Cello

Motivation - this is one notion I kept thinking about after the film's completion: what were the creator's motivations behind the development of this movie, while at the same time, what was motivating Mi-ju (Hyeon-a Seong), the lead character, the directionality of her decisions been difficult to fathom, although I, at the same time, could postulate my own personal speculations. The film however never openly reveals 'she is doing this because...', leaving much room for an audience to contemplate.

By the end, Cello feels like a movie we have seen before, combining themes and ideas present in films like Wishing Stairs and Sometimes They Come Back, along with an assortment of unique and stereotypical genre tropes. The scares that are present are less of the 'jump' variety, and more of the 'gasp', the film never officially terrifying its audience. At the same time though, Cello is depressingly disturbing, not so much in its ambiance, but in its content, possessing a similarity to a Greek Tragedy.

The films begins with Mi-ju in a bloodied state in hospital. We can assume she has recently experienced a traumatic car crash from the indicative blurb, though, can we be sure? Cello is a lot like a compass. If 'north' led towards the most logical and cognitive plot, then Cello points everywhere else for the majority of the feature, causing the viewer to think deeply about what is happening, the answers that are slowly provided occasionally having the rug pulled out from under them, forcing the audience to again wonder what is happening. In this sense, the narrative progression of the feature cannot entirely be trusted, which acts as an intellectual stimulus.

After experiencing something horrific, which is slowly revealed over the course of the story, Mi-ju now works as a Cello instructor. In her spare time, she connects with her family: her husband Jun-ki (Ho-bin Jeong), her autistic daughter Yoon-jin (Ji-eun Choi), her youngest daughter Yoon-hye (Ji-hye Jin), and her sister in law Kyeong-ran (Bit-na Wang). Not long into the movie, Mi-ju buys Yoon-jin a cello which she fancies while at the shops, and her husband hires Ji-sook, a silent and mysterious housekeeper.

It initially proves difficult to decipher what of the many changes in Mi-ju's life is the catalyst that eventually leads to a malevolent presence invading her life, and that of her family. However, if she doesn't figure out what is happening, and soon, she may not have any family left. A story of love, family, jealousy, betrayal and revenge, Cello is a film that shows behind every smile is a past, as haunting as it is unforgettable, and though we might be able to leave our past behind, sometimes, it doesn't want to leave us.

Despite the lukewarm reviews on Amazon and IMDb, I still decided to give "Cello" a chance. Why? Well, because it is a Korean horror movie, and I do enjoy Asian movies quite a lot. And I am glad enough that I did pick up this movie from Amazon.

The story in "Cello" is fairly straight forward for a horror movie, but it was refreshing not to have the stereotypical Asian ghosts lurk at every dark corner here in this movie - there is nothing particularly scary about an Asian girl in a white dress with long, black hair covering the face.

But back to the story at hand, Mi-Ju has survived a car crash, but she is haunted by her past. And things around her are starting to become strange and threatening as her past is catching up with her. With her secret hidden from her family, she has no one to turn to, and slowly, an encroaching darkness is creeping up on her family.

For an Asian horror movie, then "Cello" was rather unusual. That being said, I am not saying it is bad. It was a nice change of pace in the Asian horror genre to have a movie take this approach. But for a horror movie, then "Cello" was surprisingly devoid of scares and spooky moments. The movie isn't boring, but it trots along at a fairly level pace - a pace that some might find slow and dull. But it serves the story well, as it builds up suspense and it does reveal the storyline, one slice at a time.

The acting in the movie was quite good, not amongst the best I have seen in Asian horror movies, but it was good and served the movie well. People did good jobs with their given characters.

"Cello" is a good addition to any DVD collection that contains Asian horror movies. And if you are looking for an Asian horror movie that is not centered around the stereotypical Asian ghost, then "Cello" is a good choice.

"Cello" is one of the best Korean horror movies I have seen! It sure is very creepy! And it certainly has enough scary scenes to keep you satisfied! The brilliance of this movie is that you don't exactly know when something is going to happen! In most horror movies you can anticipate and predict a scene! Although some scenes seem similar to other Asian horror movies and you think you know what is going to happen the scene goes into another direction! And then out of nowhere something happens! It takes a while to fully comprehend the plot! But once you do you will be surprised even more! Twist after twist and it never seems to end! "Cello" won't be for everyone,since the pace is quite slow and there aren't that many scares compared to other similar horror movies! Personally I didn't mind much because overall the movie is very entertaining and it's conclusion very rewarding!

The cellist and teacher Mi-Ju Hong (Hyeon-a Seong) is invited by her colleague and friend Sun-Ae (Na-woon Kim) to assume the position of professor in her renowned institution, and gives an invitation to the concert of Hae-Young Kim, the little sister of her former school best friend Tae-Yeon Kim (Da-an Park) who died in a car accident. Before leaving the building, she is threatened by a former student that failed in her test. While driving home, she escapes from an accident on the road and once at home, she has a surprise birthday party with her husband and prosecutor Jun-Ki (Ho-bin Jeong), her daughters the slow Yoon-Jin and the young Yoon-Hye Song, and her sister-in-law Kyung Ran (Jin Woo), whose fiancée is in Manhattan in a MBA course. On the next morning, her husband hires the dumb housekeeper Ji-Sook, a very weird woman. While shopping with Yoon-Jin, the girl is fascinated in a cello and Mi-Ju buys the instrument. After the mysterious death of her dog Sunny, creepy events happen with Mi-Ju, jeopardizing her family, while she insistently listens to her husband voice saying "open your eyes".

"Cello" is another magnificent Korean horror movie. The original plot is very well constructed like pieces of a puzzle, with a scary and ambiguous twist that gives the sensation of deja vu. The film is supported by an excellent screenplay, wonderful and classy soundtrack, awesome direction and performances and a perfect use of special effects. The actress Hyeon-a Seong is extremely beautiful and elegant and fits perfectly to her character. Unfortunately this movie is underrated in IMDb and based on the 218 votes, quite unknown. My vote is eight.

Title (Brazil): Not Available

Cello is an atmospheric, emotionally-driven psychological horror/drama from South Korea. It's basically about a woman with traumatic events in her past that come back to haunt her and her family. 

I call it a horror/drama because it has its frightening moments, but a large part of the movie is devoted to the relationships between the main character, Mi-ju and her autistic daughter, and the past relationship of Mi-ju and her very close friend, Tae-Yeon. I found myself caring a lot more about the characters (and any potential danger to them) in Cello more than I usually do in horror movies, because so much time was devoted to developing them as people and not just kill-fodder. There are so truly horrifying moments in this movie, which gives it a heft and impact that goes beyond just visceral thrills. Cello is a very sad film, and that wouldn't have worked at all without characters that you actually care about.

It's not hard to figure out what's going on with the story, as Mi-ju seeming falls prey to either a malevolent ghostly presence or her own crumbling mind, but fortunately the plot throws enough curves to keep even veterans of the genre from being able to predict everything that's going to happen. 

Put plainly, I liked Cello. It was somewhat different from the recent horror movies I've seen, and undeniably well-made. I recommend it.