Metal: A Headbanger's Journey

I saw this film on September 22 at the Atlantic Film Festival. I was with some people who had never heard anything heavier than KISS and wouldn't know Black Sabbath from the Black Label Society. It's a mark of this film's excellence that they really enjoyed it and felt they had gained an understanding of the metal scene.

This is no gushing fan-tribute. Well, it is in part, but I couldn't stay objective either were I given the chance to sit down with Bruce Dickinson at the Hammersmith Odeon. Seriously, it rises far above the fulfillment of a metal fan's dreams to explore many different elements of what makes metal both an enduring artform and one that remains on the fringes.

The structure of the film follows distinct topics - Gender, Censorship, Death & Violence, and more. Each area is thoughtfully explored with comments from many musicians and some outside observers. From the calm commentary of Rob Zombie to the wry humour of Dio to the laughable minimalist interviews with Norwegian black-metal players, there's a broad range of experiences and opinions.

This is an excellent documentary in every way.

I knew it was going to be great when I got my first glimpse of the big chart of metal bands that correctly put KISS far away from the actual musicians. Ronnie James Dio further obliged with a running commentary on Gene Simmon's preference for money over music.

You'll get to see and hear a lot of great bands, from the standard warhorses like Maiden, Metallica, Motorhead and Slayer to the less-mainstream stuff like Voivod.

I agree with the previous comment.

I saw this movie at an outdoor summer screening in a local park, and it was brilliant to hear the sounds of the metal we know and love pounding out through the park on a Sunday night.

The film was a considered, thoughtful journey through some of the questions that plague the minds of those who aren't part of the metal community. Such as what the fans are like, how they get into metal, why they stay with metal and rarely stray from the various genres that it has. Others include sexuality, girls in metal, and so on.

Each aspect of the documentary was soundly explored, rationally argued, and balanced. For instance, on the one hand you get the perspective of groupies, and then of groupies from bands. You get differing opinions.

In fact, the documentary is a boon for both the metal community and the non-metal community alike. On the one hand, the mettles can revel in the exploration of their community and genres; on the other, the wider community can gain some real insight into the workings of the community.

I must admit that some of the humour that our (predominantly metal) audience felt at the posturing of the Norwegian Black Metal scene, and other parts, the rest of the audience didn't necessarily get. The humour is often something which you must be part of the community to understand, which is why it all appears so serious to the rest of society: they don't get the humour.

All in all, a well-wrought, skillfully crafted, and well argued documentary. Of course there were subgenres and things missing, but you get that with all docos - there just isn't the time to do it. Given the limitations, Metal: a headbanger's journey, makes the most of it and does it well.

Highly recommended viewing.

Metal: A head banger's journey

When this documentary starts showing at the multiplexes, it will be the biggest exposure this musical genre would have gotten thus far, aside from a few ridiculous lawsuits that went public throughout the years. The concept itself that mainstream audiences will be learning of everything from Dio's unique opinions on things to Norwegian Black Metal is quite appalling. More importantly, hopefully this documentary will clear once and for all every false doubt and misconception that Metal has always portrayed to the misinformed.

A head banger's journey starts off by examining Metal's roots, the long debate in regards to who was the first Metal band ever. Then, we are taken through an analysis of how metal sub-genres came to exist. Dunn also gives his thoughts about Metal's culture, viewpoints, religious standpoints, the fans and every other aspect of metal. Some of the veterans of the scene as well as some insightful outsiders give their interesting opinions to support the argument at hand. The film balances the serious aspects of Metal with some unintentional humor. Personalities like Alice Cooper, Bruce Dickinson, Alex Webster, Slipknot, Ghaal, Dee Snider, Doro, Ihsahn and many others offer their own individual thoughts in an intellectual way while bands like Mayhem make a fool out of themselves during a drunken interview.

Dunn is a true metal head. It is his passion, yet he gives a critical and sometimes subjective opinion of the music at hand. The documentary is extremely entertaining and informative. It made me proud to be a metal head. It even made me give bands I'm not too fond of another chance. Bottom line is, if you're a Metal fan you'll enjoy this from beginning to end. If you're a curious outsider, here's your chance to understand our world better and get a more defined opinion of our music. And even if you don't, well to quote Dunn at the end: "We're doing just fine without you…"

I don't like heavy metal music; in fact I hate most heavy metal music. I loved Metal: A Headbanger's Journey. It had all the best components of a good documentary, one of the best released in a long time and a good companion piece on a par with Metallica – Some Kind of Monster.

Co-director Sam Dunn is both a metal aficionado and a student of anthropology. He knew how and where to delve into the culture with a healthy reverence for his subject matter, but with the objectivity to examine in a way that outsiders could glean appreciation. I found it fascinating.

In a systematic, well-structured manner, heavy metal's origins and history were examined, as was the disparity between its followers and detractors. Fans, band members and industry experts were interviewed. The questions and answers were intelligent. Historic file footage was used. The culture and its many sub-genres was analysed. The relationships between heavy metal and gender, sex, religion, Satanism and violence were all covered in a most interesting and enlightening manner.

It was shot on location, including at various concerts, across North America, UK and Europe. I found Dee Snider of Twisted Sister, Tony Iommi of Black Sabbath and Ronnie James Dio of Dio (accredited as the inventor of the devil horn sign) the most compelling interviewees, though there were many others too numerous to mention. The sum of the whole turned out a rich result.

Unlike many documentaries of late, where the primary goal appears to be light entertainment using celebrity heads, this film is truly insightful, intelligent, balanced, educational, funny and entertaining! Whatever your taste in music, I highly recommend it.

I saw the film today and was mighty impressed. The film captured the buzz in the '80s when heavy metal became the biggest thing going. It was good to see Iron Maiden and Judas Priest contrasted to current bands such as Slipknot to show how the spirit of the genre is thriving. Tony Iommi, Dee Snider and Ronnie James Dio all give standout interviews with Dio's digs at Gene Simmons being especially revealing. It was also great to see '80s curiosities Accept and Quebec's own Voivod being represented. The segment contrasting the grunting, leather-clad bands such as Man O War with the lace-wearing bands such as Poison and Cinderella was unexpected and fascinating. Showing the closeted Rob Halford performing in full cruising gear for a rabid hetero audience was quite poignant. I especially like how the film stresses how the music let its fans dream, cope and find solace. Those like myself, whose interest in metal may have flagged in the intervening years would do well to view it and remind themselves what all of the fuss was about.