Undead

It seems to be the latest fad - movies directed by duos (brothers usually). You've got the Pang Brothers who brought us the magnificent The Eye, the Wachowski's for the Matrix trilogy, and the Coen Brothers to mention the biggies. Now add to that list the Spierig Brothers - these guys are going to be big, believe me. And if their film, Undead is any indication, they won't be unknown for too long.

I was fortunate enough to see a copy of this film on the weekend, and I must admit, I went into it not being a huge fan of the zombie genre, but I have come out a total fan!!!

The thing that stood out the most to me about this film, was the CG effects. They are simply flawless!! I cannot compliment the team behind them enough. You would be hard up to find effects of this ilk in any film produced outside of Hollywood. I think the effects alone raise the film above schlock and unbearable to watch to something that screams mass-release!!! There is definitely a market out there for this film, and I am so glad that it is being released to major markets shortly.

The comedy in the film was timely, the horror and effects were appropriate, and the acting was, was... Australian!!!! My only criticism was some of the music score - it went a bit over the top with the comical undertones in places where I thought it could have been stronger with its intensity. It's really a small criticism in the scheme of things as I thought the movie as whole was an impressive addition to the Speirig Brothers CV's.

Something is seriously wrong in the quiet Queensland hamlet of Berkeley: rocks are falling from the sky, carrying a virus that turns local residents into flesh-crazed fiends. And that's just the start of the powerhouse slam-bang debut from Brisbane twin filmmakers Peter and Michael Spierig, an audacious triumph of invention and imagination over budget and genre constraints. Even more remarkable is the fact that two local Brisbane boys have achieved the impossible and created an original Aussie zombie epic that is set to lay waste to the international horror community.

Ever the post-80s horror boom cultural vultures, Spierigs plunder shamelessly from the expected sources - the grey apocalypticism of George A Romero's Dead trilogy, the outrageous gore setpieces of Peter Jackson's blood-soaked Bad Taste and Braindead, the camera histronics of early Sam Raimi and Coen Brothers efforts - while breathing new life into the long-exhausted zombie cycle and making a film that is entirely their own. Undead marries a wholly unpredictable narrative, jawdropping effects (graphic enough for the most jaded of gorehounds) and a frighteningly assured grasp of cinematic language. As expected there's buckets of gallows humour, but the film never trades cheap laughs for its primary purpose: delivering good old-fashioned blood-curdling shocks.

If Aussie horror is a dead duck, Undead blows it out of the water.

I caught Undead's second and final Festival screening last night, and it is just fantastic. I cannot understand how a film so cheap (cost about two million Australian, as I recall) could look so incredibly good. Most of the visual effects were done on a laptop, and they are just stunning. According to one of the Spierig brothers (the identical twins who wrote, directed, and produced the film, as well as managing the effects) the film contains 305 special effects, and maybe ten of those effects shots don't quite work.

Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.

It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.

I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.

I'm Australian, so i know what a bad movie is. this surprisingly enough isn't one. They only thing missing from this movie to keep it from touching the stars (so to speak) is originality. it has everything else, its funny and violent, and even thru bad acting you can see a great vision. but for me this movie was so good that i can hardly believe it was made by a couple of aussies. Aussie horror has not always been met with open arms by the horror fraternity but hopefully this will erase some of the embarrassment of the horrible horror we have produced.

on top of that this movie has aliens comfortable with being naked, i didn't see that in signs.

Berkley, small town in the backwoods of Australia. One sunny day turns suddenly for worse, when a meteor storm raids over the village, turning everyone in to a brain munching zombies.

But soon it comes evident, that it's the aliens who are behind all this.

Well, the heroes of the film are our regular ragged bunch of men and women, some of them cool, some of them nervous as bleep. Two cops, pregnant woman, woman with problems, a pilot and a village idiot. And only the village idiot seems to know whats going on. Or does he?

Undead is your typical small budget, gore infested zombie flick, with a one difference: it has actually pretty neat special effects and some of the photography is pretty good looking.

But, then it comes to the plot: some jokes work, some don't. Behaviour of people stranded in Berkley doesn't have any sense at all, mostly they are just running around.

But thanks to good directing this movie rises above the most poorest excuses of the genre.

It certainly is watchable.