A modern romantic tale about a young aristocratic heiress born under a curse that can only be broken when she finds true love with "one who will accept her as one of their own."A modern romantic tale about a young aristocratic heiress born under a curse that can only be broken when she finds true love with "one who will accept her as one of their own."A modern romantic tale about a young aristocratic heiress born under a curse that can only be broken when she finds true love with "one who will accept her as one of their own."
Nick Prideaux
- Penelope's Great-Grandfather
- (as Nicholas Prideaux)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Loved! Loved! Loved this Movie! One of the last movies I caught at the Toronto Film Festival....and by far my FAVORITE!!!!! Penelope is an original and uplifting story that reminds us of life's most fundamental truth -- that our beliefs lock us into a particular reality. It is packed full of excitement, surprises, laughs, heartfelt pangs and soaring joy. Christina Ricci is radiant as Penelope and in the face of daunting circumstances she inspires us to not only persevere but to dare to break free. It is a treat to see Reese Witherspoon portraying an edgier gal than norm and James McAvoy is a heartthrob! Oh, and the performance of Simon Woods is absolutely delightful and unforgettable! This movie is important, but I would give away the ending if I told you why!!
Fairy tales are wide spread, with witches and curses they have, they are all too familiar with their poor damsel in need of rescue by the Charming Prince. The same can be said for poor Penelope, played by the essence of beauty and intelligence that is Christina Ricci. Famed for her roles as Wednesday Addams in the Addams Family movies, then "Kat" Harvey in Casper and during an Ice Strom she was Wendy Hood, hey, she's even dated a lesbian Monster and been chained up in Black Snake Moan. This, too, is the second in a row movie that consists of her taking a curse, the previous being John Carpenter's light horror werewolf flick Cursed (2005). You name it she has done it, and with perfection. Now all grown up she is playing the titular role of her 2006 movie Penelope.
Filmed in London, and with a high level of English actors too, and cast as an American fairy tale, this is the unlucky story of a witches curse on the first-born daughter of the Blue Blood (aristocrat) family, the Wilhern's. The only way to break said curse is to find her Charming Prince who shall love her for all her worth, pig nose and all. Yep, her curse is to be born with the nose and ears of a pig, poor girl. Kept away from others for all her childhood and youth by her grieving parents, played with relish by Richard E. Grant and the lovely Catherine O'Hara adding a touch of very hyper stressed and neurotic motherly love. Who could ask for more? Well, more is what we get here, more fun, more sad reflection and more diversity from the standard tale of woe. With its witty players from said Grant and O'Hara, we also get the very talented James McAvoy and the nemesis that is Lemon, the evil News Reporter, Peter Dinklage, hot on her tail for revenge. Having done "Lassie" (2005), "Death at a Funeral" (2007) and in the pipeline "The Chronicles of Narnia: Prince Caspian". Excellent actor.
Funny in parts, and poignant in others, not an epic but not a waste of time either. A story of self believe and how one can learn to love oneself and then be loved in return, in any way, shape or form. Simple I know, but in this case, it works, with all the surrounding American accents sometimes rubbing the wrong way, we can easily dismiss the poor adaptations.
This ugly duckling fable will warm to your hearts and tingle you with delight, with a charming narrative and distinctive feel good factor, and if Disney had gotten their hands on the project, it just might have come across as over sappy, over benevolent and over too soon. And it's a good job they didn't, wasn't it?
Filmed in London, and with a high level of English actors too, and cast as an American fairy tale, this is the unlucky story of a witches curse on the first-born daughter of the Blue Blood (aristocrat) family, the Wilhern's. The only way to break said curse is to find her Charming Prince who shall love her for all her worth, pig nose and all. Yep, her curse is to be born with the nose and ears of a pig, poor girl. Kept away from others for all her childhood and youth by her grieving parents, played with relish by Richard E. Grant and the lovely Catherine O'Hara adding a touch of very hyper stressed and neurotic motherly love. Who could ask for more? Well, more is what we get here, more fun, more sad reflection and more diversity from the standard tale of woe. With its witty players from said Grant and O'Hara, we also get the very talented James McAvoy and the nemesis that is Lemon, the evil News Reporter, Peter Dinklage, hot on her tail for revenge. Having done "Lassie" (2005), "Death at a Funeral" (2007) and in the pipeline "The Chronicles of Narnia: Prince Caspian". Excellent actor.
Funny in parts, and poignant in others, not an epic but not a waste of time either. A story of self believe and how one can learn to love oneself and then be loved in return, in any way, shape or form. Simple I know, but in this case, it works, with all the surrounding American accents sometimes rubbing the wrong way, we can easily dismiss the poor adaptations.
This ugly duckling fable will warm to your hearts and tingle you with delight, with a charming narrative and distinctive feel good factor, and if Disney had gotten their hands on the project, it just might have come across as over sappy, over benevolent and over too soon. And it's a good job they didn't, wasn't it?
