Dante's Inferno

You never know what you're going to get with an independent film...Even one that's "won awards." I'm pleased to say that this film both entertained and impressed me visually. The art style had me nervous at first, but as the film progressed it was clear that these filmmakers put a lot of effort into the look of the film.

Of course, you should know this film has no insights to speak of. This gives a very surface-level account of the inferno...which I read once 8 years ago, and still remember details this film left out. The film basically defines each level, provides one or two examples, and moves on. History and philosophy aside, the film does well to keep things low-key, and uses that to their comedic advantage wisely. The film is never laugh-out-loud funny, but it definitely aims to be a comedy.

I wasn't watching this movie for a thought-provoking film, I was just looking for a visually entertaining movie, and it was.

8/10

It was a good modern take on "Inferno" and delivered well. Often movies of Inferno are tedious, but this kept me interested without straying from the text too much. You've got a Dante walking around in a hoodie in a big city through the levels of hell. He and Virgil meander through airport security, strip malls and less desirable parts of a modern city. The punished souls of presidents, politicians, popes and pop-culture icons are sentenced to eternal suffering of the most unusual kind. The two dimensional paper characters tell the story in a simplistic yet imaginative way. The artistry matches the level of entertainment in the storyline.

I am disappointed that I cannot find it for sale or anywhere to stream.

If you haven't read Dante's INFERNO (part 1 of THE DIVINE COMEDY), you should. And once you have, you should check on this delightfully innovative spin on that classic tale.

This isn't the INFERNO as Dante wrote it. Dante has been completely modernized; Hell resembles Los Angeles, the punishments aren't quite what you remember, and the people populating Hell are now familiar faces (Ronald Reagan, Strom Thurmond, Condoleeza Rice). There's also a good dose of Monty Python and Mike Judge in the black humor that drenches every scene.

And while the take has its own novelty, what really elevates the film from good to great is the consistently enjoyable animation. The use of hand-operated paper cut-out puppets is wonderful. The care that has gone into crafting the sets and characters themselves is quite impressive indeed.

Highly recommended.

I just finished watching this on DVD and have to say it was an interesting experience. I have been a watcher of animation and a reader of classic books, but to see the two combined in such an unusual manner was well... refreshing. I love the fact that the movie was an updated telling of Inferno. I think that the retelling of the original would be lost to most moviegoers, heck unless you happen to be a historian specializing in the day and age of Dante, you would probably be scratching your head at obscure Italian politicos of the 13th century. That's why footnotes are lovely in books. The film seemed to carry the same spirit of the book, in that it was a rousing social and political poem. But it does carry a strong leftist theme that most conservatives would rather not endure. The look of the film is, to me, very fresh and amazing. The amount of work and care in the puppetry is spectacular. If you are open to a new experience of an old tale give it a try.

It's been around 10 years since my last run in with anything related to Dante Allegeri. Junior year of high school we had a project where we had to make our own circle of hell. Ya know, cut outs, drawings etc. My circle of hell was dedicated to Pedophiles and Rapists, and it turned out pretty good. Though I was frowned upon by the nudity. So getting back on track, I enjoyed Dante's Inferno back then, and when I had the opportunity to watch this version of Dante's Inferno I became pretty excited. And when it was all said and done, I was pretty impressed with this unique little flick.

Present day Dante Allegeri is brought by Virgil (Roman someone) to the 9 circles of hell. From circles that have places chosen out for Money-Launderers, the angry, and even plain old fashion murderers. They go from the beginning right to the end, being circle 9. A linear story, but still a fun one with plenty of creativity.

Sometimes the film does feel like it's sole purpose is to be creative in the sense that they're just trying to throw certain celebrities in the circle of hell where they belong. Like you'd find Marilyn Monroe in the circle where you'll find suicides, and you'll find Cleopatra with all the whores. Eh, see what I'm saying? Actually trying to think of people that they mentioned is kinda tough. They used a ton of well-known people from history and it just kind of mashes together by the end. But that's not a complaint perse, since the movie showed intelligence and again, creativity.

With a witty, and intelligent approach to telling this story, and to the detailed art style it had, the film is definitely recommendable to the right viewer. Anyone who can appreciate films that clearly are labors of love, like let's say City of Rott or Blood, Tea and Red String, or hell, any film by Jan Svankmajer should find this film to be a welcome addition to their well-rounded viewings.