The Illusionist

Kind of a strange movie but very original and entertaining! It was a Gothic-romance period-piece drama-mystery, and quirky characters and a bizarre--or at least unusual--plot held my interest.

Edward Norton's character plays an inscrutable but romantic master illusionist. But is he just a master illusionist or has he developed powers to effect the creepy conjuring of those who have passed on? (Regardless, the guy is so easy on the eyes.)

Jessica Biel is beautiful and good in her role but I couldn't help thinking, "Hey, Jessica, Scarlett Johanssen called. She wants her lips back."

Paul Giamatti bothered me just a tad at first because he spoke in a near-whisper and had a scruffy beard so you couldn't read his lips. He got louder and his character developed pretty darned well, thank goodness. Actually, he was fantastic (so what else is new?).

The makers of this movie did the same thing the makers of Little Miss Sunshine did--made me want to see the film twice, but for different reasons: LMS because the first time I saw it, I laughed so hard I cried, and I really needed a laugh again (and got it); The Illusionist because I was like the audience for the title character's shows the first time I saw it--just kind of naive and awed and staring up at the action with my mouth hanging open. So I'll have to see it again and pay attention. Kind of like when my daughter told me to go see The Sixth Sense again and pay attention to what Bruce Willis's character was wearing. (Plot-wise, this is unrelated, folks--just a movie watcher's analogy.)

At first, the old-fashioned circle wipes seemed a little distracting, but in retrospect, they were part of the excellent movie-making decisions that created the illusion of time and place in this film. A really good story with really good art direction and really good actors, costumes and settings. Definitely worth a go-see--or two!

This movie was stunning in many aspects. Visually in terms of locations, inside and out, there was great consistency and a nothing seemed strained. The story weaved fluidly through these locations and seemed to make the locales a vital part of the story. Ed Norton was mesmerizing, a superb performance that allowed the story to unfold seemingly at his discretion. Jess Biel was very believable and stunningly beautiful. Paul Giamatti (sp) played an admirable role and took the viewer by surprise in many elements of the story. The story was fresh and imaginative, very intriguing. Not as predictable as you would think. We saw this at a Sundance screening and the entire theater of 500+ seats was full and when the movie was over all you could hear was excited and happy chatter, lots of applause as well. Director came out for a Q&A after and was very amiable in answering questions. Highly recommended!!!

The Illusionist is directed by Neil Burger and Burger adapts the screenplay from "Eisenheim the Illusionist" written by Steven Millhauser. It stars Edward Norton, Paul Giamatti, Jessica Biel and Rufus Sewell. Music is by Philip Glass and cinematography by Dick Pope.

How splendid, a period romantic mystery that's filled with the mysticism of magical conjurings and political volatility. Plot essentially has Norton as Eisenheim The Illusionist, who later in life runs into Sophie (Biel), his childhood sweetheart, and finds that she's on course to marry Crown Prince Leopold (Sewell). Leopold has a bad reputation and it's not long before Eisenheim comes under Leopold's disdain, forcing Eisenheim to try and pull off the ultimate magic act to save Sophie and himself.

Creator Neil Burger crafts a picture that has everything going for it. The story is rock solid with intrigue credentials, where appropriately for a story based around magic tricks nothing is ever as it seems. The period flavours are smartly assembled, the Czech Republic locations smartly standing in for turn of the century Vienna, the art production is on point with the era of setting, as is the costuming. Glass drifts a tender melancholic score over the piece, while Pope's cinematography is simply gorgeous, offering up colour lensing that's aura enhancing, the kind you could get lost in for days.

The magic tricks are beguiling, as they should be and are in fact required since the narrative tantalisingly suggests Eisenheim may have supernatural powers? The story itself has no historical worth, but is fascinating none the less. It all builds towards its revelations, and much hinges on if the pay off is worth the admission fee? Most assuredly so it is, even if from a personal point of view this writer wouldn't have minded if pic had finished five minutes before the final revelation.

Either way, and with smart acting (Giamatti as the police inspector standing out) without histrionics holding things at the top end, this is delicate film making that engages the emotions fully for entertainment rewards. 8/10

The Illusionist is a very entertaining movie. The beginning of the movie sets an awesome foundation for the rest of the film to work with, without making the rest of the movie predictable and pointless. Although the basic story of boy gets girl, boy loses girl may not be original, the way the plot is presented with the excellent magical imagery keeps one interested in Edward Norton's character. My only complaint would be that the movie needs a little editing towards the end as the creators seem to show basically the same scene over and over in an attempt to drive home Norton's character's emotional distress. Unfortunately, this gets a little monotonous for viewers. Still, Norton, Sewell, Giamatti (and surprisingly Biel) provide excellent performances that, along with the beautiful cinematography, make a great movie.

First of all, let me say this was a beautifully-filmed movie, just gorgeous from first to last frame. That gets big points with me. Just as impressive was the story, a fantasy-mystery- romance-drama combination set in Vienna, Austria, around the turn of the 20th century.

It is a story that should keep most viewers intrigued all the way and perhaps surprised quite a bit at the end. Edward Norton does his normal job of making you fascinated with whatever character he's playing, this time a magician with almost supernatural powers: "Herr Eisenheim." The character he plays, and the tone of the movie in general, is pretty low-key with next to nothing in (on screen) violence or profanity.

It's simply a classy film and a modern-day one that older folks would very much enjoy as well as younger adults. Paul Giamatti also is very interesting as the police inspector, torn between his allegiance to the villain crown prince and to the truth and what is the right thing to do. The movie, however, belongs to Norton.

In a nutshell: good stuff, classy film. I haven't talked to anybody yet who watched this and didn't like it.