A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.
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- 3 wins & 4 nominations total
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Another great splatter horror film from the Southern Hemisphere! It is so rare these days to set eyes upon a film that is not subjected to the boring, rehashed, commercially-hungry, modern American sub-genre of horror movies such as Cabin Fever and a host of recent slasher movies that try, beyond hope, to scare or shock the viewer by throwing as much blood and fast camera movement ("Boo, are you scared?") at the screen, with little to no success. Undead finally gets back to the roots of true splatter horror in a way that would make Jackson and Raimi proud and is a superb treat to the mature viewer who has grown up with these classics and is not simply into gratuitous pure shock-value.
Undead is "cheesy" and off-the-cuff. It pays hommage to a number of cult classics out there such as Romero's Trilogy of the Dead (the isolated farmhouse from NotLD, "Let's shop!" from Dawn and the police powerplay from Day), Raimi's Evil Dead ("Join us!"), Jackson's Braindead (the shovel in the bank manager's head) and Bad Taste (the alien contingent and appearance).
Do not expect great acting (though I am sure these actors are more than capable of doing so) or a totally original script (though the ending was actually quite unusual and surprised me), for this is not what this film is about. It is about having a fun 2 hours and, in my opinion, rewarding the fans of cult classic splatter horror (and hopefully introducing a number of younger individuals to this fantastic genre).
Not a great film, but a fun (non-American, something that is so rare these days) film!
Undead is "cheesy" and off-the-cuff. It pays hommage to a number of cult classics out there such as Romero's Trilogy of the Dead (the isolated farmhouse from NotLD, "Let's shop!" from Dawn and the police powerplay from Day), Raimi's Evil Dead ("Join us!"), Jackson's Braindead (the shovel in the bank manager's head) and Bad Taste (the alien contingent and appearance).
Do not expect great acting (though I am sure these actors are more than capable of doing so) or a totally original script (though the ending was actually quite unusual and surprised me), for this is not what this film is about. It is about having a fun 2 hours and, in my opinion, rewarding the fans of cult classic splatter horror (and hopefully introducing a number of younger individuals to this fantastic genre).
Not a great film, but a fun (non-American, something that is so rare these days) film!
I'm Australian, so i know what a bad movie is. this surprisingly enough isn't one. They only thing missing from this movie to keep it from touching the stars (so to speak) is originality. it has everything else, its funny and violent, and even thru bad acting you can see a great vision. but for me this movie was so good that i can hardly believe it was made by a couple of aussies. Aussie horror has not always been met with open arms by the horror fraternity but hopefully this will erase some of the embarrassment of the horrible horror we have produced.
on top of that this movie has aliens comfortable with being naked, i didn't see that in signs.
on top of that this movie has aliens comfortable with being naked, i didn't see that in signs.
Why didn't anyone tell me about this film? It is 3 years old by the time I first watched it, having spent my horror-watching hours on hateful crap like 'Saw' and the other torture flicks Hollywood has been churning out in that time. This is a funny and creative gore flick along the lines of early Peter Jackson and Sam Raimi: 'Bad Taste' comes to mind.
I can't say this is a great film- but it does show great promise for the writer/directors. The effects are cheap but decent. Flawed in many respects, the kitchy attitude helps to gloss over the faults allowing an enjoyable experience.
If you enjoy gooey gore, over-the-top dialog and craziness- and willing to look past a low budget ... add another 2 stars and WATCH THIS FLICK.
I can't say this is a great film- but it does show great promise for the writer/directors. The effects are cheap but decent. Flawed in many respects, the kitchy attitude helps to gloss over the faults allowing an enjoyable experience.
If you enjoy gooey gore, over-the-top dialog and craziness- and willing to look past a low budget ... add another 2 stars and WATCH THIS FLICK.
It seems to be the latest fad - movies directed by duos (brothers usually). You've got the Pang Brothers who brought us the magnificent The Eye, the Wachowski's for the Matrix trilogy, and the Coen Brothers to mention the biggies. Now add to that list the Spierig Brothers - these guys are going to be big, believe me. And if their film, Undead is any indication, they won't be unknown for too long.
