A perfect family's dynamic is ruined by a kidnapper's brutally efficient plot.A perfect family's dynamic is ruined by a kidnapper's brutally efficient plot.A perfect family's dynamic is ruined by a kidnapper's brutally efficient plot.
Osmond L. Bramble
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- (as O.L. Bramble)
- Director
- Writer
- All cast & crew
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Featured reviews
Can one spoil the plot if the plot's spoiled to begin with (read with caution)
This movie is the equivalent of shattering an already broken mirror. We are introduced to the happy, functioning family: Father's successful and climbing the corporate ladder in the advertising industry, while mom stays at home and takes care of cute-as-a-cupcake daughter. All is well...
(if you are really intent on going through the dissatisfaction of watching this movie and are as thick as brick, you shouldn't read any further)
...But right from the start we see father weaseling his way to the top, egotistically snatching away his colleagues' well deserved moment to shine from under their noses. We see father exchange an all too obvious glance with his secretary. We see mom holding a camera and longingly looking at photos she once took. We can overhear a conversation between mom and dad's secretary that seems casual, but carries the promise of becoming significant later on in the movie all too obviously.
If the writer or director - I'm guessing these are directorial decisions - had done a better job at concealing the cracks in the foundation of the perfect family-life facade in the beginning, maybe the shattered dreams at the end would have packed a slightly bigger punch. But half way into the movie we give up on the chance of this becoming anything remotely worth wile. And we masochistically watch the plot unfolding in more and more implausible ways, as the characters (read: plot-devices) propel it to its breathtakingly uninteresting, and actually insulting ending. Ultimately the only thing this movie shatters, is the audience's hope of seeing an intelligent and entertaining movie.
(if you are really intent on going through the dissatisfaction of watching this movie and are as thick as brick, you shouldn't read any further)
...But right from the start we see father weaseling his way to the top, egotistically snatching away his colleagues' well deserved moment to shine from under their noses. We see father exchange an all too obvious glance with his secretary. We see mom holding a camera and longingly looking at photos she once took. We can overhear a conversation between mom and dad's secretary that seems casual, but carries the promise of becoming significant later on in the movie all too obviously.
If the writer or director - I'm guessing these are directorial decisions - had done a better job at concealing the cracks in the foundation of the perfect family-life facade in the beginning, maybe the shattered dreams at the end would have packed a slightly bigger punch. But half way into the movie we give up on the chance of this becoming anything remotely worth wile. And we masochistically watch the plot unfolding in more and more implausible ways, as the characters (read: plot-devices) propel it to its breathtakingly uninteresting, and actually insulting ending. Ultimately the only thing this movie shatters, is the audience's hope of seeing an intelligent and entertaining movie.
Had good potential
Abby (Maria Bello) and Neil Randall (Gerard Butler) seems to be the perfect couple in Chicago with a lovely daughter. He's climbing the corporate ladder. Neil is going to spend the weekend with his boss. Abby is going to see her sister Diane. They hire Helen Schriver from the agency to babysit Sophie for the night. On the drive to Diane, mysterious Tom Ryan (Pierce Brosnan) comes out of the backseat with a gun and news that Helen has already kidnapped their child. He starts telling them what to do like withdrawing all their cash but he throws it all into the river. He tells them to do what they're told for 24 hours and they'll have their girl back.
There is a lot of unnecessary breathlessness and yelling overacting. It's all intended to raise the tension, but it's too much of a movie thing. Gerard Butler is pushing too hard. His energy diffuses the tension rather than raise it. Quiet anger would be so much more effective. Pierce Brosnan and Maria Bello are a little better. He does menace well and she's the loving wife. This has the potential for a good 3-person morality play, but director Mike Barker works overtime to pump up the artificial thrills. I was interested in the mystery of the true nature of the story, but I didn't particularly care about the people. The twist ending is fine but it needed a few more breadcrumbs laid out along the way. More hints about the ending would have made the ending more compelling.
There is a lot of unnecessary breathlessness and yelling overacting. It's all intended to raise the tension, but it's too much of a movie thing. Gerard Butler is pushing too hard. His energy diffuses the tension rather than raise it. Quiet anger would be so much more effective. Pierce Brosnan and Maria Bello are a little better. He does menace well and she's the loving wife. This has the potential for a good 3-person morality play, but director Mike Barker works overtime to pump up the artificial thrills. I was interested in the mystery of the true nature of the story, but I didn't particularly care about the people. The twist ending is fine but it needed a few more breadcrumbs laid out along the way. More hints about the ending would have made the ending more compelling.
Never pick a fight with someone who's got nothing to lose.
Butterfly on a Wheel (AKA: Shattered) is directed by Mike Barker and written by William Morrissey. It stars Pierce Brosnan, Maria Bello and Gerard Butler. Music is by Robert Duncan and cinematography by Ashley Rowe.
Butler and Bello play a seemingly happily married couple who have an adorable young daughter into the fold. Enter a rather sinister Brosnan who announces he has kidnapped the daughter and requires the couple to do everything he asks. Pressure is on then!?
Basically this is just real solid kidnap thriller film making, the kind that we were well served with back in the 1980s, and with that in mind this comes off like a throw back to that decade. Brosnan (how nice to see him doing a natural Irish brogue) grows ever more spiteful, while of course our handsome couple get more frantic.
But naturally there's a mystery going on here, we are left in no doubt about that there is something lurking beyond the edges of the frames. To which the inevitable twist, on which the whole pic's very being depends upon, will either make or break how you ultimately feel about the piece as a whole.
