Fearless

i think this movie is quite straightforward. anyone knows a little about Chinese history should know that in the early 20th century china is quite weak.and 1910 was just 10 years after the invasion of baguo lianjun(the union of troops of eight countries).and Chinese people then were called dongya bingfu (the ill of east asia). an insult to Chinese at that time. huo yuanjia is the first martial art master at that time that has waken the spirit of Chinese people and proved to the world that Chinese are not dongya bingfu.so if you don't know the history of modern Chinese, you may find it another martial art movie.but as a Chinese, i think this movie not only a martial art movie but also a brief biography of huo yuanjia with historical background.

While not as accomplished as Hero (2002), this film is successful, benefits from combat scenes particularly well choreographed and (it's sufficiently rare to be noted) a moral. Thus, if the first half might be reduced, by being slightly in bad faith, to a succession of d*ck comparisons, the second half highlights a philosophy of life based on respect, dignity and honor, even with the foreigners, even while knockin' on heaven's door. Nice! As a synthesis: 7/8 of 10.

This is an exciting, beautiful, exceptional martial arts movie that cements Jet Li's superlative contribution to kung-fu cinema. It is absolutely filled with stirring martial arts and gloriously made, with eye-filling cinematography. Although the story is simple, it is heart-felt and effective. It's hard to understand how anyone who could call this boring, unless they are so jaded and cynical that their review would be useless in any case. This film is a great accompaniment to Jet's Shaolin Temple series, Once Upon a Time in China films, Fist of Legend, and Hero, and an absolute must-see for anyone who enjoyed those films.

Let's get to the point. This is Jet Li's best movie in years. Not because of the fight scenes, but because the plot is engaging throughout and the emotional tension of the movie works, even though it was a bit tangled with a bit of preach.

The plot is simple. I think everyone here knows about it, so I won't spent time talking too much about it. Jet Li plays Huo Yuan Jia, an arrogant young man that has no regard for human life so to speak, and in one brash move, he indirectly caused the death of his family. He journey to a remote village to learn humility. This is probably the weakest part of the film. Mainly because a large part of it was cut out from the theatrical release. Huo had a few dialogues with Betty Sun, who played a blind girl. Their relationship was very underdeveloped. And Huo's return to Shanghai to fight was with brevity, and hardly explained. He returns to Shanghai and defends his country's honor.

I thought Jet Li did a great job acting both as the arrogant man and as the wiser wushu master. But people of course, came to see Jet Li fight. And to me, the earlier fight scenes are good, but have too much computer effects and slow motion. Still, it was refreshing to see Jet Li return to using Chinese Kung Fu.

The best fight scenes in the movie are definitely the battle between Huo and Nathan Jones, the hulking giant and the weapons fight between the Japanese Samurai and Jet Li using the sword against the three sectional staff. The ending was very emotional, and it was refreshing to see a different take unlike most endings of old Jet Li movies.

The movie could have been better of course, but I was very satisfied with it, both the plot and the action sequences.

9/10

Almost flawless, this new release improves on the style and genre in a significant way. The film is presented in a way that the viewer can appreciate it from several perspectives without heavily relying on the genre's standard formulas. We don't have to wade through the typical love triangle, the maniacal drug lord contracting a hit, or the beloved school's instructor being tortured and murdered before the ultimate revenge takes place. This film has a legitimate story line, skillfully presented in a clear and well edited manner.

Although the film was generally concerned with the development of a specific fighting style and philosophy, the audience is also treated to some authenticity of the then Chinese culture and the biography of a Chinese martial arts master. These features seem to give the production a much higher level of credibility than the average martial arts action movie.

Although we did experience some speed editing in fight scenes, it was done in such a way that it enhanced, rather than detracted, from the believability of the film. In "House of Flying Daggers", for example, the ballet and acrobatic like choreography of some of the fight scenes tended to undermine, rather than enhance. If there was any flaw in the fight scenes present, it was minor. This flaw may have been inescapable because of the inherent limitations of the style of the film itself. For example, trivial features such as disconnected striking combinations at the expense of speed editing, or the fact that the Japanese martial artist did not seem to be using a typical Japanese style of fighting. (It appeared to be a combination of Chinese and Korean oriented styles).

This film should, by all rights, reset the bar for the standards of martial arts films from now on. It was simply an outstanding film in every way.