What a lovely creature Christina Ricci is. Even with a pig's snout stuck to her face, I found her to be completely entrancing. She was certainly the only reason I decided to give this modern-day fairy tale a go and, on the whole, I'm fairly glad that I did. It has its weaknesses, for sure, the main one being that it can't seem to settle on a tone or to decide whether it takes place in Britain, America or some mythical amalgam of the two. The tone certainly could have been darker, even if the film is (probably) primarily aimed at teens considering its story (basically an update of Beauty and the Beast with gender roles reversed).
Ricci does a good job of holding everything together. She looks too cute to send men flying through windows in terror, and seems too well-adjusted for a 25-year-old who has never stepped outside the confines of her palatial home, but I suppose these are minor quibbles. After all, how could we root for a truly hideous princess with social interaction issues? Catherine O'Hara also scores as Penelope's overbearing mother who can't see that she is the barrier preventing her daughter from lifting the curse that has left her with a pig's snout for a nose. Other familiar names are more of a distraction than anything else: hedge-haired Russell Brand appears for one scene, an increasingly chubby Lenny Henry in another few. Producer Reese Witherspoon even makes an appearance late on.
One character I liked a lot was that of Lemon, played by Peter Dinklage. Not only does Dinklage provide probably the strongest performance in the film, thanks to a well-written role, the script wisely refrains from spelling out the similarities between his character and Penelope that lead to his pulling back from the pursuit of her. Anyone with a little insight can understand the reason for the casting; it doesn't need to be spelled out, but how many other films would keep hammering home the point until even the thickest viewer caught on?
Ricci does a good job of holding everything together. She looks too cute to send men flying through windows in terror, and seems too well-adjusted for a 25-year-old who has never stepped outside the confines of her palatial home, but I suppose these are minor quibbles. After all, how could we root for a truly hideous princess with social interaction issues? Catherine O'Hara also scores as Penelope's overbearing mother who can't see that she is the barrier preventing her daughter from lifting the curse that has left her with a pig's snout for a nose. Other familiar names are more of a distraction than anything else: hedge-haired Russell Brand appears for one scene, an increasingly chubby Lenny Henry in another few. Producer Reese Witherspoon even makes an appearance late on.
One character I liked a lot was that of Lemon, played by Peter Dinklage. Not only does Dinklage provide probably the strongest performance in the film, thanks to a well-written role, the script wisely refrains from spelling out the similarities between his character and Penelope that lead to his pulling back from the pursuit of her. Anyone with a little insight can understand the reason for the casting; it doesn't need to be spelled out, but how many other films would keep hammering home the point until even the thickest viewer caught on?
I saw "Penelope" at the US premiere at CineVegas last week. It has a very sweet message about self-acceptance that we could all use a little more of these days. I loved the hyper- real, brightly colored, Tim Burtonesque look of the film, it helped to accentuate the fairy tale aspect.
I also thought all of the performances, especially Christina Ricci and Katherine O'Hara, were excellent. Reese Witherspoon as a leather wearing, gum chewing, scooter riding messenger girl seemed a bit miscast, but she was actually good and had one of the funnier lines of the film.
While there's nothing laugh out loud funny, this sweet story makes you smile again and again.
I would recommend this film for audiences of all ages because I don't think you're ever too old for it's message and it doesn't talk down to an adult audience.
I also thought all of the performances, especially Christina Ricci and Katherine O'Hara, were excellent. Reese Witherspoon as a leather wearing, gum chewing, scooter riding messenger girl seemed a bit miscast, but she was actually good and had one of the funnier lines of the film.
While there's nothing laugh out loud funny, this sweet story makes you smile again and again.
I would recommend this film for audiences of all ages because I don't think you're ever too old for it's message and it doesn't talk down to an adult audience.
I saw this at a preview and really enjoyed this movie. It's a wonderful take on the common theme of accepting who you are, not what you are.
Although aimed at tweens/teens, it has elements which also makes this entertaining for adults. It has great visual appeal, slapstick humor as well as clever writing throughout.
This movie deserves to be successful and it's best promotional vehicle will be word of mouth.
It is well cast and Cristina Ricci, as the main character, is instantly engaging.
A fun movie for all !
Although aimed at tweens/teens, it has elements which also makes this entertaining for adults. It has great visual appeal, slapstick humor as well as clever writing throughout.
This movie deserves to be successful and it's best promotional vehicle will be word of mouth.
It is well cast and Cristina Ricci, as the main character, is instantly engaging.
A fun movie for all !
Did you know
- TriviaChristina Ricci did not have to audition for her role. She was approached by Producer Reese Witherspoon.
- Goofs(at around 50 minutes Amazon Prime time) A part of the mattress can be seen when Penelope's mother faints in the kitchen.
- Alternate versionsAbout 20 minutes were cut from the film for its US release, and some other minor edits were made, mostly to eliminate some mild usage of profanity. This was most likely done to secure a PG rating.
- SoundtracksWalking in Paris
Written and Performed by Nigel Jenkins
Details
- Release date
- Countries of origin
- Language
- Also known as
- Una chica diferente
- Filming locations
- 56 Holland Park, Holland Park, London, England, UK(Edward Vanderman's house exterior)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $10,011,996
- Opening weekend US & Canada
- $3,802,144
- Mar 2, 2008
- Gross worldwide
- $21,156,270
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
- 2.39 : 1
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