I liked it. 7/10
Butler and Bello play a seemingly happily married couple who have an adorable young daughter into the fold. Enter a rather sinister Brosnan who announces he has kidnapped the daughter and requires the couple to do everything he asks. Pressure is on then!?
Basically this is just real solid kidnap thriller film making, the kind that we were well served with back in the 1980s, and with that in mind this comes off like a throw back to that decade. Brosnan (how nice to see him doing a natural Irish brogue) grows ever more spiteful, while of course our handsome couple get more frantic.
But naturally there's a mystery going on here, we are left in no doubt about that there is something lurking beyond the edges of the frames. To which the inevitable twist, on which the whole pic's very being depends upon, will either make or break how you ultimately feel about the piece as a whole.
I liked it. 7/10
Intelligent Thriller
When their happy lifestyle is suddenly interrupted and turned upside down by the forceful intrusion of a menacing kidnapper (Brosnan), Abby and Neil (Bello and Butler) are left with no choice but to follow the increasingly difficult demands and tests set them by this man. It's edge-of-the-seat stuff most of the way, with plenty of twists and turns and even when you get to that stage where you think you know all the answers, something else catches you off guard. The three leading actors all provide sound performances in this intelligent, edgy little thriller, with Brosnan proving yet again, because a lot of people seem not to have realised it before, that he really can act.
Thrilling and suspenseful movie with a sensational Pierce Brosnan as relentless kidnapper
A happy marriage formed by Neil Randall (Gerard Butler), executive of an advertisement agency and his spouse, Abby (Maria Bello) have the perfect existence and an early life in Chicago. With their lively young daughter, named Sophie, they are living the American dream . When the daughter is suddenly kidnapped, they have no choice but to execute with the kidnapper's demands who appears with a gun on the backseat of their car. The abductor named Ryan (Pierce Brosnan), a calculating and cold psychopath, takes over their lives with the cruel efficiency of someone who has nothing to lose. Over the next twenty-four hours they are at the mercy of a criminal who wants only one thing, that they do his orders. It soon becomes clear that Tom's demands are all the more horrifying because he doesn't wish their money that is burnt.
This exciting picture is packed with suspense, thrills, mystery,tension and extraordinary plot twists.Tense and stirring film with a moving race against time. This Hichcockian movie deals about a successful executive and wife when their daughter is taken hostage and suffer a brutal blackmail. Gripping, original action movie with the main actors desperately trying to find out the means avoid his daughter to be murdered. Excellent thriller full of intrigue and tense, this is a fast-paced, stylized action-suspense film. The tension of this picture keeps snowballing as the clock ticks ever close for killing the daughter. The tale appear to unfold in real time and most unusual is the device of having the victim play desperado and hunt the killers, and saving his daughter , as time runs out. Casting is frankly magnificent, Gerard Butler as tormented father, Maria Bello as affected mummy and Pierce Brosnan, also producer, takes honors as a sociopath who attempts to turn the tables on the victim before he can free his daughter. Adequate musical score accompanying the action by Robert Duncan and inventively photographed by Ashley Rowe. The motion picture is stunningly directed by Mike Binder. He's a nice director working usually for television as ¨Moby Dick¨, ¨Sea wolf¨ ,¨Lorna Doone¨ and occasionally for cinema as ¨A good woman¨, ¨To kill a king¨ and of course ¨Butterfly on a wheel¨ his best movie. Rating : Good film, above average and worthwhile watching .
This exciting picture is packed with suspense, thrills, mystery,tension and extraordinary plot twists.Tense and stirring film with a moving race against time. This Hichcockian movie deals about a successful executive and wife when their daughter is taken hostage and suffer a brutal blackmail. Gripping, original action movie with the main actors desperately trying to find out the means avoid his daughter to be murdered. Excellent thriller full of intrigue and tense, this is a fast-paced, stylized action-suspense film. The tension of this picture keeps snowballing as the clock ticks ever close for killing the daughter. The tale appear to unfold in real time and most unusual is the device of having the victim play desperado and hunt the killers, and saving his daughter , as time runs out. Casting is frankly magnificent, Gerard Butler as tormented father, Maria Bello as affected mummy and Pierce Brosnan, also producer, takes honors as a sociopath who attempts to turn the tables on the victim before he can free his daughter. Adequate musical score accompanying the action by Robert Duncan and inventively photographed by Ashley Rowe. The motion picture is stunningly directed by Mike Binder. He's a nice director working usually for television as ¨Moby Dick¨, ¨Sea wolf¨ ,¨Lorna Doone¨ and occasionally for cinema as ¨A good woman¨, ¨To kill a king¨ and of course ¨Butterfly on a wheel¨ his best movie. Rating : Good film, above average and worthwhile watching .
Did you know
- TriviaPierce Brosnan actually crashed the car in the parking lot and their reactions after the crash were real.
- GoofsWhen the Range Rover smashes into the wall in the parking lot, at that speed this would have set off the airbags. Also during the rest of the movie the car doesn't seem damaged, the speed the car went into the wall would have caused visual damage.
- Alternate versionsThere are two versions. Runtimes are: "1h 35m (95 min)" and "1h 38m (98 min) (European Film Market) (Germany)".
- ConnectionsFeatures Ed, Edd n Eddy: Once Upon an Ed/For Your Ed Only (2001)
- SoundtracksI'll Take Care of You
Written by Brook Benton
Performed by Irma Thomas
Published by Famous Music Publishing Company Ltd.
Courtesy of Rounder Records. www.rounder.com
- How long is Shattered?Powered by Alexa
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross worldwide
- $7,651,640
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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