The Great Buck Howard

Houdini was once approached by a student who told him, "I know hundreds of card tricks, how many do you know?" Houdini replied, "Five, and I have dedicated my entire life to learning how to entertain an audience with them".

Buck Howard is a dried up celebrity struggling for his last gasp of fame. Almost forty years ago, Johnny Carson gave Buck Howard the title "The Great Buck Howard" and it stuck. Unfortunately, those years have left their mark and Buck is no longer 'Great'. Despite his tired jokes, sappy piano clap-along songs and magic acts he manages to attract small crowds at far-flung venues in the middle of America. The performances are always "One Night Only", as there would never be enough seat-fillers for a second. So what is exactly that keeps him going?

Colin Hanks plays Troy Gable, a law school dropout looking for a detour to finally get the answer to what he is meant to do in life. Will be able to counsel him a unbalanced magician -or mentalist-?

Nicely done, this film is funny and likable. A modern story about life dreams, the fierce entertainment industry, and the sadness that hides behind a bad temperamental person. Every well-known actor that appears in this film,even if they play short cameo roles, plays an important part.

It's quite a gentle, unusual comedy, so morals behind this movie are hard to get. However, this is a good film worth watching and definitely should be shown as an example of outstanding acting from Malkovich to Star Trek actor George Takei.

Inspired by The Amazing Kreskin, Sean McGinly's 'The Great Buck Howard' tells the story of a fading celebrity mentalist and his travelling assistant. Buck still believes he's a star and is willing to do almost anything legal to stay on top. Egocentric he is, he's also very demanding, rude and inconsiderate towards his employees, blaming them for anything that goes wrong. McGinly's storytelling is very impressive. The film opens with Troy narrating his dream of what to become when he grows up while his dad pushes him to study law. He grows up. Quits law school. Decides to be a writer and then meets the mentalist. Right from the moment Troy meets Buck, the film focuses on their journey.

The writing is first rate. There are no forced filler subplots. Characterization, even of the supporting, is brilliant (which is crucial for a character-driven film). There's a very likable quirkiness about it. The humour works very well. The film kept me engaged all the way.

The modest execution is also well done. Cinematography and score are adequate.

John Malkovich is fantastic in the title role. This is a part that suits him to the T and he performs naturally all the way. Colin Hanks is equally superb as Howard's patient travelling assistant. The actor holds his own. Steve Zahn, Debra Monk, Tom Hanks and Adam Scott provide excellent support. Emily Blunt is decent.

'The Great Buck Howard's a delight to watch. Sean McGinly has made this film with heart and it shows.

I just saw this movie at SIFF. It was well-cast and entertaining. Colin Hanks, Adam Scott, and John Malkovich were especially enjoyable to watch. It is a comedy, but it was written and performed in such a way that I cared about the characters. It was funny and interesting so time flew because I was engaged in the plot. It is appropriate and appealing to a wide age range, and I would have felt comfortable going with my grandmother or my 12-year-old cousin. I especially recommend this movie to families or couples who are just getting to know each other because it will give you something to talk about afterward without ever making you feel uncomfortable or embarrassed. It is not action packed but if you enjoyed "Lars and the Real Girl" or "Little Miss Sunshine," you will probably like "The Great Buck Howard."

The Great Buck Howard is not a great movie, but it is sometimes a sweet movie. Deliberately pushing the nostalgia button, the film bathes in the lost star power of a once famous "mentalist" Buck Howard (John Malkovich), who best represents the simple days of magicians like the Amazing Kreskin (the inspiration for Buck's character). As with Kreskin, Buck once delighted the late night shows, Vegas venues, and small towns such as Akron, Ohio.

Troy Gable (Colin Hanks) drops out of law school to become a writer (his uninspired voice over narration notwithstanding), but first he becomes Howard's assistant, much to the chagrin of his father (Tom Hanks—yes, that Hanks and that real-life father). Troy gets plenty of material from his boss, a dime-store vaudeville diva who yet displays a self confidence and pride to help the most cynical of us see the need to push on in the face of adversity, not the least of which is becoming passé.

Along the way we might learn a thing or two about professional integrity, true grit, and the possibility of love in all the odd places. Troy seems to learn those lessons although Hanks so underplays it's hard to tell. Director Sean McGinly apparently can't coax anything more than dimpled smiles from Hanks, whose similarity to his dad is both physical and temperamental. "Bland" is another word that comes to mind although I found the younger Hanks more animated on the London stage.

More passionate is publicist Valerie Brennan (Emily Blunt, reminding us of egos in Devil Wears Prada), with whom Troy must work and love. But, hey, even Malkovich underplays for this one, although his aging egotist is still impressive with the actor's patented impatience and theatrical outbursts. It's just that the underwhelming script doesn't allow the principals to rise above clichés, and the framing device of the relationship between narrator and mentalist goes nowhere (As it didn't for Gatsby's Nick either, I suppose).

It's a small world of small town vaudeville, fading but eloquent about talent and the need to be who you really are. Not easy, that.

This film is about a young man who quits law school to become the assistant to a waning mentalist performer.

"The Great Buck Howard" has a unconventional beginning, with coloured subtitles helping to get points across. It is a fun way to start a film, yet the rest of the film has a vastly different tone.The title character Buck Howard is an unpleasant and mean guy, and yet somehow he strikes a chord with the viewers. He makes me sympathise with his misfortunes, and feel sad that his amazing acts get overlooked by the public and the press. I wanted Buck Howard to succeed in his tricks, even though he is unpleasant to work with.

I enjoyed watching "The Great Buck Howard".