Bernard and Doris

and the pairing of Ralph Fiennes as Bernard Lafferty, her trusted butler and confidante is quite interesting. I have read the biography "Too Rich, the story of Doris Duke", and this film seems by far, more accurate and even amusing (as life often is). If we for example, compare this to the mediocre Lauren Bacall version, which does not portray Lafferty as human, rather as a murderous bottom-feeder. Too extreme, and probably unrealistic.

Yes, Ms. Duke did apparently have a very unusual life, but we see her here, as Sarandon plays here, she also enjoyed and cherished life. We see her working fervently on her orchids, all the foundations she was passionate about, and her general intelligence. She was clearly a brilliant businesswoman, as Lafferty interjects.

This film portrays real people, yes, she had an issue with drinking, as did Lafferty. However there was a tenderness and relationship which seemed to have developed between the two. Overall an interesting commentary with excellent performances and lush cinematography, attention to set decoration. 9/10.

Bob Balaban has made and contributed to an array of interesting films as writer, director and actor. His directorial venture focuses on the relationship of billionairess Doris Duke and her loyal butler Bernard Lafferty. Hugh Costello's writing is solid. The characterization seems accurate enough (at least based on what I've read about Duke and Lafferty). Both are portrayed as strong yet vulnerable humans. Duke did live an unusual life that involved alcohol and casual sex but she enjoyed the freedom of life and travelling. She lived with passion and believed strongly in causes to set up foundations. She was also an excellent businesswoman and loved her plants, especially her orchids. And, this film captures that brilliantly and one can see why a shy Bernard who also shared the same weakness with alcohol would be so taken by a woman like Doris Duke. She can be a difficult woman, especially to those working for her but her appealing sense of liveliness, passion and devotion was admirable and Bernard appreciated that. The tenderness and care in their relationship is portrayed beautifully. Susan Sarandon and Ralph Fiennes are stupendous. Both have effectively captured the essence and strength of their characters delivering strong performances. In addition, the cinematography and art direction are brilliant. Overall, Balaban and Costello have presented an interesting perspective and an intriguing account of a fascinating woman and her relationship with her butler.

All right: Susan Sarandon does not resemble the real Doris Duke and is a good 15 years younger and a lot healthier looking than Duke was in the mid-1980's through 1993, when the story takes place; and granted, Ralph Fiennes is far more charming and appealing than the actual Bernard Lafferty. But this movie works because of those two central characters on which the scenario focuses to the exclusion of almost all else. The screenwriter deftly conveys the jet-set lifestyle and grandly tumultuous history of Doris Duke without actually moving us from location to location and decade to decade and we are able to concentrate on what is really a peculiarly moving love story. Duke's relationships with various hangers-on and an adopted daughter are left out entirely. If you are looking for a faithful bio, forget it. If you are looking for a solidly pleasing film with top-notch performances, pounce!

Sarandon delivers the goods in spades, creating a shrewd and intelligent, bristling flesh and blood woman so wealthy and powerful she answers to no one but suffers from those psychic afflictions known only to the super-rich. Her self-administered therapies include astrology, a fanatical devotion to the care of exotic plants (particularly orchids), travel, indiscriminate sex with a succession of boy toys, and of course massive doses of booze and other drugs to keep going from one day to the next. But she is also intelligent, shrewd, a remarkable businesswoman and connoisseur of the fine arts, all convincingly depicted in this film. It's damned entertaining to watch her but if you think about it, no one of her age with that kind of serious drug dependency could look that good. Fiennes matches her every step of the way with a kind of perturbed restraint as the lonely, passive, alcoholic butler. He says at one point that what he wants from Duke is not her money, but just to take care of her. This utterance is completely believable. Unlike the 1999 TV movie about the same pair starring Lauren Bacall and Richard Chamberlain, this butler is much more ambiguous and definitely not a sadistic manipulator.

I wasn't sold on the idea of watching a film about a rich weirdo and the lawsuits that entail, post-mortem, ala "LIFETIME" nightly movies. I wanted to see Ralph work with Susan, but I still wouldn't have watched unless I researched the production of "Bernard and Doris". I saw Bob Balaban is directing.

I've never seen Bob Balaban's work as director. I've enjoyed all of Bob's acting credits which I've seen, particularly his improvisational skills in recent SCTV/Spinal Tap-quality films. I figure Bob knows the HW weirdness like nobody else due to his insightful improvisations. He gets it.

Therefore, he could do it, and bring it in below budget.

Great direction: Lighting and cinematography were far better than recent films I paid money for. I haven't seen Ralph perform this well since QUIZ SHOW, but he brought his talents to what was clearly a communal table of talent.

Susan Sarandon does very well, and the Susan/Ralph team works. The script works, and sells the story.

Balaban seems to have done much more with far less than this film portends to be, even for an HBO FILM.

This movie was OK. I don't know much about Doris Duke, so I don't know how accurate it was. But what I do know is that I found this HBO movie entertaining and a lot better than a lot of movies that get released in theaters. Susan and Ralph were very good in their roles. The movie shows Doris in her later years. She chases younger men and drinks a lot and moves between all her homes and fabulous vacations. She becomes friends with her butler Bernard. She probably likes the fact he likes to drink too and loves to kiss her @ss. She doesn't even mind when she catches him stealing her boos when she states any help stealing from her will get fired. Her death was controversial as to weather Bernard played a role in it and if he had anything to do with her will changing. He got 5 million plus control over her estate and foundation. But he didn't live to many more years after she died.

FINAL VERDICT: Interesting, amusing. Susan and Ralph were good together and what made this film work.