Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
- Awards
- 4 wins & 6 nominations total
Featured reviews
A Dame to Kill for is by no means a boring or bad film. It succeeds as a satisfying sequel to the far more novel and perhaps stronger Sin City... it is bloody, violent, beautifully made, with cool deep voices, nudity and clearly fitting into the film noir genre. Where it falls short is in the charactersationssliding a bit, the strength of two original stories, the change in actors and the gap between the first and second film. There is also a desperate need for more iconic moments which the Sin City comics and the film has plenty of, but they never really come in A Dame to Kill for.
The characters seems less edgy, less strong charactered and some despite being far more stereotypical carries less of a punch. Especially Marv and Dwight who are the central characters fall a bit short. With Dwight almost feeling detached from the story he is the centre character of. I never thought I would find myself ever thinking that Owen over Brolin. Rourke however seems to have lost some of his edge again, but still causes plenty of mayhem. The new original story lines is probably as good as the rest, but it feels like we never get a very satisfying end out the first one of it especially because it plays as probably the most straightforward story with less of the iconic art work or stunning scenes put in it, it relies on Gordon-Hevitt's abilities more than anything else. The second original story however fairs better mostly due to Alba's dancing and Rourke's brute. If one has not recently seen Sin City and goes to see this it can be a bit hard putting things into place in it's sequel... most people benefit from having seen Sin City recently in order to truly enjoy the film's anachronistic narrative.
It is an awesome film, I will not argue against that, and it does give people more of what they want from Sin City. And there is maybe couple of camels to swallow. But I think in time when seen in union with it's predecessor and sequel(s) it will come out stronger than it might appear now.
I saw the 3D version and surprisingly it actually works well for the film, although I am sure the film would be just as good in 2D alone. It is worth seeing in the cinema, it has the scale/action/importance and beauty to justify that. It will not be remembered for it's visuals as much as Sin City, but it will be recognised for how it fits into the Sin City style.
The characters seems less edgy, less strong charactered and some despite being far more stereotypical carries less of a punch. Especially Marv and Dwight who are the central characters fall a bit short. With Dwight almost feeling detached from the story he is the centre character of. I never thought I would find myself ever thinking that Owen over Brolin. Rourke however seems to have lost some of his edge again, but still causes plenty of mayhem. The new original story lines is probably as good as the rest, but it feels like we never get a very satisfying end out the first one of it especially because it plays as probably the most straightforward story with less of the iconic art work or stunning scenes put in it, it relies on Gordon-Hevitt's abilities more than anything else. The second original story however fairs better mostly due to Alba's dancing and Rourke's brute. If one has not recently seen Sin City and goes to see this it can be a bit hard putting things into place in it's sequel... most people benefit from having seen Sin City recently in order to truly enjoy the film's anachronistic narrative.
It is an awesome film, I will not argue against that, and it does give people more of what they want from Sin City. And there is maybe couple of camels to swallow. But I think in time when seen in union with it's predecessor and sequel(s) it will come out stronger than it might appear now.
I saw the 3D version and surprisingly it actually works well for the film, although I am sure the film would be just as good in 2D alone. It is worth seeing in the cinema, it has the scale/action/importance and beauty to justify that. It will not be remembered for it's visuals as much as Sin City, but it will be recognised for how it fits into the Sin City style.
After 9 years Robert Rodriguez and Frank Miller finally made a sequel to their masterpiece from 2005, Sin City, and.... no-one went to see it. One of 2014's biggest and definitely the most surprising box office bomb, critics were also fairly unkind to the film. It's not as bad as some say it is, but it's best summed up as this: The Kick-Ass 2 of 2014. An enjoyable sequel which lacks the original's impact and misses the point, and struggles to hit a peak when the scene stealer from the first is off screen. In Sin City: A Dame To Kill For, we return to the nastiest, darkest and grittiest city in comic book movies for more brutal stories of justice, sin and moral corruption. In one Marv becomes an amnesiac, in another a cocky gambler finds himself in trouble when he beats the wrong man at poker, in another Nancy Callahan takes revenge on the man who caused the death of John Hartigan and another involves Dwight's encounter with a mysterious femme fatale played by Eva Green. What's noticeable about these stories? They emphasize action and that wasn't the point of the first.
Sin City was a great film because of its emotional power and characterisation. Here, mostly we're getting black and white shapes beating each other up like some generic beat em up flash game with little subtlety or grace. The script sags in places and the film refuses to focus on developing its characters or some sort of emotional impact. It never goes into unwatchable territory, but it's just curiously flat some of the time and it's hard to understand why. All you know is you'd rather be watching the first movie. It's still visually mind blowing and has some beautiful shots. It's well acted by its ensemble cast with Mickey Rourke and Eva Green being the standouts. There are many different voice overs but the film manages never to feel pretentious. You'll likely find yourself moderately enjoying it throughout without ever being particularly interested in what's happening. It's pretty safe to say Sin City 3 will not be happening after this, but the legacy of the original has not been tarnished.
