Notorious

Back in the 90's as a teen, I never really got in to Biggie's music or lyrics. I never knew the correlation between he and all these artists like "Puff Daddy" Faith Evans, Lil Kim all came up together. I never understood how the East Coast West Coast feud got started.

This film gave me a new respect for Christopher Wallace. His intelligence and how he tied that in to his passion for music and lyrics. He had a dream as a child and in the end he achieved that dream of not just becoming a success as a performer, but a success as a father to his children, a good son to his mom, and a good man to himself.

I love that line in the move "If you wanna change the world, First you've got to change yourself"

Inspirational film, even if you're not a fan of his music or hip hop, you can still appreciate the story behind this man.

I watched this movie with great expectation. Besides the hype surrounding it, for someone who embraced hip hop for many years being influenced by the like of Biggie Smalls, Nas & Tupac to mention a few, it only made sense for me to want to watch this movie.

From the beginning i could not seem to get over the way in which B.I.G was portrayed as this smart, lovable young boy because it made me look at him in a whole different light that i initially thought. I feel his son played the part well (though he did not have much to do). The story line is pretty straight forward and there are a few surprises concerning the emotions the characters invoke in you and make you understand them more deeply. The acting was not bad, i actually like the guy who acted as Biggie, he made the character quite interesting and lovable. The rest of the cast were not too bad either: Puffy, Faith Evans and the guy who played Biggie's manager were good too (don't expect any Oscar winners though!)

From a neutral point of view (without being a Notorious B.I.G or Tupac fan) i really felt that they tried to explain the beef between the artists with a more lenient view of Biggie. When watching the movie i couldn't help but think how much Biggie was the 'bigger man' in the beef and that Tupac simply caught a fit at the wrong people. Then i had to ask myself a few questions about that. The movie makes you want to take Biggie's side on the whole issue. I don't know if this is true but i felt that it was rather unfair no matter how much of a nice guy Biggie was. In watching this movie its hard to see it any other way than that the beef was Tupac's fault. It's up to you to believe it or not.

All in all it was a good effort, nothing too memorable but a story worth knowing especially if you want to know more about some of the most critical times in Hip Hop. Biggie fans will undoubtedly love this.

George Tillman Jr.'s "Notorious," a by-the-numbers biopic about the life of Brooklyn rapper Christopher "Notorious B.I.G." Wallace (1972-1997), is sure to only please the members of his core fan-base, myself amongst one of them. I was 11 in March 1997 when Biggie Smalls was shot and killed in Los Angeles, California, just seven months after his friend and fellow rap artist Tupac Shakur (1971-1996) was shot and killed in Las Vegas; Tupac died the day after my 11th birthday in 1996.

Many thought that their murders were part of the whole East Coast/West Coast rivalry between rap artists during the mid '90s. Both Big and Tupac became the unlikely martyrs of gangsta rap and the violence that characterizes it. What's most shameful about that is that over a decade after their deaths, it seems that the hip-hop community has yet to learn a very valuable lesson.

But I'm getting off-track. "Notorious" is a well-made and well-acted movie. Unfortunately, however, it's too by-the-numbers and follows the tried-and-true methods of most biopic storytelling: it glamorizes the life of the character, goes from one success to another, and doesn't really shed anything new on the person the movie is about. Of course it traces the beginnings of Biggie's life, from growing up as a bright Catholic school student in Brooklyn raised by his loving mother Voletta Wallace (a perfectly cast Angela Bassett), to his dropping out of school at age 17 to sell crack on the streets to help feed his baby daughter, and his eventual being signed to the then-newly formed Bad Boy Records by his best friend Sean "Puffy" Combs (Derek Luke). The rest, as they say, is history.

I also forgot to mention that Jamal Woolard, as Biggie, who is also an aspiring rapper himself, is probably the best thing about this movie. He really captures the essence, and character of Big, and not only does he look like him, but he also talks AND sounds like him. And his skills on the microphone are undeniable as well. He lends some authenticity to the film's rhyming sessions, rapping to the songs of the real-life Notorious B.I.G., and he pulls it off magnificently. It's a star-making performance that unfortunately gets overshadowed by too many of the film's flaws.

The script (co-authored by Biggie's biographer Cheo Hodari Coker) skips from one success to another; that's the biggest problem with most biopics. Another problem I had was that the portrait of the main character was pretty one-sided. While I personally consider his debut record "Ready to Die" to be one of the most important and significant rap albums ever recorded - it helped return the East Coast rap scene to prominence - I'm not totally certain that he was truly one of the greatest rap artists who ever lived, especially after only two finished recordings. And I really would have liked to have seen more of Big's friendship with Tupac Shakur (Anthony Mackie), which I felt was one of the most overlooked and tragic aspects of his life during the East Coast/West Coast rivalries. (People often forget that not only were they friends early on, but they were very close friends.)

And while I'm quite certain that the sex appeal of Lil' Kim (Naturi Naughton) is one of the reasons for her success as a rapper, I also feel that one of the reasons she's here, apparently, is to show A LOT of skin and seem like the biggest, baddest 'ho in hip-hop (that's debatable). Big's relationship with wife Faith Evans (Antonique Smith) was not all that well-developed either, as was Big's friendship with Puffy, or the members of Junior M.A.F.I.A., who he helped to promote along with Lil' Kim, whom he was carrying on an affair with while still married to Faith. I also would have liked to have seen some of the paranoia and fear that gripped Biggie in the final months of his life as well, and a little bit more on the aftermath of his murder.

