne's character working for charter flights and the introduction of Molly's character's with her first day on the job as a constable and being asthmatic. 27:18 - 30:07 The bunker scene is extended with more arguing between the characters and the police trying to confiscate Marion's guns. 31:14 - 31:54 In the bunker, Molly tries to offer calming words with an old memory, but does not help. 61:15 - 61:54 After driving away from the wall, the van scene is extended with the characters questioning about what happened to Molly and about the mysterious cloaked figure they saw. 63:14 - 64:06 Arriving back in town, there is an extended scene of the characters getting out of the van and Wayne nervously trying to take charge of the group.
- ConnectionsEdited into Cent une tueries de zombies (2012)
- SoundtracksLittle Green Men
Written by Cliff Bradley & Damien Taylor
Performed by Buttkrak
Recorded and Produced by Cliff Bradley
©Cliff Bradley 2002
Details
- Release date
- Country of origin
- Language
- Also known as
- Những Kẻ Không Chết
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- A$1,000,000 (estimated)
- Gross US & Canada
- $41,196
- Opening weekend US & Canada
- $8,527
- Jul 3, 2005
- Gross worldwide
- $187,847
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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