Scary Hair

At first I felt annoyed because finally they did a movie out of long black hairs, which was prevalent in a lot of Asian horror movies after "the ring" came out. Titles include The Dollmaster, The Phone, Ju-on or The Grudge, Tale of Two Sisters and so and so forth.

The story is about a young woman who has gone past chemotherapy and is currently trying to live the life she never had. Her elder sisters life was also affected not only because her sisters terminal illness but because she is the only left to take care of her younger sister and she cant go on with life and get married and start a family.

Chi-Hyon, the elder sister, decided to buy a wig for her younger sister, Suh-Hyon, who almost automatically improved overnight after wearing the wig. Then the trouble started.

The film was also a bit longer than I expected, all of which were enough to let the audiences feel empathy for Suh-Hyon (the cancer survivor) as well as get mesmerized by her long silky black hair, which of course has the lead role in the film. Chi-Hyon, her elder sister, was also portrayed as ever caring and slightly on a martyr level, leaving the audiences to feel annoyed and at the same time pity Suh-Hyon.

This movie is internationally called "The Wig".

The Wig is a well made, creepy horror drama from South Korea. I can see why many people might find it slow or hard to follow, but if you do - god forbid - pay attention, the complex plot does work. There are also many scenes that pack a wallop. It is beautifully shot, well acted and has an effective score. There is one shocking scene in a traffic tunnel that is particularly well done. If you stay with it, it comes together. It is sad, scary and creepy and some of the shocks and gore are exceptional. The two lead actresses are lovely and give terrific performances. And yes, long black hair is scary. You may never go in a wig store again!!! :)

I am a long time horror-film fanatic. By this I mean, I watch every horror movie I come across, regardless of where it's from. I am a fond fan of everything from Tale of Two Sisters to Ils. And I suspected I would thoroughly enjoy this movie.

On the upside, Gabal has lovely music, it's wonderfully filmed,beautifully coloured, it has some exquisite scenes as far as artistry goes. The actors are good and there is, as someone might say, a certain special 'touch' here that makes the whole film worthwhile. It has surface-value.

On the downside, I was not the least bit frightened and at times, I thought the plot quite... ridiculous. I just couldn't buy into it regardless of all the other good points the movie had. I was sitting there, looking at these beautiful scenes and for the most part all that was going through my head, was "Well, it's certainly pretty... but..." It's not as if I'm sorry I watched it, it was interesting enough; it just didn't leave a mark on me. I'm not feeling the least bit scared, I'm not feeling particularly impressed, it's not bad enough to make me growl but it's certainly not good enough for a purr. I was hoping that the movie would be better than I felt it was. At least it's not an evil man-eating wig from Mars, I suppose.

I give it 7 out of 10 because I watched Hatchet (2006) last night and at this moment THAT movie has high enough score (6.9) to give me perspective - Gabal, while I did not like it so much, is wildly better than most of the Hollywood horror flicks out there that end up with a higher score.

If you'd know me by now, I take my pick of horror flicks depending on my mood. I'm game anytime for zombie films, might take a little persuasion with vampire flicks, ghosts and goblins I might like too. The Hollywood movies that is, heavily laden with effects, and most of the time compensated with gore. I haven't watched an Asian horror movie since The Ring, and now have taken my first plunge with The Wig.

Oh OK, it's all about the chicks again. Dark Water had Jennifer Connelly, Skeleton Key yesterday had Kate Hudson. In The Wig, we have two beautiful (actually in my opinion, one only) sisters Ji-hyeon (Yu Seon) and Su-hyeon (Chae Min-seo). Su-hyeon is suffering from leukemia, and isn't given too long to live. Her sister Ji-hyeon takes it upon herself to care for her until the end, which isn't expected to be too long. We see sisterly love abound after a cheesy start to the movie, and Ji-hyeon presents a wig for her sister to cover her bald head, the side effects of chemotherapy.

Of course, the wig's possessed by a spirit (hence the obvious title), and therefore takes over the life of Su-hyeon. She seemed to rapidly recover without the aid of drugs, and has a sudden lusting towards her sister's ex-boyfriend Ki-seok. Attitudes and habits change. You can experience the occasional standard horror fare like dream sequences, hallucinations, sudden appearances, pesky cats, dark corridors, creepy attics and the likes. Familiar territory for horror buffs.

So it's left to our heroine Ji-hyeon to quickly discover the whos, wheres, and whys, before it's too late to save her beloved sister from the devil. I suppose with most formulae, this discovery always ties down to the various characters in the movie, and their back-stories. It might interest you that Ji-hyeon didn't speak throughout the movie, as she was injured in an accident, so don't expect a lot of screams from her to raise your goosebumps.

But the main back-story, once revealed, is actually quite sad, especially the scenes after the revelation. It might be brief, and it might just bring out a tear or two from some sensitive audience. A slight twist at the end too when they tie up some of the subplots, which might raise some eyebrows, but only after a few cheap scares by the filmmakers.

And yes, I'll make it a point to peek under the toilet seat for the next few days. Gee, must every spirit from horror movies start to appear from everyday objects? Handphones next, anyone?

The movie pamphlets, posters and TV commercials for ''The Wig" (Scary Hair), a horror film centered around a demonic hairpiece,'' do not do this psychological shock-horror movie justice.

Although there are underlying sexual politics at work in Director Won Shin-Yeon feature film debut, they did not warrant billing the film as just a common variety summer sex tease. Someone should have told the promotion team that shock-horror also sells, and ''The Wig'' delivers with several frightening instances. Though the deeper psychological elements were weakly executed by the novice director, he can be excused considering he had but one demonic wig to work with.

That demonic wig is not just scary-looking, it moves, too -- even flies. Some of the movie's more startling moments derive from the animated hairpiece leaping out at our moody heroines. The long dark coiffure goes from spooky, to haunting to, at length, murderous...

The wig is a gift that Chi-hyon (Yu Son), who later has her vocal chords ripped from the back of her throat in a automobile accident, gives to her younger sister Su-Hyon (Chae Min-So), who loses her hair via chemotherapy. The wig is possessed, fabricated from the hair of several dead women, the audience is only belatedly informed, that is why the wig revitalizes her cancer-ridden body, and soon takes over her mind.

The movie should do better than expected. Despite the anemic air-conditioning at a theater in downtown Jaffna on a sultry evening, the teenagers in the audience laughed and screamed with the characters on the screen, giving the impression that the film may overcome its bad marketing.

Won first received artistic recognition for his grand prize-winning film short ''Puppy for President.''