IMDb RATING
5.2/10
4.5K
YOUR RATING
Aditya an engineer, travels to Canada for training. There he meets Jia a beautiful woman from an influential family. Fate keeps pushing the pair together, and even though both are already be... Read allAditya an engineer, travels to Canada for training. There he meets Jia a beautiful woman from an influential family. Fate keeps pushing the pair together, and even though both are already betrothed to others, Adi and Jia fall in love.Aditya an engineer, travels to Canada for training. There he meets Jia a beautiful woman from an influential family. Fate keeps pushing the pair together, and even though both are already betrothed to others, Adi and Jia fall in love.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Bhagyashree Patwardhan
- Simran R. Kohli
- (as Bhagyashree)
Vivek Shauq
- Nawab Sharif
- (as Vivek Shaq)
Ranjeet Bedi
- Harpreet Malhotra
- (as Ranjeet)
Delnaaz Irani
- Tanya Berry
- (as Delnaaz Paul)
Upasana Singh
- Paramjeet G. Ghuggi
- (as Upasna Singh)
Gurpreet Ghuggi
- Gurpreet Ghuggi
- (as Gurpreet Guggi)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I am a bit surprised that I didn't come across any reviews mentioning how similar this movie is to "Notting Hill" from Hollywood. Honestly, it feels like they've taken the script and scenes from the movie without much thought. On a brighter note, Akshay's acting was on point, and Katrina looked stunning as always. All things considered, I'd give it a 6.
i loved this movie and have the DVD i have watched it over 20 times everything in this movie is so good the songs the scenery acting everything its a love story between akshay and katrina and how they both fall in love with each other and then overcome the obstacles thrown towards them by them been engaged to sum1 else its very sweet and even though katrinas voice was dubbed she did a very good job acting wise akshay was great this guy can romance a 23 yr old at the age of 39 and look 25 only akshay could do that anil and bipasha also add a good touch to the movie but akshay and katrina carry this movie out fantastically watch it stuff the bad reviews this movie is a real tear jerker romance
6d500
this film is bollywood's classic love melodrama. in terms of plot it offers nothing new or interesting.
but what is does offer is the fresh pairing of akshay & katrina, one of the positives of the film. director raj kanwar is famous for such melodramatic films and HDKG is no exception. there are many songs in the movie, and they keep irritating. the dialogues are okay, the technical features such as editing and cinematography are okay too, nothing brilliant. this is the type of film females will enjoy more as opposed to males.family audiences will be more suited to this film than others. the music is allover average, Fanaa is a great track and the title song is passable
hdkg gets a mediocre rating more because of the fact that it offers nothing new, rather than the film being bad. i suppose, when you see too much of something, you start looking at it in a bad light??
now to the performances. i have always maintained that akshay has the potential to be the amongst the top. he tries hard in hdkg, and succeeds. it is a restrained performance, another feather in his cap and makes the fact more prominent that hes amongst the best superstars today. katrina is a revelation. she looks great and acts well. a pity that her dialogues are still being dubbed! the rest of the cast are OK.
in the end, the film is bad but isn't good either. watch it if you're an akshay/katrina fans or if love dramas is your cup of tea!
but what is does offer is the fresh pairing of akshay & katrina, one of the positives of the film. director raj kanwar is famous for such melodramatic films and HDKG is no exception. there are many songs in the movie, and they keep irritating. the dialogues are okay, the technical features such as editing and cinematography are okay too, nothing brilliant. this is the type of film females will enjoy more as opposed to males.family audiences will be more suited to this film than others. the music is allover average, Fanaa is a great track and the title song is passable
hdkg gets a mediocre rating more because of the fact that it offers nothing new, rather than the film being bad. i suppose, when you see too much of something, you start looking at it in a bad light??
now to the performances. i have always maintained that akshay has the potential to be the amongst the top. he tries hard in hdkg, and succeeds. it is a restrained performance, another feather in his cap and makes the fact more prominent that hes amongst the best superstars today. katrina is a revelation. she looks great and acts well. a pity that her dialogues are still being dubbed! the rest of the cast are OK.
in the end, the film is bad but isn't good either. watch it if you're an akshay/katrina fans or if love dramas is your cup of tea!
"Humko Deewana Kar Gaye" is a quintessential romance movie directed by Raj Kanwar which showcases the ever evolving Bollywood actor Akshay Kumar. Fans as well as those who have never seen his films before will doubtless enjoy his charismatic performance. He shows sensitivity and strength in his portrayal of Aditya, a man who finds himself more and more captivated by the fragile and determined Jia portrayed by the beautiful Katrina Kaif. The problem is that both of them are engaged to be married to someone else.
