The Gospel

This was by no means an outstanding movie, and if I didn't feel some professional obligation to see it (I'm a pastor) I probably would have passed. But then I would have missed out on a solid film telling a compelling story with some fine acting and even better music.

Yes, many of the characters are two-dimensional, and yes, the plot is predictable. But that's because it's telling an old, old story. Within that old, old story a variety of subplots bring up real-life issues in families, workplaces, churches...and excuses to bring on some very fine black gospel music (as well as gospel adaptations of popular "white" tunes).

I'm not a pastor in the black church, so I can't speak to the back rooms of that culture, but I can say that most pastors of whatever stripe do face the lure to "bigger and better," whether it be budget or attendance or campus acreage or book sales or conference registrations. And the wives of pastors face the constant challenge of being both honest and supportive, without losing their own integrity in what's a very difficult environment.

I would definitely recommend this film; for all its shortcomings it is a powerful piece.

Its saddening that a lot of people have just voted '1' just to ruin the rating of this film on IMDb. I doubt if anyone really believes it is that bad as there are very few films (that I have chosen to watch) I would give ratings below 2. Equally a few people have given it 10 to counteract the 1's sadly they are out numbered. I have rated it 7 as I believe it had its highlights but also a few shortcomings.

I don't think you need to be a Christian to watch the film and not even black (I can remember seeing only one white character that spent more than two seconds on screen, what a change). One requirement might be to enjoy music though.

The film starts with a very good mass choir rendition of a popular gospel tune 'Our God is an Awesome God' (has about 5 minutes of screen time over the opening credits) and later there are at least 2 other performances of equal duration. Sadly the performance by Fred Hammmond of Commissioned fame was interspersed with acting. There was also singing from Yolanda Adams and Tamyra Grey (former American idol contestant).

As the story opens, Pastor Fred Taylor has a thriving church in Atlanta which his son David is leading in praise and worship. David's mother dies and he blames Fred for never being there for them. David leaves the church and 15 years later becomes a successful R&B Singer with a hit on the charts called "Let Me Undress You." David's friend, Rev Charles Frank (Idris Elba)who was also in youth ministry stays behind at the church becomes an associate minister and is now in line to take over the church which happens to now be having financial problems.

Pastor Fred develops cancer and David returns home to be with his dad and the rest of the film focuses on his internal dilemma whether he should focus on his music career or the church and the leadership battle between Frank - who has now developed a great ego - and Associate Pastor Terrance Hunter (Donnie McClurkin).

Boris Kodjoe (once voted as one of the 50 most beautiful people on the planet) was very good in the lead role as David Taylor however there were a few areas where his acting came across as being stiff when he was out of his comfort zone. I was impressed by his acting when he was leading the choir. Omar Gooding was also excellent as the Manager/sidekick. Other members of the cast were very good including Idris Elba, Clifton Powell and Donnie McClurkin.

The movie attempted to explore church politics in a very realistic way, however I was a bit disappointed at the sudden reversal of Frank. (Perhaps it will be explored further in the deleted scenes on the DVD. (And to the reviewer from earlier - yes some of us do want to see the deleted scenes).

I must admit I don't see links to the fighting temptations as that was mainly a comedy and this was a powerful drama.

My main criticism is that they tried too hard to give the film a happy ending that would please all but it didn't strike me as being very realistic. Overall though a very good film worth watching.

A story of redemption, pride, jealousy, and reconciliation.

Fine cast with a stirring gospel soundtrack.

Although others have criticized the camera work and editing, those aspects of the movie neither bothered me nor detracted from my enjoyment of this uplifting film. I found that the acting, music, and story were engaging and enjoyable.

The singing performances of the choral groups and such gospel stars as Yolanda Adams, Fred Hammonds, Mom Winans, and Martha Munizzi combined nicely with, and elegantly complemented, the dramatic work of Idris Elba, Omar Gooding, Nona Gaye, and Clifton Powell.

American IDOL finalist Tamyra Gray shined in her acting and singing roles and showed that she has a bright future.

Not an award winning film, but quite entertaining.

The Gospel is an enjoyable movie with excellent singing. This is a feel good movie that probably won't earn an Oscar but it is very entertaining nevertheless. Some members of the cast were exceptional including Idris Elba, Clifton Powell and Donnie McClurkin. Tamyra Gray did a good job in her big screen debut. It had a good message and I would recommend it. If you enjoy gospel music, this movie should not be missed. Some of the top stars of gospel music appear in this movie including, Yolanda Adams, Fred Hammond, Hezekiah Walker, etc. This movie gives a fairly good depiction of church politics. It has comedy, drama and some tragedy mixed in. A good movie for the entire family. The soundtrack of the movie is enjoyable also.

I have a confession. It was out of the pure, unmitigated desire to see Idris Elba, the delectably evil Stringer Bell from HBO's "The Wire", on the big screen that I agreed "to have church," via the movie theater on a Friday night. I must say, the guilt along with the redemption was worth it. And I know I'm a sinner in that I didn't know who to look at first, Idris in his wife-beaters and tailored suits or Boris Kodjo in washed jeans and black leather--too much glorious macho for one screen let alone one southern black church. Kodjo is warm, expressive, and impressively at ease in walking that line between saint and sinner as he uses his God given gift to save the church and at the same time is not above beating down the unrepentant if the situation demands it. If I have one complaint, it would be that the sexual rivalry was implicit but not fully heightened to dramatic ends, though I am sure such a heightening would have compromised the message. Nona Gaye's moments on screen, The Matrix, Crash, are always a visitation of nearly ethereal grace, nobility, and an uncompromising beauty. The audience applauded at movie's end, vowing to buy the soundtrack and pick up a prayer book.