Densha otoko

When looking into foreign movies they are not originally made for a vast public like Americans. Japanese culture is nothing like American or European culture, its actually the exact opposite. You may not understand everything about that through this movie and you should not judge the movie because you don't understand it. This movie is a great movie, it has decent acting, most can agree the plot is predictable at times. For everyone who did not like the move because it seemed rather strange try to re-watch it with an open mind. Recommendations for people who like Japanese movies include: Tokyo Sonata and The Departures. Two very good movies not as humorous but tell a lot about the Japanese culture and also have great plots.

Whether it was 40 years or 4 months ago, those who remember their first date will most certainty bath in the glow of empathy with this sweet little movie. It'll be an added bonus for those who are watching it with still the same person.

But there's more. To the still uninitiated, this little gem is an eye-opener to the culture of Internet chat room. Through skillful interplay between split-screen and full screen, a group of our hero's best chat mates is shown to be his council of courtship advisors. This comprises a passionate young nurse, a young man (student, presumably) who locks himself up in his room with the computer most of the time, a man and a woman at their late twenties or early thirties (an office worker and a housewife respectively) and a group of three young chaps, the official clowns of the movie. We soon see how they are emotionally very involved with our hero's joys and woes, hopes and fears, which have become very much part of their own lives. There's also one nice little spoiler that is unveiled quite early in the movie.

Our hero is a young "otaku", a term (neutral rather than derogatory) used to describe people who are so indulged in the virtual world of comics, animation and computer games that they have lost touch with real human beings, manifested in their acute shyness and inability to communicate with others. All these change when he, with a sudden surge of impulse, helps a lovely lassie that is molested by a drunken passenger on a train. The courtship is innocent and sweet, completely opposite to the other genre where the protagonists jump right into bed an hour after they first met. It's also funny, in a nice, gentle sort of way.

One IMDb comment mentions that the character of the girl "Hermes" (nicknamed so because she sent him a set of Hermes cups to thank him) has not been as developed as even the supporting characters, and adds that this is perhaps intentional. I think so. The focus of the movie is on our hero the "Train man" and, to a lesser extent, the supporting characters. Hermes is an idolized figure and her sweet, composed charm contrasts perfectly with his nervous, tantalizing uncertainty. Incidentally, in the stage version of this true story, she doesn't even appear in person but is only a voice off- stage.

Starting as a true story, "Train man" has taken Japan by storm, in every media conceivable – Internet story, comic, book, movie, stage play and, last but not least, hugely popular TV drama starring gorgeous Ito Misaki.

This film is apparently based on a true story about a nerdy computer/anime geek who is very shy who saves a young lady from a drunk on the train. Their relationship slowly develops from there. As the train man, Takayuki Yamada does a very good job being angst ridden as he goes out with the very pretty Miki Nakatani. He has a support network of computer geeks who give him dating advice, root for him and sometimes envy him. Its this element that makes the movie a lot of fun. The film is quintessentially Japanese, as Tokyo comes alive, full of bright lights and ultra modern. You want to fast forward to see what happens, but don't. Just enjoy it, its a nice story well filmed and with good acting. I recommend it to any fan of romantic comedy.

Densha Otoko is the true story of a young man who lives in Tokyo, but spends most of his life on his computer or shopping for anime character figurines. Unconfident in public, he has never learned how to talk to women, lacking all the social skills we have come to expect from leading characters in romance films. Usually relying on the internet as his social net, he finds himself posting messages to a popular Japanese BBS (bulleton board service chat room), asking for love advice. Much of the dialog from the original BBS posts is preserved in the film (both on-screen and spoken), and much of the supporting cast is composed of those who respond to his internet posts.

I particularly loved the film because it shows one of the most authentic views of Japanese city life of any film I've ever come across. In particular, people who live in big cities like Tokyo spend a great deal of their time on the subway, where this love story begins. Thus, after the main character has posted the story of his train encounter to the BBS, other users begin to call him Densha Otoko (Train Man). Too many recent drama films, particularly from Japan, have become too melodramatic, but Densha Otoko is a beautiful, authentic love story.

If you've spent much time chatting on the Internet, you've probably had a conversation along these lines at some point: "They should make a movie like this!" "Naah... who wants to see a movie about a bunch of people sitting at computers typing?" Densha Otoko finally answers that question, and does it in superb style. By use of split-screen, and computer text overlaid on real environments, it makes the online chats visually interesting and fast-paced.

But this isn't just some technical storytelling exercise. At its heart, it's a funny and charming romance. Unlike just about every other "naive protagonist gets dating advice" movie, this one is astonishingly pure-hearted.

On consideration, I dropped it a point because I felt the character of the love-interest was under-developed. Her role in the romance never quite got fully believable. As even the minor characters are properly developed, perhaps she was intentionally left as a mysterious figure.

I really hope this gets a wider audience outside Japan. This is a wonderful, wonderful film, but the central role played by typed Japanese text is going to be a barrier to international audiences. Perhaps the best we can hope for is a competent Hollywood remake. Please, no Jennifer Lopez.