Faced with an unplanned pregnancy, an offbeat young woman makes a selfless decision regarding the unborn child.Faced with an unplanned pregnancy, an offbeat young woman makes a selfless decision regarding the unborn child.Faced with an unplanned pregnancy, an offbeat young woman makes a selfless decision regarding the unborn child.
- Won 1 Oscar
- 90 wins & 101 nominations total
Elliot Page
- Juno MacGuff
- (as Ellen Page)
Darla Fay
- Bleeker's Mom
- (as Darla Vandenbossche)
Kaaren de Zilva
- Ultrasound Technician
- (as Kaaren De Zilva)
Candice King
- Girl Lab Partner
- (as Candice Accola)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Juno has to be taken lightly and if done,its just awesome!
Anybody who gets to see the promos or the DVD covers would have enough clue about what the movie is about.Well I can tell you this,its not only the story which was brilliant - Its the wonderfully written screenplay,great acting by the casts,captivating photography with great locations and of course Ellen Page's incredible acting which has made a mark. There is generally a specific group of audience who could appreciate a certain movie,but when it gets to Juno...anybody above the "PG13" audience will definitely love it.The movie is about emotions,friends,innocence,parenthood,commitment and of course the fun in living it up! I enjoyed watching the movie over a Sunday afternoon at home,I just fell in love with it :)
Review of Juno
Juno has an effect on you. You can tell by the opening title sequence that this movie has a lot of heart. The unique dialogue may come off as annoying to some but I find it to be one of the reasons the characters feel so real and likable. I felt as if Juno was a real person throughout the whole film, thanks to Ellen page. Her performance is perfect and there could not have been a better pick for the lead role. All of the casting choices are great. Including J.K. Simmons and Allison Janney as Juno's Parents. Jason Reitman did his best directing in his career by far on this film, in my opinion of coarse. Diablo Cody's perfect script would have been ruined by any other director. But Reitman has an amazing control of tone. On a personal level Juno has left an impression on me and I will truly never forget it.
Too Clever by Half
I was expecting a really honest movie where the humor would come from the funny ways we deal with bad situations. Instead I felt like I was watching the Gilmore Girls. For most of the movie (and it got better in this respect toward the end) Juno's character was devoted to witty commentary, replete with randomly inserted Spanish words ("silencio, old man!") and hipster slang ("rad","boss"), rather than showing any kind of emotional insight. I kept thinking: "Someone needs to tell this girl that she is not Janeane Garofalo." Michael Cera was good as always, but he could have been used a lot more before the latter parts of the movie, particularly in some way that would indicate he was fazed in the slightest by fathering a child. Meanwhile, if anything saved the film it was Jason Bateman's performance. Dead on.
Bottom line: This looked like a film that would be funny because we could all imagine we'd act the same way in a bad situation. Instead, the lines were too pretentiously witty and the characters, particularly Juno, too emotionally numb to strike a chord.
Bottom line: This looked like a film that would be funny because we could all imagine we'd act the same way in a bad situation. Instead, the lines were too pretentiously witty and the characters, particularly Juno, too emotionally numb to strike a chord.
from the art house to the megaplex
The thing that separates "Juno" from so many other films about teen pregnancy is that, in this case, the 16-year-old who finds herself in that predicament refuses to become a victim of her circumstances. From the moment she confirms the unwelcome news, Juno studies her options - abortion, raising the child as a single teen parent, adoption - then takes matters into her own hands. Like the Roman goddess who is her namesake, Juno is a bright, often sharp-tongued individual who prides herself on her observant cynicism and her way with a sarcastic quip. However, she's not above appealing to the adults in her life when the problems of the world get to be too much for her (though, in some cases, the grownups are coping with more serious issues than she is). Yet, Juno makes certain that it is she and she alone who will have the final say when it comes to determining the course of her own future and that of her child.
"Juno" is that rare low-budget, independent feature that finds unexpected success in the mainstream by striking a chord of recognition in audiences across the demographic spectrum. First-time screenwriter Diablo Cody hits pay dirt with a clear-eyed, largely unsentimental script that is not afraid to go off in unexpected and interesting directions and that avoids patronizing its Middle American characters. Juno's father and stepmother manage to take the news in stride, while the yuppie couple Juno alights on to be the child's adoptive parents are given a depth and complexity far beyond what a lesser writer might have afforded them. Director Jason Reitman keeps the quirkiness to a minimum and allows the scenes to play out in a naturalistic, unhurried way. Confident in the strength and appeal of his material, he lets the gentle human comedy speak for itself.