Shot on location in Calgary, Canada, the feel of the movie is very Western in many ways with a good amount of English dialogue sprinkled here and there. The music and dances perfectly compliment the budding love story and incorporate both Western and Indian dance. The colorful supporting cast starting with Aditya's fiancée, Sonia (the alluring Bipasha Basu) make the story more realistic by adding a familial dimension to it.
The movie asks an important question. Will family traditions be honored or will love prevail? The answer to that question is to be found in this gem of a Bollywood movie which will show us that love is what truly connects us all.
Shot on location in Calgary, Canada, the feel of the movie is very Western in many ways with a good amount of English dialogue sprinkled here and there. The music and dances perfectly compliment the budding love story and incorporate both Western and Indian dance. The colorful supporting cast starting with Aditya's fiancée, Sonia (the alluring Bipasha Basu) make the story more realistic by adding a familial dimension to it.
The movie asks an important question. Will family traditions be honored or will love prevail? The answer to that question is to be found in this gem of a Bollywood movie which will show us that love is what truly connects us all.
In an age when Hindi cinema is winning global respect with films like Black, Rang De Basanti and Being Cyrus, one Humko Deewana Kar Gaye is enough to tarnish the image of the entire industry as a place that churns out conventional crap.
What's new about the film one might ask? Absolutely nothing. The same boy-meets-girl story. Both engaged to someone else. Celebration Song! Boy saves girl from goondas. Both fall for each other. Dream sequence love song! The 'someone else' makes an entry at the interval point and takes away the girl. Heartbreak song! And at the end the 'someone else' hands over the girl into the boy's arms. Reunion song! Happy ending? No, a sad beginning! How could director Raj Kanwar at the first place think to start a film on such an age-old clichéd plot? The director claims to have been inspired by some real life story to make this movie. Seems like the real-life story he came across was Kuch Kuch Hota Hai. This is the zillionth version of the film in Bollywood.
For how long will the actors indulge in melodrama in the name of performances? For how long will a cinematographer keep revolving the camera during song sequences on cliff ends and mountaintops in the name of scenic photography? For how long will the producer rope in actors for special appearances as surprise elements that no more remain a suspense till the movie releases? For how long will a director regurgitate rotten recipes and yet claim that his film is 'different'? And for how long will the audiences encourage stars rather than performers? The problem with HDKG is it's one-dimensional story. Right from scene one the viewer can predict the next scene without going wrong till the last scene. The screenplay is lousy, long-drawn-out, impractical and simply yawn inducing. The writing (actually the lack of it) is so bland that there are no plot-points, twists or turns in the story that would grab your attention.
Picture this scene where Akshay and Katrina are trapped inside their car stuck amidst snow. Throughout the night they don't get out of the car because the doors are stuck in snow. And as morning arrives, Akshay simply scrolls down the window and gets out. So what was he waiting all night for inside the car? To sing a song in a dream sequence and inflict pain on the audience.
Akshay Kumar makes you laugh in the film. Now that obviously is not a compliment considering that the film is not a comedy but an emotional drama. Now we are so used to see Akshay in comic roles where he mocks melodrama that when he actually tries to be serious in this film, the scene ends up being unintentionally funny. Not that Akshay is a bad actor, but he is surely wasting his potential with such shoddy scripts.
Katrina Kaif gets maximum scope with her screen time and puts in a sincere effort. But then the film has its limitations. Bipasha Basu only gets to flaunt the close up shots of her belly-button in two songs.
And was it goodwill or good money that made Anil Kapoor sign the film? Because there was certainly nothing good about the role! He tries his best but his character is so underdeveloped and ineffective that you feel sorry for the actor. He gets into frenzy over his possessiveness pangs but for the sake of a Bollywood hero, turns typically large-hearted at the end and parts away with his fiancée to reunite her with her true love.
Interestingly the climax of the film traverses the anti-cultural path as against the other mushy flicks in this genre that go on endorsing Indian traditions. But if director Raj Kanwar thinks that he has attempted something path-breaking in this film by showing a married woman leaving her husband and getting back to her ex-flame, he is mistaken. It will take him ages to come in contact with the modern day film-making. His last few films from Andaaz, Ab Ke Baras to Dhai Akshar Prem Ke had nothing new to offer. We would still prefer a Judaai or a Laadla from you Raj ji even if that takes you to remake a south flick. At least that is better than repeating tried-n-tested Bollywood formulas.
