Gamera the Brave

I was able to catch one of the last showings of Gamera this week in Hachioji, Tokyo, and I can say that the experience was a good one.

In 2004, as many already know, Toho announced that the king of kaiju, Godzilla, will be taking an indefinite vacation. This of course has happened before, but in Godzilla's absence someone needs to take the reigns. So, like before, the torch was passed to Godzilla's younger brother/rival Gamera.

Gamera took the torch, and ran with it. Hard. Here are some of the good things about this movie:

-Characters: The main human is a young boy (as always, after all, Gamera IS the friend of children). His mother is dead, and he lives with his father on an island fishing community. Gamera has a history on the island, so when the boy finds a fast-growing baby turtle which flies, some eyes are opened immediately... Other characters include a female neighbor with heart problems, the boys' friends, his father, and some evil government people. All are likable (or hateable), and the acting as far as I could tell was spot-on.

-Story: Its there, so this is not just the full-on kaiju fightfest that characterizes many Godzilla and Gamera movies. But we do have full-on kaiju fighting...

-Full-on Kaiju Fighting: This is probably the reason most people will see this movie, and it doesn't disappoint. The enemy monster this time around is a man-eating dinosaur named Jidas, and while he is not as charismatic as some of Gamera's other foes, he exudes evil and you will be rooting for the big-eyed turtle the whole time. The special effects are absolutely top-notch, in fact I think Jidas is one of the most convincing dinosaur suitmations I have ever seen.

-Music: Powerful when it needs to be. Exactly what it should be in a kaiju movie: it aids the awe that someone should feel when watching 30-story monsters duke it out.

Why I didn't give it a ten: The only thing that disappointed me about this movie was the fact that they replaced Gamera's signature roar with a stock roar, which I believe has been previously used for various incarnations of King Kong. But, this is a very minor complaint. Go see this movie when you can!

The original Gamera series quickly aimed for the 5 to 8 year old set after two attempts at the standard "adult" monster film typified by the Godzilla series (although these kept lowering the age bracket with each film). Gamera films usually revolved around turtle loving children put in peril by aliens until their rescue by Gamera. The children sometimes would help Gamera either by cheering him on or in a more disgusting case, going into his body and fighting a parasite infection. Strangely, the original Gamera films features more gore and gross damage to the monsters then the Godzilla films ever attempted. The revived series directed by Shusuke Kaneko featured a more mature approach although Gamera had a psychic connection with a teenage girl. Kaneko also introduced a more integrated approach to the kaiju genre and raised the bar for all kaiju films. The re-revived series has aimed to return to Gamera's roots in the 1960's, once again presenting Gamera as "friend of all children".

Director Ryuta Tazaki comes from Japanese sci-fi action television with quite a resume with the Japanese Power Ranger Shows and never ending Kamen Rider series. This film shows little of his TV roots as this film is very well directed, well photographed with some modest experimentation with visuals and sound design. The film has a sort of naturalism that you don't usually get in a kaiju film. The hero just lost his mom to a car crash and his friend is afraid she won't live thru a heart operation in the hospital. THe parents are working class shop owners. A few moments of over-sentimentality and cuteness are here but the rest of the film makes up for it. The special effects live up to the level of the Kaneko Gamera films with a couple of shots that are excellent. Tazaki doesn't have Kaneko's dramatic flair for the action scenes but they are well done. As a note, this film does have some rather gross green gore when Gamera is hurt during the fights, this may upset children here in the west.

Once again Gamera sets a high standard. Recommended.

When one thinks of giant monster movies what comes to mind is not family entertainment. The Gamera franchise was originally geared toward a younger audience but this entry still comes as something of a surprise given later developments. Gamera The Brave is more along the lines of ET than an actual effort in the kaiju universe. Which is not to say that it is a bad movie. On the contrary, it is precisely the initial parts in which the young leads bond with the little turtle that assure that the viewer is committed to the monster battles once they take place.

The Gamera in this movie is also a child so there is a handicap involved that adds suspense to the outcome. The lead actor, a little boy recently orphaned of his mother, bonds emotionally with his cute pet and the movie provides opportunities for him to grow without becoming a mini adult as so often happens in such cases. Some of the staples of the genre are almost completely absent such as military maneuvers and government ineptitude. There is no interest in developing such plot lines because at its heart what matters is the interaction between the boy and the new Gamera.

The movie may disappoint fans of giant monsters but it offers something that a broader audience can relate to and enjoy. At times perhaps a bit too sappy it is nevertheless enlivened by tight action scenes that are cleverly thought out. There are even lyrical moments such as when the children run against the flow of a fleeing crowd.

Here is a gem of touching cinema that is well worth being watched.

This movie is made as the 40 th anniversary movie of the Gamera series. The movie is made by Kadokawa Herald movies instead of the now defunct Daiei movie studio that made all previous Gamera series movies.

In 1973 Kyosuke (Kanji Tsuda) witnessed Gamera defeating a herd of Gyaos by exploding itself. People at the time thought Gamera sacrificed its own life to save the people. 33 years later, Kyosuke is a recent widower with young son Tooru (Ryo Fujioka) who is in fifth grade. One day Tooru sees a red glow on the neighboring island. When he gets there, he finds a sea turtle egg. The egg hatches and he finds a small turtle inside. He names it Toto and raises it secretly in his bedroom. One day little Toto is found flying above his father's head. The suspicion arises that Toto is actually another Gamera. Soon Toto disappears from Tooru's home. In the mean time, there are mysterious shipwrecks in the ocean. The culprit turns out to be a monster called Jidas. Jidas comes ashore and threatens Tooru's home town. Toto reappears, now grown into a monster sized turtle, battles Jidas to protect Tooru's family.

The movie was conceived to appeal to preteen audience, and the team work between Tooru and his friends and Toto becomes the central theme of this movie. Tooru backs Gamera saying "Toto is still a baby. So I need to give hims support.".

In this 40th anniversary movie, Gamera goes back its roots as friend of little children. Watch the teamwork between the children and Gamera to fight their nemesis Jidas. There're more emotion in this movie compared to the "Heisei Gamera Series (1995-1999)" and the battle between Gamera and Jidas is not the central theme, but communication between Tooru, his friends, and Toto becomes the focus of this story.

This movie is more story driven than any of the previous Gamera series movie, and is recommended for viewing.

I was never a fan of this flying turtle in the old days. However, they have completely repurposed him for the 21st century and the results are stunning.

Silly effects are supported by a strong, but simple, story and a little depth of characterization. The visual style of the film is what really shines. The Director's skillful use of camera moves and angles and a strong sense of composition really raises this film.

I would love to see what this Director could do with Godzilla (if he ever returns).

For once, a film's title accurately describes the film's content.