6/10
Sin City was a great film because of its emotional power and characterisation. Here, mostly we're getting black and white shapes beating each other up like some generic beat em up flash game with little subtlety or grace. The script sags in places and the film refuses to focus on developing its characters or some sort of emotional impact. It never goes into unwatchable territory, but it's just curiously flat some of the time and it's hard to understand why. All you know is you'd rather be watching the first movie. It's still visually mind blowing and has some beautiful shots. It's well acted by its ensemble cast with Mickey Rourke and Eva Green being the standouts. There are many different voice overs but the film manages never to feel pretentious. You'll likely find yourself moderately enjoying it throughout without ever being particularly interested in what's happening. It's pretty safe to say Sin City 3 will not be happening after this, but the legacy of the original has not been tarnished.
6/10
Sin City was one of my favorite movies of the 2000s. A fun, creative film noir cartoon with unique visuals and a style all its own. The first problem you run into with this sequel is that it offers nothing new. It's a stylistic retread of the first movie, only less impressive. The visuals copy the first movie but somehow seem cheaper. The makeup effects aren't as good either, with Marv's jaw easily twice the size of the last movie. The action is weaker, with no memorable sequences and a final showdown that is derivative of the first movie. The other big problem is that the writing is very poor this time and the stories don't flow well together. The Dwight story is lame. The Johnny story is pointless. The Nancy story is impossible to take seriously, especially the ghost parts. Sadly, this movie is boring, listless, and disjointed. It's a movie that didn't need to be made. Still, it's always nice to see Eva Green naked. That's something that never gets old.
Visually is more of the same and that's good because Sin City visuals are amazing. When it comes to the story itself I personally didn't enjoyed it as much as the first movie especially that with Joseph Gordon-Levitt, that one seemed really pointless. The main story and the one that gives this movie his name was acceptable and the last story gave closure about a previous story. It lacks the brilliant narration of the characters thoughts that the first one had, this still has it but in a minor quantity and without the poetry that the first one had that should be also due to the change of writers because the overall writing in this one felt worst. The action scenes were good but again not as enjoyable as in the first movie and not as violent too. Not a bad movie by any means but when you have that first masterfully done Sin City to compare this doesn't feel as god as it could.
I got to see an advance screening last night. If you're a fan of the first Sin City, you won't be disappointed. It's more of the same, but that's a good thing: hyper-stylized visuals, intense violence, plenty of splattered blood. Film Noir cranked up to 11.
Jessica Alba doing her stripper grind? CHECK. Mickey Rourke causing much harm? CHECK. Josh Brolin is new to the franchise and he is GREAT! JGL is new to the franchise and he is GREAT! But the film really belongs to Powers Boothe. He is just pure evil. If you liked him as Cy Tolliver in Deadwood you'll love him in this.
The only drawback is that the original Miho (Asian female killer) was apparently pregnant at the time of the filming of the sequel, so they had to replace her. That's kind of a bummer.
Fans of the comic / graphic novel will be happy. Fans of Robert Rodriguez will be happy. GO!
Jessica Alba doing her stripper grind? CHECK. Mickey Rourke causing much harm? CHECK. Josh Brolin is new to the franchise and he is GREAT! JGL is new to the franchise and he is GREAT! But the film really belongs to Powers Boothe. He is just pure evil. If you liked him as Cy Tolliver in Deadwood you'll love him in this.
The only drawback is that the original Miho (Asian female killer) was apparently pregnant at the time of the filming of the sequel, so they had to replace her. That's kind of a bummer.
Fans of the comic / graphic novel will be happy. Fans of Robert Rodriguez will be happy. GO!
Did you know
- TriviaThe lead role was originally offered to Johnny Depp, but he declined due to scheduling conflicts. Joseph Gordon-Levitt later replaced him, despite offers to star in other movies such as Guardians of the Galaxy (2014) and Godzilla (2014). In 2006 when Rodriguez first started putting together ideas for "Sin City 2," he considered Depp for the part of Wallace, the lead character of "Hell and Back," which he was hoping to adapt as one of the film's three segments. The idea to adapt "Hell and Back" was scrapped, however, and Rodriguez chose to adapt "Just Another Saturday Night," "A Dame to Kill For," and the never-published "The Long, Bad Night" instead.
- GoofsNancy states that in the first Sin City (2005), Hartigan killed himself by sticking a gun in his mouth and shooting. He actually shot himself in the forehead.
- Crazy creditsRobert Rodriguez's credit for cinematography and editing is displayed as "Shot and cut by Robert Rodriguez".
- ConnectionsEdited into Sin City: A Dame to Kill - All Green Screen High-Speed Version (2014)
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Sin City 2: una dama por la cual mataría
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $13,757,804
- Opening weekend US & Canada
- $6,317,683
- Aug 24, 2014
- Gross worldwide
- $39,407,616
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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