Like I said earlier, I'm a fan of the Notorious B.I.G. myself, and so I'm sure that I'm one of those people that would have liked "Notorious" a lot more. That's the biggest tragedy about his life and this film. His short life and violent death made him one of the most important, and tragic, figures in hip-hop. I also think it's a disgrace that not much has been done by law enforcement officials to try to solve his murder, or Tupac's for that matter, and the questions revolving around the involvement of corrupt police officers in both killings have yet to be followed up in any significant fashion by anyone.

I'm not going to be a cliché: I don't think he was one of the greatest rappers, personally, but the impact of his music on the industry cannot be denied by anyone: he helped the East Coast's rise back to the top of the rap scene in the mid '90s. As for the movie about his life, on the hand, it could have been better - a lot better.

7/10

The rapper, much like a fellow form of entertainer the clown, is a persona that relies on masking weaker aspects of character and temperament in order to fulfil their role as exactly that—a person that people will be able to relate to or find solace within. Of course, comparing a rapper directly to a painted circus act only goes so far until all attempts at providing an ample analogy wear thin. Instead, rap is an artistic movement that attempts to convey the rags-to-riches story with poetry laced over simplistic musical backings built to elicit response of an audience out to either get down or simply share in that collective stream of pathos. Yet the masks that both wear nevertheless serve the same function; while the Notorious B.I.G. would eventually become key in a movement of hip-hop stars making music through the soul rather than pure social frustration, there nevertheless remains a code of conduct or, ethic to being a rap star that overrides any form of drama within the person's life to take centre-stage. Notorious takes the mask off.

Notorious then, which takes the form of a bio-pic documenting famed star Christopher "Biggie" Wallace's rise from the gutter is an unmasking of sorts that goes beyond the gold chains, sunglasses, sleek rhymes and ultra-cool persona to reveal the man behind the music. The concept of course is as old as boots, but too often it is the case that such ventures into famed celebrity lives are either told with no care for genuine character-investment or instead play far too loosely with the facts. It's a pleasure then that Notorious which is directed by George Tillman Jr. (his first feature film since the underrated Men of Honor in 2000) does well to balance both the facts and the drama to ample effect with no neglect at all given to the music that propelled Biggie to stardom. Instead, Notorious plays out like a substantive character drama that always keeps the focus on Christopher Wallace rather than Biggie Smalls, and the result is compelling in its ability to stuff in so much material into its runtime without seeming overly abundant or superfluous. Most importantly of all however is that Tillman's effort here resonates far more emotionally than one would expect; sure, the rags-to-riches story is fast becoming a sickly cliché, but Notorious remains true to its story regardless and ends up coming out feeling genuinely compelling without resorting to mundane and transparent devices.

No doubt key to the entire productions success however, regardless of how finely constructed the screenplay may be is the performance by leading man Jamal Woolard who not only embodies Christopher Wallace to a fine point, but also nails what is demanded of him when chants of "Biggie" take form. Indeed, much of Notorious' ability to keep things flowing and feeling fresh is through such instances where the drama is interlaced with Wallace's more public persona throughout the many musical interludes that transpire as the rapper makes a name for himself. Much also has to be said for Woolard's co-stars who range from friends and family to old and new lovers, some famous, some not so famous. The result is an ensemble that do well to shine on their own grounds but never get enough screen time to detract the attention away from the man himself. Of course, this does have some detrimental effect on some elements of the script's focus (namely involving his mother who battles breast cancer) but with a runtime already clocking in at two hours with very little throwaway material therein, one can't complain too much.

In the end it's obvious that existing fans of the Notorious B.I.G, Biggie Smalls, Christopher Wallace and all around hip-hop icon will no doubt find a lot more to enjoy here than casual onlookers, but even those with an affinity for these kinds of stories will find much to invest within here. Indeed, while a large portion of Notorious details the hardships that the young rapper had to overcome on his way to the top as well as many failings along the way also, it is this honest and compelling look at those words now infamously engrained within two of rap's most esteemed records that give Notorious all the flow and pathos of Biggie's work himself. And even if you can't appreciate that, then there's the fantastic soundtrack itself, the spot-on performances and a brief history lesson on one of the music industry's brightest and short-lived stars to enjoy.

• A review by Jamie Robert Ward (http://www.invocus.net)

The Movie was way better then I thought. The actors/actress in it resembled each person in everyway possible. The little kim character was on point even the way she spit those lyrics in the bedroom. According to Naturi Naughton who played the role of little kim she never rapped before but you couldn't tell the way she flowed. When she performed in that lacey outfit towards the end you wouldn't be able to tell the difference between her and kim. The biggie character played by gravy was also on point as well. The voice, build and complexion was spot on. When the faith character sung "I remember" I couldn't believe how great she sang, and it didn't look like she was lip sycn-ing at all. I really enjoyed the movie and it brought me back to those great times in college when I was hooping for Suny Farmingdale.

I was disappointed about one thing and that was the drama aspect. Nothing surprised me about it, because everything in the movie we already knew. It wasn't one thing in the movie that left anything to the imagination. It was very predictable because I already knew he sold drugs, he went to jail, then got discovered by puffy, he blew up, then he died. So probably 15 minutes into the movie I pretty much knew what would happen next. I still loved it and the music in it.