A slacker is forced to work for his father-in-law after his pregnant wife steps away from her high-paying job.A slacker is forced to work for his father-in-law after his pregnant wife steps away from her high-paying job.A slacker is forced to work for his father-in-law after his pregnant wife steps away from her high-paying job.
Yaffit Hallely
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Robert John Burke
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- (as Robert Burke)
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Featured reviews
Zach Braff ("Scrubs"), Amanda Peet ("Studio 60..") and Jason Bateman ("Arrested Development") help this little film just over the "average" bar. Even though their characters are pretty shallow, they put in a good performance and partly succeed in making you forget about the shabby script. There are a couple of funny moments, but without this cast the movie would have fallen apart, its strictly formulaic approach and lack of any inspiration just being too obvious. It's not as bad as "The Last Kiss", but Braff should choose his options more wisely, unless he wants his well-deserved Garden State acclaim to go down the drain.
Recommended only for fans of the above-mentioned stars, the rest of you is not missing out on anything.
Recommended only for fans of the above-mentioned stars, the rest of you is not missing out on anything.
If I were to look at it, I would say The Ex aka Fast Track forms a loose trilogy of sorts with regards to growing up, and somewhat like a natural progression in the different stages of life that Zach Braff's characters form when stringed together. With Garden State, it's in the 20s where you're having a feel for the ground, exploring your options and not knowing exactly what life will dish out to you.With One Last Kiss, so you think that you're dead sure about your other half, you're getting married and vowing to spend the rest of your lives together, and suddenly an ingenue comes along, and cast doubts about that.
Plenty of what-will-you-do moments, with outcome that are different depending on your values, but totally possible, and brought out earnestly through Braff's performance as the everyday man. In The Ex, Zach Braff plays the blue collar salaryman whose hotshot lawyer wife had just given birth and as agreed, she'll be a stay home mum. But he just got fired from his job, thus sending their agreement into red alert zone. Taking up his father in law's offer, he uproots himself, wife and baby and starts work in a new age advertising company, only to meet up with his wife's ex.
You'd come to expect the usual jokes about not fitting into a totally different corporate culture with its own idiosyncrasies, conflict with the parents, and the constant threat posed by the wife's ex Chip Sanders played by Jason Bateman, which I bet almost every male would want to kill given his attitude and back stabbing nature. It's classic office politics at work as we root for the survival of Zach's Tom Reilly, though at times you'd expect him to have a little more backbone, and a little bit of smarts to survive the jungle out there.
If that sounds a little like Meet The Parents, it does. And it also is styled after Just Friends in the rivalry department, where two guys do battle over a girl, only that this time, it's the third party up against a married couple. Though I'd say it again, nothing beats riling you up when you see how the bastard at work gets away with almost everything, and get incensed with his obvious intentions to bang his ex, i.e. the wife.
The flow of the movie did seem a little broken at times, which I suspect that there were a lot more filmed than was put on screen, perhaps saving them for the DVD release. The ideas injected into the movie were numerous, but that made for the narrative feeling a little scattered. For instance, Amanda Peet as the wife Sofia Kowalski didn't really have much to do except nurse the baby, and be in some of the most trying comedic scenes such as the ones involving yoga.
Fans of Braff will not want to miss yet another familiar performance, and remember to stay tune during the credits for a coda, as well as various bloopers, some of which are genuinely funnier than the bits that made it to the movie.
Plenty of what-will-you-do moments, with outcome that are different depending on your values, but totally possible, and brought out earnestly through Braff's performance as the everyday man. In The Ex, Zach Braff plays the blue collar salaryman whose hotshot lawyer wife had just given birth and as agreed, she'll be a stay home mum. But he just got fired from his job, thus sending their agreement into red alert zone. Taking up his father in law's offer, he uproots himself, wife and baby and starts work in a new age advertising company, only to meet up with his wife's ex.
You'd come to expect the usual jokes about not fitting into a totally different corporate culture with its own idiosyncrasies, conflict with the parents, and the constant threat posed by the wife's ex Chip Sanders played by Jason Bateman, which I bet almost every male would want to kill given his attitude and back stabbing nature. It's classic office politics at work as we root for the survival of Zach's Tom Reilly, though at times you'd expect him to have a little more backbone, and a little bit of smarts to survive the jungle out there.
If that sounds a little like Meet The Parents, it does. And it also is styled after Just Friends in the rivalry department, where two guys do battle over a girl, only that this time, it's the third party up against a married couple. Though I'd say it again, nothing beats riling you up when you see how the bastard at work gets away with almost everything, and get incensed with his obvious intentions to bang his ex, i.e. the wife.
The flow of the movie did seem a little broken at times, which I suspect that there were a lot more filmed than was put on screen, perhaps saving them for the DVD release. The ideas injected into the movie were numerous, but that made for the narrative feeling a little scattered. For instance, Amanda Peet as the wife Sofia Kowalski didn't really have much to do except nurse the baby, and be in some of the most trying comedic scenes such as the ones involving yoga.
Fans of Braff will not want to miss yet another familiar performance, and remember to stay tune during the credits for a coda, as well as various bloopers, some of which are genuinely funnier than the bits that made it to the movie.
Writers David Guion and Michael Handelman and director Jesse Peretz must have called in a lot of favors when they made "The Ex," for how else to account for the presence of Zach Braff, Amanda Peet, Jason Bateman, Charles Grodin, Mia Farrow, Amy Poehler, Fred Armisen, Paul Rudd and Amy Adams in as slight an indie comedy as the one they have manufactured here? And "manufactured" is definitely the operative term in this case, for "The Ex" feels contrived and phony from the get-go.
