IMDb RATING
6.1/10
119K
YOUR RATING
Two young Americans with special abilities must race to find a girl in Hong Kong before a shadowy government organization called Division does.Two young Americans with special abilities must race to find a girl in Hong Kong before a shadowy government organization called Division does.Two young Americans with special abilities must race to find a girl in Hong Kong before a shadowy government organization called Division does.
- Awards
- 1 win & 2 nominations total
Hsin-Nan Hung
- Dice Man's Heavy
- (as Sun Nan Hung)
Hal Yamanouchi
- Pop Father
- (as Haruihko Yamanouchi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Worth Watching (if Only For the Scenery Alone!)
All of the reviews I've read of this movie have savaged it and, personally, I didn't think it was nearly bad as bad as all that. There were some interesting characters (the guy they enlist to help them hide themselves from the bad guys comes to mind here), and it put a new and interesting spin on the whole "people with super powers" genre. BUT...what really makes me love this film is the depictions of Hong Kong. See, I have been living in Hong Kong for almost 5 years now and I've told all my friends and family that if they want to get a good look at the many sides of the city (other than the touristy facade is typically presented), watch this movie. The film makers really did a great job of capturing what it's like to wander around Hong Kong, and the cinematography is like eye candy.
Interesting premise...
Push offers a very interesting premise with its wide variety of psychics and the agency trying to keep it all under control and use them. Hong Kong offers an exotic background for the action to take place.
The movie makes an interesting attempt at being half action thriller, reminiscent of a Bourne movie, and half super-hero blockbuster, in the tradition of the X-Men. But director Paul McGuigan is never able to make us fully feel for the characters and their ordeal and the action sequences, while pleasant to watch, never instill emotional response. We're not scared for anyone, our blood does not pump during chases either.
The two stars of Push are an unlikely duo of actor which surprised me somewhat. Chris Evans has often been derided as being just another bland pretty face. Here, he is paired with young Dakota Fanning, who has been revered by many as a child prodigy actress. What's interesting to me is that, had I not seen previous films from these two, I wouldn't notice much difference in quality between the two. They both give a suitable performance. Neither Oscar-worthy nor garbage.
Unfortunately, the support cast is very weak. Camilla Belle is pretty but bland as usual. Cliff Curtis and Djimon Hounsou are both amazing actors but here they have very little to work with. I blame McGuigan and writer David Bourla for not providing them with opportunities to shine.
What makes this movie a 5 rather than a 6 is its confusing and botched conclusion. As if somehow the production ran out of time and needed to wrap things up on the spot. Perhaps hoping for a sequel? Push has an intriguing premise and more than enough basic material to be stretched into a trilogy or even a short TV series but as is the rule of thumb with those sort of things, it is doubtful things will get better should sequels be produced.
I wish the premise had been used to tell a better story, in a better way.
The movie makes an interesting attempt at being half action thriller, reminiscent of a Bourne movie, and half super-hero blockbuster, in the tradition of the X-Men. But director Paul McGuigan is never able to make us fully feel for the characters and their ordeal and the action sequences, while pleasant to watch, never instill emotional response. We're not scared for anyone, our blood does not pump during chases either.
The two stars of Push are an unlikely duo of actor which surprised me somewhat. Chris Evans has often been derided as being just another bland pretty face. Here, he is paired with young Dakota Fanning, who has been revered by many as a child prodigy actress. What's interesting to me is that, had I not seen previous films from these two, I wouldn't notice much difference in quality between the two. They both give a suitable performance. Neither Oscar-worthy nor garbage.
Unfortunately, the support cast is very weak. Camilla Belle is pretty but bland as usual. Cliff Curtis and Djimon Hounsou are both amazing actors but here they have very little to work with. I blame McGuigan and writer David Bourla for not providing them with opportunities to shine.
What makes this movie a 5 rather than a 6 is its confusing and botched conclusion. As if somehow the production ran out of time and needed to wrap things up on the spot. Perhaps hoping for a sequel? Push has an intriguing premise and more than enough basic material to be stretched into a trilogy or even a short TV series but as is the rule of thumb with those sort of things, it is doubtful things will get better should sequels be produced.
I wish the premise had been used to tell a better story, in a better way.
Make a sequel!!
I really liked the concept of this film, with the idea that some people could have psychic powers and the institutes that might try to take advantage of that and use them as weapons, although it has all obviously been done before (Star Trek's Khan Noonien Singh/Deadpool/Captain America/His Dark Materials and many more) and there are a lot of comparisons to be made, but it had its own stuff going on too.
However, I personally felt that given twenty more minutes, this film could have had a better pace, more time to explain what was going on and a chance to see the relationships forming properly, which is where I think it lacked somewhat. I'd like to read a book version in the hope that it would give more information and I'd like to find out what happens after the end of this film as I was left hanging for answers.
My favourite Chris (Google his Twitter Pictures) was good in his role, but I thought Dakota stood out as the best performance. She's a very talented young lady. I also think the guy from Fear The Walking Dead, whose name I've forgotten, has a certain something that is appealing and I liked his character.
An enjoyable watch, but don't get too invested as there doesn't seem to be any additional information on this universe.
My favourite Chris (Google his Twitter Pictures) was good in his role, but I thought Dakota stood out as the best performance. She's a very talented young lady. I also think the guy from Fear The Walking Dead, whose name I've forgotten, has a certain something that is appealing and I liked his character.
An enjoyable watch, but don't get too invested as there doesn't seem to be any additional information on this universe.
Not too bad
The fact I had heard next to nothing about this movie made my expectations low, but while it was light on characterisation and a back story it was an okay 'Super Power' movie. Chris Evans and Dakota Fanning were fine in the leads but I couldn't figure out whether Camilla Belle's performance was deliberate or an inability to act. I would say give the movie a try, it's better than 'Jumper'.
Let yourself be Pushed.
I don't see why this movie has been turned down by so many people or why such a bad word has been spread about it.
Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.
I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.
The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.
I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.
Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.
Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.
All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.
Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.
I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.
The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.
I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.
Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.
Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.
All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.
Did you know
- TriviaIn order to deal with the constant bustle of Hong Kong, director Paul McGuigan and the crew decided to shoot the film "guerilla-style", with the cameras hidden in vans, filming through small holes, and the actors doing their scenes in one take on the streets.
- GoofsDuring the final scene when the mover Victor breaks open the locker to retrieve the case, when the camera pans out to a wider view the locker is clearly no longer broken but is closed and in perfect condition.
- Quotes
Cassie Holmes: [in tears] Tell me I'm a crappy artist and that everything is going to be fine.
Nick Gant: You are a *crappy* artist. Everything is going to be fine, I promise.
- Crazy creditsAs the opening credits appear onscreen, the names and their attributes are wholly or partially redacted (crossed out so as to be illegible).
- SoundtracksRocket
Written by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Performed by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Courtesy of Deaf+Dumb+Blind Records
By arrangement with Zync Music Inc.
Details
Box office
- Budget
- $38,000,000 (estimated)
- Gross US & Canada
- $31,811,527
- Opening weekend US & Canada
- $10,079,109
- Feb 8, 2009
- Gross worldwide
- $48,858,618
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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