A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that ... Read allA newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
James Kyson
- Ritsuo
- (as James Kyson Lee)
Masaki Ôta
- Police Officer
- (as Masaki Ota)
Elly Otoguro
- Yoko
- (as Eri Otoguro)
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Featured reviews
didn't work for me
this movie was mostly boring,with no real scares.plus this genre(remakes of Japanese movies)is getting to be old hat,at least in my mind.i also didn't think the actors put forth a lot of effort.i will admit the ending was a bit creepy,but a horror movie with a creepy ending,does not a complete horror movie make.the rest of the movie was lifeless and bland.having interesting characters with more than one dimension always helps.too bad this movie didn't have them.the storyline isn't too deep,either.i won't say this is the most boring movie i have ever seen,or the worst.it's just that it does nothing to distinguish itself from the rest of the pack.for me,Shutter is a 4/10
Surprising well-made
Good story and surprisingly well-made. Suspense built slowly and seemed in hand of competent director and actors. Film was in 3 takes. The introduction, the main play, and surprisingly the post episode was genuinely frightful. There was a moral ending instead of senseless chop-em-up flicks. The cast was perfect. Rachel Taylor was a good actress and very believable as the young wife of photographer Ben. The Japan outdoor scenery were breath-taking. Only complaint - the Japanese women were shown and treated as objects; and the women seemed amendable to playing that role. Maybe that's reflecting the cultural norm in Japan. Otherwise a good movie night if you want enough scares.
Way, Way Better than I Expected
This was a surprisingly good, old fashioned ghost story.
I haven't seen the original and I'm not a fanboy, so I didn't have any axes to grind going in. The cast is very good if somewhat underutilized, the photography and musical scoring are excellent, and there's a plot twist that caught me completely by surprise.
Watching the previews you'd think this was the one millionth Asian horror with a vengeful female spirit who has long black hair and dark circles under her eyes. There's more than that going on here.
And, without giving any plot points away, the final shot of the film is going to stay with me for a long, long time.
Sure, this isn't the most original piece of work ever. It's part of a long tradition of ghost stories. But the makers had the sense to keep it to 85 minutes so it's over before you really begin to think how familiar some of the material is.
I haven't seen the original and I'm not a fanboy, so I didn't have any axes to grind going in. The cast is very good if somewhat underutilized, the photography and musical scoring are excellent, and there's a plot twist that caught me completely by surprise.
Watching the previews you'd think this was the one millionth Asian horror with a vengeful female spirit who has long black hair and dark circles under her eyes. There's more than that going on here.
And, without giving any plot points away, the final shot of the film is going to stay with me for a long, long time.
Sure, this isn't the most original piece of work ever. It's part of a long tradition of ghost stories. But the makers had the sense to keep it to 85 minutes so it's over before you really begin to think how familiar some of the material is.
Not the best
The trailers for this movie made it look pretty good, but it turned out to be not the best movie. It delivers the scares, but there are too many 'false alarms'. A lot of the love stuff in the beginning could've been left out. The real horror starts a little too late, and basically is pretty corny. Most of the acting is pretty bad, and some of the dialogue seems to be totally improvised. This is one Japanese horror remake that shouldn't have been made at all in my opinion. It has a pretty bad plot that takes a long time to unfold and, at times, is rather boring. Warning - do not be fooled, for this is one movie that blows! If you want to see a movie, just avoid this, and see something else instead. Trust me.
I'm tired of this already.....
It was between this and Meet the Browns. And since I had only seen Diary of a Mad Black Woman, I caught the 10:15 showing at my local theater. It was packed! But yet, i don't know why. The movie was terrible. Well, all you need to know about this film is that there are ghosts in the pictures. That's it. The acting is tasteless, and the haunting sound effects and music fit the mood, but doesn't help this film. In some points in the film, the pictures will creep you out. But this wont give you nightmares, unlike The Exorsict. This film, of course is a Remake of another film of the same name. Just like The Eye. Stay away from this one, at best, its a rental. But to pay money to watch it in theaters,no.
Did you know
- TriviaAlthough the original film Shutter (2004) is of Thai origin and is set in Thailand, this film takes inspiration from Japanese culture and is set in Japan instead. This was because director Masayuki Ochiai was more comfortable filming in his home country, rather than flying to America to direct this remake.
- Goofs(at around 17 mins) At one point, Jane says she must call New York, but Ben says it's 3am there, yesterday. This is a mistake. If it was 3am in New York, in Tokyo it would be 4pm in the afternoon on the same day (give or take an hour for differences in daylight savings).
- Alternate versionsAn unrated version was released for the DVD and Blu-ray with 5 extra minutes of footage, clocking in at 90 minutes as opposed to the 85 minute theatrical cut, the changes include:
- Small extensions to scenes already in the theatrical cut.
- A completely new scene where Bruno shows Ben and Jane around in their studio home.
- Another new scene where Ben and Jane explore the basement of their new home.
- The highway scene is extended to show Megumi sliding off the car before she disappears.
- A small scene of Jane traversing the streets of Tokyo.
- The scene with the model Emi is slightly longer.
- A new scene where Ben sees a shape in the distance only for it to turn out to be one of the models instead.
- A shot of Jane following Ritsuo to his room.
- An extension of the meeting between Ben, Jane, and Murase.
- Bruno's death scene is slightly more graphic.
- Ben and Jane return home and embrace after Megumi's funeral.
- The scene where Ben electrocutes himself is longer and more graphic.
- ConnectionsFeatured in Videofobia: The Spirit (2014)
- SoundtracksFalling
Written and Performed by Krysten Berg
Courtesy of Song and Film
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Imágenes del más allá
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $25,928,550
- Opening weekend US & Canada
- $10,447,559
- Mar 23, 2008
- Gross worldwide
- $48,555,306
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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