Dante's Inferno

I saw this film at the Huntington Beach Film Festival in April 2007, and I loved it! Sandow Birk has an amazing ability to modernize classics, and his adaptation of the Divine Comedy is a prime example. I was delighted to see that he still isn't afraid to use popular culture in his work (as evidenced by the many food chains displayed blatantly in the background sets). Anyone could have made a half-decent film adaptation of the Inferno, but Birk and his crew went above and beyond to display innovation and creativity. I've never seen a puppet show on film, but this film manages to employ humor with a modern twist, without sacrificing the details of Dante's work. Really well done. Granted, this film will not please all audiences and I would be surprised to see it anywhere other than indie-theaters or film fests, but if you have an opportunity to see this, take it!

Yes, this is a puppet show. Yes, the puppets are kind of cheesy, hand-drawn paper animated with visible sticks. You know what? It fits. The art design is really interesting. Seeing Hell represented as an allegory of a crowded urban city is very interesting. They do a very good job of mapping (mostly) outdated "sins" to modern ones. If you liked the original poem, or even better Larry Niven and Jerry Pournell's novel "Inferno" than you'll enjoy this movie. To those that say it mocks Dante's beliefs, well, most of the people he populated hell with were political enemies, either contemporaneous or historical, and in those terms the source material could be seen as less about his vision of the afterlife and more a book of schadenfreude celebrating his enemies downfall. Funny how his allies with similar flaws as his enemies mostly wound up in Purgatory. I hope they consider making both Purgatorio and Paradiso.

You never know what you're going to get with an independent film...Even one that's "won awards." I'm pleased to say that this film both entertained and impressed me visually. The art style had me nervous at first, but as the film progressed it was clear that these filmmakers put a lot of effort into the look of the film.

Of course, you should know this film has no insights to speak of. This gives a very surface-level account of the inferno...which I read once 8 years ago, and still remember details this film left out. The film basically defines each level, provides one or two examples, and moves on. History and philosophy aside, the film does well to keep things low-key, and uses that to their comedic advantage wisely. The film is never laugh-out-loud funny, but it definitely aims to be a comedy.

I wasn't watching this movie for a thought-provoking film, I was just looking for a visually entertaining movie, and it was.

8/10

It's been around 10 years since my last run in with anything related to Dante Allegeri. Junior year of high school we had a project where we had to make our own circle of hell. Ya know, cut outs, drawings etc. My circle of hell was dedicated to Pedophiles and Rapists, and it turned out pretty good. Though I was frowned upon by the nudity. So getting back on track, I enjoyed Dante's Inferno back then, and when I had the opportunity to watch this version of Dante's Inferno I became pretty excited. And when it was all said and done, I was pretty impressed with this unique little flick.

Present day Dante Allegeri is brought by Virgil (Roman someone) to the 9 circles of hell. From circles that have places chosen out for Money-Launderers, the angry, and even plain old fashion murderers. They go from the beginning right to the end, being circle 9. A linear story, but still a fun one with plenty of creativity.

Sometimes the film does feel like it's sole purpose is to be creative in the sense that they're just trying to throw certain celebrities in the circle of hell where they belong. Like you'd find Marilyn Monroe in the circle where you'll find suicides, and you'll find Cleopatra with all the whores. Eh, see what I'm saying? Actually trying to think of people that they mentioned is kinda tough. They used a ton of well-known people from history and it just kind of mashes together by the end. But that's not a complaint perse, since the movie showed intelligence and again, creativity.

With a witty, and intelligent approach to telling this story, and to the detailed art style it had, the film is definitely recommendable to the right viewer. Anyone who can appreciate films that clearly are labors of love, like let's say City of Rott or Blood, Tea and Red String, or hell, any film by Jan Svankmajer should find this film to be a welcome addition to their well-rounded viewings.

I had been flipping through the channels and I saw a preview for this movie and I thought it looked very interesting so I watched it and fell in love with it. I went out and bought the modern version of the book. I loved the art work in the book and being an artist myself I decided to draw a few pieces based on the art in the book. I latter went back to watch the movie again and found that almost all of the sets (backgrounds) were almost identical to the artwork in the book and the banter between Dante and Virgil was about the same also (although the movie is MUCH more humorous) I think it's a great modern spin on the old classic.