The Last King of Scotland

With "The Last King of Scotland," Kevin MacDonald has created a bracing, exciting and totally satisfying thriller.

Forest Whitaker gives a titanic performance as Idi Amin, Ugandan dictator who rose to power in the 1970s. James McAvoy plays Nicholas Garrigan, a Scottish physician who travels to Uganda for the adventure and wins Amin's affections, becoming his personal doctor. Garrigan enters into a moral crisis as he begins to realize the kind of man Amin is, and begins to fear for his own life as events spiral more and more out of his control.

Whitaker seizes the chance to play this larger than life character and runs with it -- I've never seen Whitaker give so convincing and transforming a performance. However, as good as he is, McAvoy impressed me more. His performance as Garrigan is not as showy, but it's much more textured and subtle, and his character has the bigger arc from start to finish. Gillian Anderson also does terrific work in a small role as a fellow doctor, who understands things about Amin and the African culture that Garrigan does not.

Unlike other recent thrillers set in African nations ("The Constant Gardener," "Hotel Rwanda"), "The Last King of Scotland" is not greatly concerned with the geo-political implications of Amin's reign. The atrocities he committed against Ugandans are given only the barest of mentions, and the film sticks almost exclusively to Garrigan and the danger he himself faces. Some may think the film is irresponsible for this reason -- that the plight of one man pales in comparison to the plight of thousands, and I can see where a criticism like that is justified. But the movie packs a powerful wallop regardless, and complaints like this seem like quibbles when up against such an entertaining movie.

Grade: A

Greetings again from the darkness. A true tour de force by Forest Whitaker ... the best performance of the year so far! Somehow Mr. Whitaker captures the madness and charm of Ugandan dictator Idi Amin. Amin was one of the first political rock stars. He used the media to his advantage as his regime slaughtered hundreds of thousands of his countrymen.

Also impressive is James McAvoy ("Chronicles of Narnia") who plays the dramatized Nicholas Garrigan, a young doctor who sets out on an adventure to make a difference in a small country and ends up counseling one of the most powerful madmen in history. Scottish documentarian Kevin Macdonald directs the film with only a few lapses in directness, which serve this biopic very well. Watching Amin and the young doctor immerse themselves in the shower of power is both frightening and sickening. Macdonald captures this spirit very well thanks mostly to his willingness to let his two leads do their thing.

As Amin laughs and tells Garrigan that "You are my closest adviser", I couldn't help but compare to Kathy Bates telling James Caan (in "Misery") that "I'm your number one fan". The evil and insanity is simply chilling. Whitaker is just amazing as he flips the switch from media darling to cold blooded, ruthless murderer ... and then back again. Just a terrific performance and well worth the price of admission - maybe a couple of times! Good for a laugh is the most unique version of Janis Joplin's "Me and Bobby McGee" that you have ever heard ... guaranteed! See this one for a bit of history and the site of a real monster, but also for one of the best film performances ever.

Forest Whitaker's ferociously charismatic turn as Idi Amin so dominates this intense historical fiction that it is honestly difficult to pay attention to anything else in this 2006 political thriller. Even though he is definitively the emotional locus, he is intriguingly not the protagonist of the story. That role belongs to young James McAvoy, who plays Nicholas Garrigan, a precocious Scottish doctor who ventures to Uganda to satisfy his need for adventure after graduating medical school. By happenstance, Garrigan is called upon to help Amin with a minor sprain after his private car plows into a cow. Impressed by the young man's lack of hesitancy to take action, Amin appoints Garrigan to be his personal physician, a post that seduces the impressed doctor into the Ugandan dictator's political inner circle and extravagant lifestyle.

Scottish director Kevin MacDonald brings his extensive documentary film-making skills to the fore here, as he creates a most realistic-feeling atmosphere in capturing the oppressive Uganda of the 1970's. Helping considerably with this image are the vibrant color contrasts in Anthony Dod Mantle's cinematography and the propulsive action induced by Justine Wright's sharp editing. Screenwriters Peter Morgan (who also wrote "The Queen") and Jeremy Brock have developed a sharply delineated character study of Amin, who evolves from a magnetic leader giving hope to his people to a scarifying tyrant conducting murders on an imaginable scale (at least until the genocides in Rwanda and Darfur). It is impossible to over-praise Whitaker's towering performance here. He conveys the dictator's playfulness as well as his unmitigated rage moving from simmering to full boil with a power that is at once bravura and subtle. His relationship with the fictionalized Garrigan turns out to be the plot's essential pivot point, although the contrast between the two can be almost too extreme at times.