The translation of Deewana can have different connotations from crazy to mad. Humko Deewana Kar Gaye lives up to the title with respect to the latter connotation.
What's new about the film one might ask? Absolutely nothing. The same boy-meets-girl story. Both engaged to someone else. Celebration Song! Boy saves girl from goondas. Both fall for each other. Dream sequence love song! The 'someone else' makes an entry at the interval point and takes away the girl. Heartbreak song! And at the end the 'someone else' hands over the girl into the boy's arms. Reunion song! Happy ending? No, a sad beginning! How could director Raj Kanwar at the first place think to start a film on such an age-old clichéd plot? The director claims to have been inspired by some real life story to make this movie. Seems like the real-life story he came across was Kuch Kuch Hota Hai. This is the zillionth version of the film in Bollywood.
For how long will the actors indulge in melodrama in the name of performances? For how long will a cinematographer keep revolving the camera during song sequences on cliff ends and mountaintops in the name of scenic photography? For how long will the producer rope in actors for special appearances as surprise elements that no more remain a suspense till the movie releases? For how long will a director regurgitate rotten recipes and yet claim that his film is 'different'? And for how long will the audiences encourage stars rather than performers? The problem with HDKG is it's one-dimensional story. Right from scene one the viewer can predict the next scene without going wrong till the last scene. The screenplay is lousy, long-drawn-out, impractical and simply yawn inducing. The writing (actually the lack of it) is so bland that there are no plot-points, twists or turns in the story that would grab your attention.
Picture this scene where Akshay and Katrina are trapped inside their car stuck amidst snow. Throughout the night they don't get out of the car because the doors are stuck in snow. And as morning arrives, Akshay simply scrolls down the window and gets out. So what was he waiting all night for inside the car? To sing a song in a dream sequence and inflict pain on the audience.
Akshay Kumar makes you laugh in the film. Now that obviously is not a compliment considering that the film is not a comedy but an emotional drama. Now we are so used to see Akshay in comic roles where he mocks melodrama that when he actually tries to be serious in this film, the scene ends up being unintentionally funny. Not that Akshay is a bad actor, but he is surely wasting his potential with such shoddy scripts.
Katrina Kaif gets maximum scope with her screen time and puts in a sincere effort. But then the film has its limitations. Bipasha Basu only gets to flaunt the close up shots of her belly-button in two songs.
And was it goodwill or good money that made Anil Kapoor sign the film? Because there was certainly nothing good about the role! He tries his best but his character is so underdeveloped and ineffective that you feel sorry for the actor. He gets into frenzy over his possessiveness pangs but for the sake of a Bollywood hero, turns typically large-hearted at the end and parts away with his fiancée to reunite her with her true love.
Interestingly the climax of the film traverses the anti-cultural path as against the other mushy flicks in this genre that go on endorsing Indian traditions. But if director Raj Kanwar thinks that he has attempted something path-breaking in this film by showing a married woman leaving her husband and getting back to her ex-flame, he is mistaken. It will take him ages to come in contact with the modern day film-making. His last few films from Andaaz, Ab Ke Baras to Dhai Akshar Prem Ke had nothing new to offer. We would still prefer a Judaai or a Laadla from you Raj ji even if that takes you to remake a south flick. At least that is better than repeating tried-n-tested Bollywood formulas.
The translation of Deewana can have different connotations from crazy to mad. Humko Deewana Kar Gaye lives up to the title with respect to the latter connotation.
Did you know
- TriviaThis film was inspired by a true story.
- GoofsThe car Aditya drives for the test-run is a Toyota. He is asked to represent the company for the upcoming race. However for the race he is driving a Subaru.
- Quotes
[repeated line]
Aditya Malhotra: Trust me!
- ConnectionsReferences The Lion King (1994)
- SoundtracksHumko Deewana Kar Gaye
Written by Sameer
Composed by Anu Malik
Performed by Sonu Nigam and Tulsi Kumar
Courtesy of Super Cassettes Industries Limited (T-Series)
- How long is Humko Deewana Kar Gaye?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Предчувствие любви
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $250,083
- Opening weekend US & Canada
- $108,630
- Apr 16, 2006
- Gross worldwide
- $1,149,417
- Runtime
- 2h 35m(155 min)
- Color
- Aspect ratio
- 2.35 : 1
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