Miracle at Sage Creek

I loved the fact that this was a gritty western wrapped in a family friendly blanket that all ages can enjoy. The cowboys and the Indians blending nicely into a melting pot that was more accurate to the old west then some showings. The script was well crafted and the cast brought it all to life. I loved Wes Studi's calm turn as a kind grandfather in sharp contrast to his powerful roles as violent aggressive characters in "Dancing With Wolves" or "Last of the Mohicans." I'm excited for the two upcoming western's "The Hard Ride" and "Wild Michigan" and I think Thadd Turner deserves all the attention for making these westerns come to the screen. Tim Abell is also worth noting as a gentle yet strong "bridge" between the two worlds of the white man and the Native Americans. Carradine is on target as Ike the "Scrooge" of this Christmas Western. I think this will be a classic when looked back upon many years from now.

The filming locations (Arizona, standing in for Wyoming) are indisputably gorgeous, and I appreciate the set design and decoration. Fine detail went into costume design, and James Intveld demonstrates a keen eye for some artful shots. Why, hats off to cinematographer Virgil L. Harper - his contribution is very noteworthy; all we see looks fantastic. Michael Parks is a name that should be a boon for any cast, and while David Carradine's countenance doesn't necessarily guarantee value in a picture, especially in the latter years of his career (see: 'The last sect'), it's nonetheless a pleasure to see him here. With that said, I think everyone before the camera gives performances of welcome sincerity.

Would that I could say I felt 'Miracle at Sage Creek' was more remarkable, and more deserving of specific praise. I don't think it's bad. But nor is it really noteworthy. Outside of the actors, much about the movie feels a little too staged and inauthentic for its own good. The themes and story ideas, and their application, are very familiar: loss, faith, injustice, racism, interpersonal conflict, hardship, hope, and so on. Scenes of drama are a little overbearing, scenes of action are underwhelming - and yet with that said, the chief feeling I get from the picture isn't "balanced," but "middling." More than half the length had passed and still it felt like I was waiting for the movie to properly begin. No doubt there are viewers who find this very satisfying, and fulfilling; I found the experience to be about as equivalently meaningful as checking off a to-do list of household chores.

These feelings extend to the scene writing, characters, dialogue, overall narrative, and Intveld's orchestration of scenes and the guidance of his cast. Honest though all the assembled actors are in their portrayals, I don't know that I can say anyone especially impresses here; at some critical junctures their delivery appears stilted, dampening the impact a story beat should have. This seems so much like a film one can "watch" without actively engaging with it, and still see all while retaining nothing. Once more - none of this is to say 'Miracle at Sage Creek' is outright bad or wholly undeserving. Clearly there's an audience for this title, and I'm just not it. However, I plainly find it less than engrossing - unexceptional - undistinguished.

Is 'Miracle at Sage Creek' worth 90 minutes of your time? You could certainly do a lot worse. You could just surely do much better, too.

Can a western be too nice? Yup, as much as I hate to say it here, because this a goodhearted, good-messaged film with good people and - yes, a touch of good Christianity, the fact remains it's a dull movie for the most part.

You need some kind of edge in a western and it's not here, at least in the first half of the film. If you're boring in the first 30-60 minutes, you're going to lose them.....even in a very nice movie like this one.

In a faith-based film, as this is, I don't expect nor want profanity or gory stuff, but you have to have some action and some villains that are more than just one old man carrying a grudge and acting a bit sour, as Keith Carradine does here. That isn't enough.

However, kudos for the effort and for bringing God into a positive light in a western movie. I was glad to at least support like that with my rental money. I also appreciated seeing nice kids, a nice mom and dad, and I always enjoy seeing Wes Studi. I wish he had a bigger role in here. The acting in here was fine, too.

There are a lot of good elements to this film, but it got off to such a slow start it lost me.

Miracle at Sage Creek

Movie Review for the Cowboy Chronicle, International monthly publication for SASS (Single Action Shooting Society)

By Steve Shaw

Rarely are Westerns made for television these days. The few exceptions attempt to recast the Western in a bitter, physically violent role, oftentimes with offensive language. Westerns the entire family can enjoy are difficult to find…they just don't make 'em anymore. Miracle at Sage Creek is a rare, welcomed change. This well-developed story, with fine acting, has you speculating about the miracle, since several materialize; a splendid and appropriate family-oriented film for the Christmas holidays. The story is set in 1888 Wyoming with David Carradine portraying rancher Ike Franklin, a hard-nosed, ruthless old man, embittered with the death of his wife at the hands of a Sioux war party ten years earlier. Just before Christmas, Ike hatches a scheme to legally remove neighbor Chief Red Eagle (superbly underplayed by Wes Studi) and his family off their small adjacent homestead with the use of US Cavalry. Red Eagle's son-in-law, John Stockton, a one time suitor of Ike's daughter Mary, perhaps the only man that could reason with Ike, is ambushed, shot and left for dead by villainous road agents while on his way home from town. Ike's daughter Mary and her husband, Seth, operate the Sage Creek Station, a stagecoach stop on the road between Lush and Chadron. Ike disapproves how the two are raising their two young sons, and of course, feels Seth not good enough for his daughter. When their youngest son, Kit, becomes infected with scarlet fever and is not expected to recover, Ike's despondency intensifies. How these two families overcome their prejudices and the tragedies befalling them is capably told. This film will elicit a tear of two, as should any well-told Christmas story. David Carradine is at his best, supported by, arguably one of the best actors to portray an Indian, Wes Studi. Familiar names and faces sustaining these two veterans are Buck Taylor, Tracy Nelson, Michael Parks, Irene Beddard, and Tim Abell. The film, shot at Old Tucson Studios' Mescal movie site in Arizona, is directed by James Intveld, by a script written by Thadd Turner. Turner should be familiar to many of you. His well-researched, non-fiction book "Wild Bill Hickok: Deadwood City – End of Trail" was reviewed and recommended by this author in a previous Cowboy Chronicle issue. Thadd was a national level competitor in Cowboy Action Shooting from 1995-2001 and was a contributing editor for True West Magazine from 2001-2003. Through his production company, Talmarc Productions, Turner produced this film and also served as stunt coordinator and co-lead wrangler. In fact, if you look close, you will see Turner as one of the US Cavalry troopers attempting to evict the Indian family. The film has been picked up by American World Pictures for distribution through Hallmark with a release date of January 2006. Check your local listings.

Michael Landon's "Little House on the Prairie" is similar in concept, and "Miracle at Sage Creek" producers should have watched a few of those shows to learn how to make a viewer's heart feel a story. And too many production liberties were taken. For example, the only thing cold about the weather was the conversations about how cold it was.

I like a "feel-good" story, but it needed more showing and less telling. The characters simply were not developed very well, so it was difficult to share their troubles or feel great about the resolutions of those troubles. And time was wasted on meaningless "excusions". For example, we were given a rather lengthy introduction to the Judge's wife early, and then she never reappeared.

This is the kind of movie I like and pull for, but this one was B Rated at best.