Waitress

I thought this was a wonderful feel good movie. It developed the characters well, especially Keri Russell's (Jenna). Thanks for making a fun movie that's not afraid to show real 'flawed' people in real situations!! I would recommend this movie to anyone who is sick of phony perfect main stream characters that really don't have any problems. The late Adrienne Shelly did a great job directing and acting in a supporting role. Cheryl Hines adds her great comedic flare! She's also good in Scrubs. I'm glad to see Keri acting in a main role again. She's such a naturally lovable personality on screen as she was in the TV show Felicity. This movie's perfectly fitting since she is currently pregnant! GO SEE THIS MOVIE!!

It's hard to imagine that Adrienne Shelly who wrote, directed, and co-starred as lovable Dawn Williams in the film has been gone for 5 years after a brutal murder in New York City. This film was her lasting legacy. When you watch the film, you are seeing genius at work. Granted, there are some flaws in the film but nothing could take away from what it brought. The cast stars Keri Russell as Jenna (a pie making genius) who works as a waitress at Joe's Diner in a small town. She's pregnant and in an unhappy marriage to abusive Earl. Cheryl Hines plays Becky, another waitress who has an invalid husband at home. Adrienne Shelly plays Dawn, the awkward but lovable waitress who finds love unexpectedly. Anyway, Jenna's pregnancy and her job as a waitress makes her realize a lot about herself. She has an interesting relationship with Dr. P. (played by Nathan Fillon) in the cast. It's a great small film. One of those gems that you wished there were more of. I loved seeing Andy Griffith play Joe. He's great.

Waitress is a film that is almost impossible not to love. It is such an obvious labor of love for all involved and brings out some of the best work of many of those involved. And unlike many "labor of love" films, this one is actually both highly entertaining and easily accessible. From start to finish, it is a heart moving and amusing film with many quirks and magnificent originality. While it is a romantic comedy, it is not a "Hollywood" romantic comedy in that the film rarely -- if ever -- goes where you expect it to go.

The story follows a young waitress (played by Keri Russell) who is married to a full-time loser (Jeremy Sisto) with a mean spirit. She finds out she is pregnant which ultimately puts her on a collision course with the new doctor in town (Nathan Fillion) whom she falls into a passionate love affair with. The film follows this waitress as she tries to sort out her own problematic relationship with her husband, understand what her heart is telling her about her affair, all the while dealing with her everyday life with her fellow waitress friends (Adrienne Shelly and Cheryl Hines) and a grumpy old customer (Andy Griffith) who happens to own the restaurant where she works.

Every character in this film is memorable for one reason or another, including several minor character such as the short-order cook of the restaurant, and even a mother and her young, obnoxious son who frequent the restaurant and strike fear into the pregnant protagonist. Andy Griffith in particular grabs the audience's attention and makes his role a true standout.

The only major criticism that can be brought against the film is some of the camera work. At times the focus is unclear with the camera seemingly unsure which actors it should be staying on and at times simply not being in focus at all. However, it is such a minor issue and would go unnoticed to most audiences that it certainly doesn't bring the quality of the film down in any way.

Adrienne Shelly who acted in, wrote and directed the film (as well as co-set designed, co- costume designed and even provided one of the songs for the film) has left one perfect little film here. It is such a tragedy that she did not live to see this film's release as it certainly would have given her the success she so richly deserved. This film can easily be recommended to anybody who has a heart.

Some of my friends ask me why I watch so much trash. Why I spend so much time with stuff that doesn't seem important. Here's one reason why. Sometimes an apparently offhand movie, made for simple consumption will surprise you.

This is being celebrated as a quirky little comedy with serious overtones. According to the expected date formula, it ends happily.

But that's not what I saw. I saw a serious work, by a serious young artist that I would like to see more of. I saw Hartley's influence without knowing the background. If you don't know Hartley, he's a Canadian filmmaker that makes small films. They are called quirky by mainstream movie reviewers. What else are they to say? Its a catchall notion that signifies something that works by using unconventional means but the reviewer cannot say why.

Hartley's films are highly abstract. They are often called stylized, but that usually applies to theatrical conventions. Hartley abstracts in a different dimension of his own. Its abstraction, not simplification. And it usually works because he gets actors that know how to collaborate in it well.

One of these was Adrianne Shelly. A redhead.

She took that level and type of abstraction and did something Hartley couldn't do: she folded her own life into the thing. The story is about her, her marriage and pregnancy. It was written while she was pregnant and at the end features her own daughter as the result of that pregnancy. She writes, directs and acts, but the role she has chosen is not the central one. The narrative stance is as the observer. All the abstraction is done on the observer side.

Its amazingly effective and consistent.

One device that works rather well is how her own approach to the film deviates from the norm. (The norm here is set in the first few minutes as a date movie.) She folds that into how her character deviates from the norm in designing and making pies. The diner is conflated into a theater, with poetry seductions, affairs, a wedding.

Its where we see the small, important and original work of Hartley blossom.

(The filmmaker was murdered before seeing the film in theaters.)

See this. Its good, even the use of Andy Griffith. And the small (one scene) but important role of the other redhead.

Ted's Evaluation -- 3 of 3: Worth watching.

Greetings again from the darkness. Very personal and intimate story from the very talented Adrienne Shelly. Ms. Shelly was tragically murdered before the film was released, but what a legacy and gift she left for her husband, daughter and film lovers.

Keri Russell ("Felicity") stars as Jenna, a fabulous pie maker who is a lost soul married to the world's worst husband - played brilliantly by Jeremy Sisto. She works at a diner with her two friends played wonderfully by the bubbly Cheryl Hines and the film's writer and director, Adrienne Shelly. The relationship between these three is very realistic, touching and entertaining. They love and cherish each other.

Outstanding support from Eddie Jemison ("Ocean's Eleven, Twelve and Thirteen"), Nathan Fillian ("Serenity") and the great Andy Griffith, who has some great lines and definitely should work more often!! Jemison's spontaneous poetry capture the heart of Ms. Shelly's character and Fillian's Dr. Pomatter shows Russell what it is like to be adored, rather than abused.

This is not slick Hollywood film-making. It is quirky ... just like real life. These are characters, who for the most part, make the best of their situations. Every now and then, if we are lucky, we capture a moment of pure bliss ... whether it is in the selfless hug from another, or the miracle of childbirth. The script analyzes loneliness and bad relationships with a twist of humor and much insight.

While it is heart-breaking that Ms. Shelly did not live to see the final product, we see her heart and soul on screen. And don't miss her real daughter (Sophie Ostrey) as Ms. Russell's 3 year old LuLu. This is a wonderful little film with some terrific moments and a nice message to enjoy your life.