The Gray Man

Albert Fish was one of the most monstrous of human monsters. While this movie shows him being prepared for electrocution, after he was convicted of kidnapping and cannibalizing a little girl, he taunted his captors that he was also responsible for nearly l00 other unsolved murders. This movie is so devoid of shock, horror, tension, grimness that it could be shown on the Disney Channel with just a few minor cuts. It's like the movie makers were determined to make a "serious" "artful" movie that would not upset anyone. Everything in this film is clean, glossy, sunny and the actor who portrays Albert Fish is so handsome and charming that it's like he walked in from a soap opera. The horrendous life of Albert Fish and the horrors he perpetrated deserves a shocking, bloody, horrific treatment. Nothing in this tame, pallid production suggests any of these qualities.

A solid thriller about Albert Fish (a very fine performance by Patrick Bauchau), the real life serial killer of children in 1930's America. Fish seemed a harmless old man, but in 1934 he was arrested as the murderer of several missing children he somehow duped their families into leaving him with (using an assumed name throughout). Part character study and part detective procedural, The Gray Man wisely avoids graphic horror and sensationalism (Fish's murders, for instance, are never shown on camera), and while it is rather conventional, it is nevertheless quite chilling nonetheless and it shows a director with a very keen sense of storytelling.

I'm not sure what angle they were going for here, sometimes film noir, sometimes doco style but never thriller or horror movie. The fil plays it too nice for that.

The film never really makes you feel as creepy as the character should make you feel.

The actor (forgot his name) who plays the detective was the stand out actor for me.

Its ok but lacks drama :)

Period detective movie with outstanding craft and style. Albert Fish was one of the first serial killers to live and die in America in the early part of the last century. Although he committed crimes beyond comprehension, his tale was relatively unknown, until now.

The story is based on a solid script with emphasis on plot and character rather than gore and violence. This is not to say that this is a family movie. It just avoids the temptation of gratuitous violence and instead focuses on the human dimensions of the protagonists. The story follows Detective King on his obsessive manhunt as he assembles the clues to establish the killer's identity. At the same time, it attempts to read into the mind of the killer, even portraying a bit of his human side.

There are great performances by Patrick Bauchau (Fish) and Jack Conley (Detective King). In addition, the stars of the movie was the stellar photography by Dave Rudd, and the production design by Jennifer Gentile. Given the modest budget, the film convincingly captures the feel of New York in the 1920s and 1930s. The art department went to great lengths to recreate the slightest period details. And yes, it was shot on actual 35 mm film, in unsurpassed color. A visual feast.

Although there's solid performances from the main cast, particularly Patrick Bacau who plays the notorious Albert Fish, this film seems to lack something - thus it's left like its title, grey. What could and should have been an excellent film becomes, because of bad direction, a lack of character development (the detective in particular is poorly developed), plus a poor script, an unsatisfying B movie which is at times tedious and plodding.

Regarding the subject matter, there's too much skipping over of important facts, and the characters are mainly one dimensional clichés. The lack of intimacy in the direction and cinematography - which is perhaps intentional - doesn't work. As a viewer, I'm left not drawn in enough to the characters to really know them, and at times, this left me bored. No time is taken to explore motives of anyone. The film is OK - but that's about it.