After he gets fired from his job as a chef in an upscale Manhattan restaurant, Tom Reilly (Braff) moves with his wife and infant son back to her hometown in Ohio where he gets a job at the same ad agency where his father-in-law (Grodin) works. One of the employees, Chip (Bateman), an old flame of Tom's wife, Sofia (Peet), tries to sabotage Tom at every turn, undercutting him at work and trying to rekindle the romance between Sofia and himself.
"The Ex" fails on a variety of levels, but the primary one is that, while it is supposed to be a satire of small town, middle American values, most of the characters - with their New-Age quirkiness and bohemian eccentricities - seem as if they'd be more at home living in some converted loft in Soho than on a tree-lined street in suburban Ohio. The setting of "The Ex" doesn't feel like Anyplace, USA; in fact, it doesn't feel like anyplace, period, except maybe the fantasy world of two overpaid Hollywood screenwriters. Add to this an assortment of unappealing and unappetizing characters, a tendency towards sitcom-level humor and plotting, and an over-reliance on heavy-handed slapstick and sight gags, and you have one of the major comedy disappointments of 2007. Braff is definitely a talented actor, but "The Ex" is a career path misfire that should be mercifully forgotten
After he gets fired from his job as a chef in an upscale Manhattan restaurant, Tom Reilly (Braff) moves with his wife and infant son back to her hometown in Ohio where he gets a job at the same ad agency where his father-in-law (Grodin) works. One of the employees, Chip (Bateman), an old flame of Tom's wife, Sofia (Peet), tries to sabotage Tom at every turn, undercutting him at work and trying to rekindle the romance between Sofia and himself.
"The Ex" fails on a variety of levels, but the primary one is that, while it is supposed to be a satire of small town, middle American values, most of the characters - with their New-Age quirkiness and bohemian eccentricities - seem as if they'd be more at home living in some converted loft in Soho than on a tree-lined street in suburban Ohio. The setting of "The Ex" doesn't feel like Anyplace, USA; in fact, it doesn't feel like anyplace, period, except maybe the fantasy world of two overpaid Hollywood screenwriters. Add to this an assortment of unappealing and unappetizing characters, a tendency towards sitcom-level humor and plotting, and an over-reliance on heavy-handed slapstick and sight gags, and you have one of the major comedy disappointments of 2007. Braff is definitely a talented actor, but "The Ex" is a career path misfire that should be mercifully forgotten
A fairly amusing show where Braff's character deals with a co-worker in a new job that had had a thing with his wife in high school. This comedy doesn't bring anything new to the genre, but is a fair watch overall with some interesting elements.
The Good: Appropriate length, Fair acting, Great gag reel (after some credits start rolling), amusing overall, villain is mean, but doesn't cross the line- after all comedies are not about sadistic, truly evil villains. They are usually funny, selfishly misguided people, and Bateman fits the bill perfectly.
The Bad: Too much slapstick humor, had more potential, some scenes were unfocused and with no real purpose.
The Good: Appropriate length, Fair acting, Great gag reel (after some credits start rolling), amusing overall, villain is mean, but doesn't cross the line- after all comedies are not about sadistic, truly evil villains. They are usually funny, selfishly misguided people, and Bateman fits the bill perfectly.
The Bad: Too much slapstick humor, had more potential, some scenes were unfocused and with no real purpose.
So I just see this online the other day.
What can you say. It's an older film and the titles obvious for what you'd expect.
But it's Bateman, he's great at this type of thing and only got better.
So if you want a laugh right now. Then have a look.
But it's Bateman, he's great at this type of thing and only got better.
So if you want a laugh right now. Then have a look.
Did you know
- TriviaCharles Grodin's first film role in 13 years.
- GoofsTom and Manny walk down a street supposedly in Ohio. In the background, however, we can clearly see the High Line, an abandoned elevated railway in Manhattan.
- Quotes
Sofia Kowalski: [Abby March makes comment about how Sofia isn't a happy person and Abby thinks it's bad for baby Oliver] You know what I think? You're an idiot. And your son Petey... is a dipshit.
- Crazy credits"Harold and the Purple Crayon" by Crockett Johnson is published by HarperCollins, but the credits write it as "Harpers Collins."
- Alternate versionsSPOILER WARNING The version of the film on the Unrated DVD is drastically different than, and is in fact shorter than, the theatrical release. The plot point in which it is revealed that Chip was faking his handicap is never revealed. The following scenes are removed from the film:
- The hospital scene where Oliver is born and named.
- The scene where Tom plays basketball with Chip in a wheelchair.
- The scene between Tom and Chip in the locker room.
- The scene in which Chip reveals he can walk to Tom.
- The scene in which Chip reveals he can walk to Sofia, Wesley and Wesley's father. (This appears as an alternate ending on the DVD)
- The scene in Barcelona where Chip is at the Idea building. However, the Unrated version has several short new scenes including:
- A bizarre dream that Tom has.
- More of Amelia's Spanish speaking.
- ConnectionsFeatured in Siskel & Ebert: Spider-Man 3/Lucky You (2007)
- SoundtracksDrinks for Two
Written and Performed by Paul Williams
Published by Cypress Creek Music (ASCAP)/Ocean Ridge Music 1 (SOCAN)
Courtesy of 5 Alarm Music
Details
Box office
- Gross US & Canada
- $3,093,394
- Opening weekend US & Canada
- $1,394,229
- May 13, 2007
- Gross worldwide
- $5,178,640
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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