Half Nelson

Ryan Gosling is truly amazing in his film role deliveries. His breakthrough role in "The Believer" 2001 was explosively intense. He consistently gives integral reflective portrayals, even for a departure romantic role in director Nick Cassavetes' "The Notebook" 2004, he was absolutely convincing as Noah who loves Rachel McAdam's Allie to the core. Here in "Half Nelson," he appears to disappear into Dan Dunne, a high school teacher with an ideal and a crack addiction problem. That sure sounds contradictory in terms: a teacher being a role model, while drug addiction a totally unacceptable behavior. As Dunne wrote on the blackboard in the beginning: 'Dialectics,' the film "Half Nelson" is in itself dialectics demonstrated.

Gosling's Mr. Dunne the history 'teach' doubling also as basketball coach, meeting (a solid matching delivery from) Shareeka Epps' Drey, the 13-year old student who 'found' him and 'witnessed' his secret - theirs is a relationship, naturally portrayed, of two 'opposing' forces as dialectics as can be. I felt Drey is the primary force that 'helped' Dunne's secondary force to yield and together, they created a contradiction anew as life goes on.

I remember from a 1969 book, a quote that might describe the heart of "Half Nelson": "Contradictions are the source of all movement and of all life. All things are in themselves contradictory and it is this principle, more than any other, which expresses the essence of things."

In a way, contradictory yet similar: Dunne and Drey both are 'on their own' trying to hang on, to manage the conflicts in their life's journey. Do we need all the answers in life? Do we have to know why someone behave as he/she does or something happen as it did? Director Ryan Fleck and co-writer/editor/producer Anna Boden tried not to 'over-explain anything'. Sometimes the answer can simply be: "I don't know."

"Half Nelson" is an ambitious film. Besides 'comments' on educational system, single parent family strife, Dan's addiction predicament, the script also managed to include political viewpoints unobtrusively expressed through talking heads of single student reciting historical civil rights movement events. The 'R' rating does indicate some intimate scenes, clever inter-cuts juxtaposing what the two forces were each doing at the moment. Music (by "Broken-Social-Scene") is timely applied at certain segments but sparingly. Well-rounded supporting cast, especially Anthony Mackie as Frank the 'friendly' dealer who may want to do right by Drey but only in the way he knows how within the realms of selling drugs (reminds me of w-d Boaz Yakin's "Fresh" 1994, brilliant debut performance by Sean Nelson as the 12-year old interacting with a dealer 'mentor').

Kudos to all involved on "Half Nelson". The film was shot in Brooklyn, New York. Thanks to ThinkFilm for being the distributor (documentary: Spellbound; Murderball; March of the Penguins; drama: The Last Kiss - Italy; Kontroll - Hungary; Gus Van Sant's Gerry).

"Ryan Gosling stars as Dan Dunne, a young teacher whose edgy yet brilliant approach to history inspires his inner-city students to think for themselves. But, outside the classroom, Dan's life is spiraling out of control. Wrestling with inner demons and nursing a serious drug habit, Dan finally hits rock bottom - witnessed by one of his troubled students, Drey (Shareeka Epps). With an unlikely friendship built on a shared secret, Dan tries to steer her away from a small-time drug dealer (Anthony Mackie). But no matter which way they turn to survive, their lives will change forever," according to the film's official synopsis.

"Half Nelson" suffers from too much of the wobbly "hand held" camera technique which, frankly, isn't necessary to make the film look more realistic. Yet, the story, by director Ryan Fleck and partner Anna Boden, and characterizations are good enough to overcome this distraction. The marvelously written screenplay is full of nuances, which serve the main point - showing the interconnecting ways drug addiction can infect the human spirit, when people like those played by Mr. Gosling and Ms. Epps are needed to play much more positive roles in a troubled world.

Gosling's "Academy Award" nomination for "Best Actor" is clearly understandable; and, Epps could have easily won some "Best Supporting Actress" consideration. At least, the "Independent Spirit Awards" recognized the memorable pair's delicately played teacher/student roles. Everyone else in the cast is excellent, as well. And, the non-melodramatic ending leaves "Half Nelson" full of hope.

******* Half Nelson (3/22/06) Ryan Fleck ~ Ryan Gosling, Shareeka Epps, Anthony Mackie, Monique Gabriela Curnen

I am teacher. And I saw this film from the angle of my job. As a realistic portrait of a special universe. As honest image of the essence of a work. As one of the most inspired performances of Ryan Gosling. As a great film. About the deep reality behind the appearences. A film about truth. And eulogy of friendship. Short, a teacher, his student and the fight against him. Enough for few questions about near reality and the choices around it.

Dan (Ryan Gosling) is a drug-addicted high school history teacher. Drey (Shareeka Epps) is one of his students, who can see herself possibly following in her brother's footsteps and working for a local drug dealer. Dan and Drey strike up a friendship.

Dan is a smart, fundamentally decent man leading a life of quiet desperation. His ex-gf, Rachel (Tina Holmes), tells him that some people get better, and Dan is adamant in his response. Not him. Change is not for him. To another girl, he explains how he tried rehab, but it doesn't work for him. And yet Dan's desire for change is shown in his lessons to his students. He constantly describes opposites - up and down, left and right - and talks about change. From one breath to your next breath, change has happened. And yet Dan's affliction just provides more and more of the same.

The film is all about Ryan Gosling, who gives us a complete portrait of his character. You just can't take your eyes off of this guy. Whether babbling under the influence or talking with real passion to his students or just sitting quietly saying nothing at all, Gosling shows us a man, who has a lot to give, but is held down by his affliction. The out-of-nowhere flashes of humour and the many moments of vulnerability completely endear us to Dan. His friendship with Drey arouses moral instincts in him that brings his self-loathing and helplessness more to the surface. We understand Dan, and our understanding of him is mirrored in the eyes of all the supporting characters, played out by a perfect ensemble cast. So much is conveyed just in the briefest character exchanges.

So the film succeeds with strong performances and making sure all the pieces fit together with respect and care. And yet the finished puzzle isn't really as gripping as it should be. Maybe because we've been through this material before, or maybe because this is a film that lives through its many small moments and observations. With tense character-driven material like this, I was sort of expecting more flash and meltdown, but this isn't that sort of film. This is a film, where you can admire the focus, commitment, and quality, but its a slow burn - not a big jolt to the system.

Ryan Gosling made happen what happens only once every so often. Made me look at what I seen before under a new magnifying light. He took me with him and showed me, with the most astonishing clarity, the complexity of a talented man dragged down by a legacy of good intentions and addiction. We're permitted to visit his family once and we understand what he's fighting with without any weapons. He doesn't blame anyone but he's the result of his own DNA and he knows it. His bright moments, the explanation of what History is for instance, is a glimpse into the man he could actually be, fully. The humanity that Ryan Gosling lends to his character on his darker moments it's as chillingly real as it is moving. The chemistry he establishes with the wonderful Shareeka Epps is as powerful as the one he established with me. I want to meet him, I want to meet Dan and while I was thinking that I realize I know him already. He lives next door to me, he's related to me, I was his friend. This is what superb performances do. They re-awake you.