In a star-making turn, young Ellen Page takes a daring approach to her character, often bringing Juno right to the brink of un-likability, then pulling back at just the crucial moment, making us see how utterly likable she truly is. As the child's father, Michael Cera is virtually the same lovably passive nerd we found so endearing in "Superbad," while J.K. Simmons and especially Allison Janney give rich shadings to Juno's supportive parents. Jason Bateman and Jennifer Garner also make their mark as the couple who post their picture in the "baby wanted" section of the local throwaway.
"Juno" faces the downside of any independent film that unexpectedly finds itself ripped from the confines of the art houses and suddenly duking it out at the multiplexes with all those high-budget, high-octane, testosterone-laden blockbusters - namely the risk of over-inflated expectations. Thus, my advice is to look beyond all the hype and box office records and simply let "Juno" sneak up on and take a hold of you in its own quiet, inimitable fashion. I think it works best that way.
"Juno" is that rare low-budget, independent feature that finds unexpected success in the mainstream by striking a chord of recognition in audiences across the demographic spectrum. First-time screenwriter Diablo Cody hits pay dirt with a clear-eyed, largely unsentimental script that is not afraid to go off in unexpected and interesting directions and that avoids patronizing its Middle American characters. Juno's father and stepmother manage to take the news in stride, while the yuppie couple Juno alights on to be the child's adoptive parents are given a depth and complexity far beyond what a lesser writer might have afforded them. Director Jason Reitman keeps the quirkiness to a minimum and allows the scenes to play out in a naturalistic, unhurried way. Confident in the strength and appeal of his material, he lets the gentle human comedy speak for itself.
In a star-making turn, young Ellen Page takes a daring approach to her character, often bringing Juno right to the brink of un-likability, then pulling back at just the crucial moment, making us see how utterly likable she truly is. As the child's father, Michael Cera is virtually the same lovably passive nerd we found so endearing in "Superbad," while J.K. Simmons and especially Allison Janney give rich shadings to Juno's supportive parents. Jason Bateman and Jennifer Garner also make their mark as the couple who post their picture in the "baby wanted" section of the local throwaway.
"Juno" faces the downside of any independent film that unexpectedly finds itself ripped from the confines of the art houses and suddenly duking it out at the multiplexes with all those high-budget, high-octane, testosterone-laden blockbusters - namely the risk of over-inflated expectations. Thus, my advice is to look beyond all the hype and box office records and simply let "Juno" sneak up on and take a hold of you in its own quiet, inimitable fashion. I think it works best that way.
Mixed Feelings but overall happy ending
This movie was a bit of a strange one, to be honest i really didn't like Juno at all for most of the movie but for the purpose of the movie and the statement about "True Love" it was making, i think her character did a good job of showing how people aren't perfect but they can still be happy and really it's just a coming of age movie, she's 16 years old and she's making big decisions and it's a nice little happy ending.
Overall production was good, pretty solid, well made, great cast of characters, the dialogue and plot was pretty comedic but realistic enough for me to enjoy the movie.
My favorite thing from this movie was the songs that would play every time the season would change, i thought all of the songs were wholesome.
Overall production was good, pretty solid, well made, great cast of characters, the dialogue and plot was pretty comedic but realistic enough for me to enjoy the movie.
My favorite thing from this movie was the songs that would play every time the season would change, i thought all of the songs were wholesome.
Did you know
- TriviaJ.K. Simmons said that he was so impressed with the script that he would have been happy just to play the teacher who has no spoken dialogue - anything to appear in the film.
- GoofsJuno explains that her name comes from the wife of the Greek god Zeus. In fact, the Greek team were Zeus & Hera, the Roman team were Jupiter & Juno.
- Quotes
Juno MacGuff: I think I'm in love with you.
Paulie Bleeker: You mean as friends?
Juno MacGuff: No... I mean for real. 'Cause you're, like, the coolest person I've ever met, and you don't even have to try, you know...
Paulie Bleeker: I try really hard, actually.
- SoundtracksTire Swing
Written and Performed by Kimya Dawson
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Juno. Crecer, correr y tropezar
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,500,000 (estimated)
- Gross US & Canada
- $143,495,265
- Opening weekend US & Canada
- $413,869
- Dec 9, 2007
- Gross worldwide
- $232,373,066
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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