While McAvoy admirably captures the boyish naiveté of Garrigan, the character is drawn out in rather broad strokes that make his self-delusion all the more contrived as the story progresses. To intensify the political upheaval portrayed, the plot takes a melodramatic turn into an adulterous affair and even folds in the infamous 1976 Entebbe hijacking incident to illustrate Garrigan's increasingly precarious situation. It's all exciting and even downright brutalizing toward the end, but it also starts to feel a bit too Hollywood in execution. Kerry Washington shows genuine versatility as Amin's cloistered third wife Kay, while Simon McBurney oozes cynical suspicion with ease as a British operative. A convincingly Brit-accented Gillian Anderson makes her few scenes count as a weary clinic worker who proves to have better instincts than Garrigan. But see the movie for Whitaker's magnificent work. He is that good.

I watched this film because i had heard so much about it and it lived up to they hype. The film is totally gripping and Forrest Wittaker is superb as the dictator. I didn't stop watching the film for one second throughout you simply couldn't. Both Whittaker's and the Scottish doctor are very charming characters particularly Whittaker's in the beginning.

Its rare to see such a fantastic film as this which moves at a nice pace pealing away the layer of the dictators true persona and having such a great cast and great acting as well.

Its a pity Gillian Andersons character didn't get more time on screen as shes such a great actress and of course beautiful.

A superb film 9/10

The newly qualified Dr Nicholas Garrigan travels to Uganda to take up a post with a village mission. He arrives just after a coup puts Idi Amin in power of the country. During a visit by Amim to the village, Garrigan captures the President's attention by tending to a small injury to his hand and showing himself decisive and strong-willed. It is not long before the young Garrigan finds himself appointed as physician to the President and ensconced as one of his "closest advisors". However the initial charm shown by Amin gives way to a darker violent streak as Garrigan finds the superficial stability of the country and its leader is nothing of the sort.

Famous now for the performance that will deservedly win an Oscar in a few weeks time, this film actually doesn't have Amin as the "main" character despite him being the draw and the title character. Instead we actually spend a lot of time with Garrigan, his experiences and his problems. Of course I understand why this was the way because Garrigan is out narrative device – a composite character who acts as our way into the inner circle of Amin and allows the audience to experience him as outsiders as well. This works well in doing this but it does also introduce problems, or at least one problem. This is the fact that, as the story goes on, we find ourselves more and more focused on Garrigan (who doesn't actually exist) rather than Amin or Uganda (who did and does exist respectively). I found this a bit irritating as it got worse because I had come to the film for Amin – as, I suspect, many will have done.

Even with this though the film still works well and makes for an engaging piece. Macdonald's direction is good and his moving camera does give it the air of a documentary while still very much being a drama. Of course the thing that makes the film work is the central performance from Whitaker. The character of Amin allows him to play to his strengths and he delivers a convincingly unhinged turn, constantly menacing but also managing to have a child-like sense of fun at times and a terrifying tendency towards ruthlessness and violence. I have said before, he was brilliant in The Shield (making the whole season his own) and he is equally brilliant here. Alongside this it is no surprise that McAvoy is a bit weak by comparison. His character is not so convincing (a side effect of being a composite) and some of the narrative turns ask a lot of him – he is still good and it is not his fault that he is in Whitaker's shadow. Washington has a small role but was pretty good in it even if her presence made me wonder why they felt they had to cast an American actress, likewise Anderson but I assume that they helped get funding so fair enough. McBurney is a bit too slimy and sinister and I wasn't sure what the film was trying to say. Audiences may also recognise Oyelowo from his recent high-profile roles in HBO's Five Days and BBC's controversial Shoot The Messenger.

Overall then not a perfect film but a pretty good one. The use of Garrigan is good at getting us into the story but it is a weakness that we stick with him as the focus. The performances are roundly good but of course it is another terrific turn from Whitaker that makes every scene he is in worth seeing.