I was fortunate enough to see a copy of this film on the weekend, and I must admit, I went into it not being a huge fan of the zombie genre, but I have come out a total fan!!!
The thing that stood out the most to me about this film, was the CG effects. They are simply flawless!! I cannot compliment the team behind them enough. You would be hard up to find effects of this ilk in any film produced outside of Hollywood. I think the effects alone raise the film above schlock and unbearable to watch to something that screams mass-release!!! There is definitely a market out there for this film, and I am so glad that it is being released to major markets shortly.
The comedy in the film was timely, the horror and effects were appropriate, and the acting was, was... Australian!!!! My only criticism was some of the music score - it went a bit over the top with the comical undertones in places where I thought it could have been stronger with its intensity. It's really a small criticism in the scheme of things as I thought the movie as whole was an impressive addition to the Speirig Brothers CV's.
I was fortunate enough to see a copy of this film on the weekend, and I must admit, I went into it not being a huge fan of the zombie genre, but I have come out a total fan!!!
The thing that stood out the most to me about this film, was the CG effects. They are simply flawless!! I cannot compliment the team behind them enough. You would be hard up to find effects of this ilk in any film produced outside of Hollywood. I think the effects alone raise the film above schlock and unbearable to watch to something that screams mass-release!!! There is definitely a market out there for this film, and I am so glad that it is being released to major markets shortly.
The comedy in the film was timely, the horror and effects were appropriate, and the acting was, was... Australian!!!! My only criticism was some of the music score - it went a bit over the top with the comical undertones in places where I thought it could have been stronger with its intensity. It's really a small criticism in the scheme of things as I thought the movie as whole was an impressive addition to the Speirig Brothers CV's.
I caught Undead's second and final Festival screening last night, and it is just fantastic. I cannot understand how a film so cheap (cost about two million Australian, as I recall) could look so incredibly good. Most of the visual effects were done on a laptop, and they are just stunning. According to one of the Spierig brothers (the identical twins who wrote, directed, and produced the film, as well as managing the effects) the film contains 305 special effects, and maybe ten of those effects shots don't quite work.
Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.
It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.
I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.
Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.
It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.
I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.
Did you know
- TriviaThe film was entirely funded by the directors and their family and friends.
- GoofsWhen the party enters the General Store, Marion walks in completely naked. In the next shot, inside the store, we can clearly see him wearing striped boxers.
- Alternate versionsThe original Australian version of the film had a runtime of 104 minutes (24fps). For the US release, about seven minutes of footage was removed for a runtime of 97 minutes (24fps). The following footage was removed for the US release. (Runtimes correspond to the 25fps PAL version.) 2:23 - 4:46: The introduction of Wayne's character working for charter flights and the introduction of Molly's character's with her first day on the job as a constable and being asthmatic. 27:18 - 30:07 The bunker scene is extended with more arguing between the characters and the police trying to confiscate Marion's guns. 31:14 - 31:54 In the bunker, Molly tries to offer calming words with an old memory, but does not help. 61:15 - 61:54 After driving away from the wall, the van scene is extended with the characters questioning about what happened to Molly and about the mysterious cloaked figure they saw. 63:14 - 64:06 Arriving back in town, there is an extended scene of the characters getting out of the van and Wayne nervously trying to take charge of the group.
- ConnectionsEdited into Cent une tueries de zombies (2012)
- SoundtracksLittle Green Men
Written by Cliff Bradley & Damien Taylor
Performed by Buttkrak
Recorded and Produced by Cliff Bradley
©Cliff Bradley 2002
Details
- Release date
- Country of origin
- Language
- Also known as
- Những Kẻ Không Chết
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- A$1,000,000 (estimated)
- Gross US & Canada
- $41,196
- Opening weekend US & Canada
- $8,527
- Jul 3, 2005
- Gross worldwide
- $187,847
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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