The Tiger's Tail

This new film is very peculiar. PURPORTING to be about the Celtic Tiger and modern Ireland, it is curiously insipid. Despite setting out to be satirical, it falls flat. Hard to pin down exactly why, but probably due to laziness on the the filmmakers behalf. Why isn't he making satirical films about London? Brendan Gleeson is okay, but the two characters he plays stretch the imagination. Catrall isn't really credible as an Irish woman and some of her lines are hard to listen to. The camera-work is surprisingly dull, as some of his previous films have looked great, and doesn't make anyone look good. That said you should check it out, if only cos he is the same filmmaker who made Point Blank and Deliverance, and its a paradox to see how far off these classics he has drifted.

I was an extra on this movie, in the Awards Dinner scene near the beginning, and I looked forward to the finished product with some trepidation because the dialog seemed quite poor. However, i have been pleasantly surprised. This is a good movie, and maybe I'm stupid but I didn't see the ending coming; It thought it was a very good resolution, and I don't understand why one reviewer says it leaves numerous threads hanging. I thought all of the production values the music and everything were very good. My criticisms would be the same for most Irish movies; the relatively poor acting of the more junior actors (I refer in particular to the drunken girlfriend we first encounter in the Temple Bar nightclub. There were other weaknesses, things that could have been much better handled such as the first appearance of the doplleganger, and O'Leary getting coshed in the toilets (again, bad acting by the other actors there). Some things were just stupid, like the statement that the more houses O'Leary builds the more homeless there are; Boorman should stick to the directing and leave the economics to others. Kim shouldn't have attempted the Oirish (sic) accent. It would have been quite believable for O'Leary to have married an American, and better, even.

It gives a reasonably good insight into middle-class Ireland, and a glimpse of the world of the down-and-out (which is the same everywhere, I suppose). I stayed until the very end of the credits.

Brendan Gleeson might be one of the most underrated actors in the public eye. I didn't know anything about this movie when I rented it to watch it, so I had no idea who the director is. Reading it now, it makes sense. The movie is really skillfully done, the performances are great and even when you think you know where this is going, it might still be able to surprise you.

There were a few moments where you think "well he could say this or do that" to prove a point. But that is not what the movie is trying to tell you/do. The movie cares about the characters, but even more about society and how we ourselves play a role. A role that might not even befit us, but under normal circumstances we would never change ourselves. Why should we, we are happy as it is, aren't we? These questions and a lot more are being transported via a mystery story, that really has some punches for the viewer. I also really liked where this went at the end, but that is up for discussion ... Watch it and I'm sure most of you won't find this boring at all

I recently saw this at the 2007 Palm Springs International Film Festival for it's North American premiere. Director/writer John Boorman has had a very sporadic directorial career making only 15 feature length films between 1965 and 2006 including this, his latest offering. Boorman has rarely enjoyed the success that struck early in his career with such films as Point Blank, Hell in the Pacific and his biggest to date Deliverance. This time around Boorman has delivered a black comedy set in Ireland where Liam O'Leary (Brendan Gleesan) plays a wealthy real estate developer who's new found wealth has come through hard work and determination but is also costing him a loveless marriage to his wife Jane (Kim Catrell), an indifferent rebellious son Connor (real-life son Brian Gleeson), and he is overextended with his bank and battling with a rival developer and flirting with a nervous breakdown. Liam begins to think he is going mad when he starts seeing his double. Gleeson is very good in the double role of Liam and his double. Catrall drifts in and out of an Irish accent but it's not that pronounced of an accent to begin with to be bothersome to the viewer or detracting from the story. Brian Gleeson turns in a fine first screen debut. This is not a great film and not without it's flaws but it's got some great peripheral support players in the cast and good story with some witty moments. I liked it. It's got kind of a 1940's Hollywood B movie quality to it although set in modern times. I would give it a 7.5 out of 10 and it's worth a look.

I'm not sure whether this movie was good or not, but I kind of liked it. It was peculiar, but in a good way (not like Solondz's Wiener-Dog I saw recently).

The "Celtic Tiger" part was of no relevance to me - I wouldn't know whether it portrayed 2006 Ireland accurately or not; I was viewing this movie as a regular stalker flick, and, as such, it was quite engaging.

The acting was good, especially by the lead male. Kim Cattrall's role was not a major one, so her accent didn't bother me, especially since everyone in the movie had sort of a "neutral" accent. Having been to Ireland, I can say that none of the people in the movie sounded like the natives I met on my trip to Ireland.

The set-up was very good and engaging, but the movie declined significantly upon the doubles's entering the protagonist's house. There is no way something like this would happen in real life. It was just not believable. I was also sort of offended by the way they chose to portray the wife - as though they were trying to say that women are generally dumb and shallow, and the only thing they care about is for a man to pay attention to them. This is inaccurate and there is no way a wife would mistake a stranger for her husband of many years. Perhaps they were meant to imply that Jane knew all along that it was the double (if so, I must have missed it), in which case, perhaps, I would have seen it differently.

The ending was also kind of weird, but very original and somewhat satisfying and thought-provoking.

All in all, an enjoyable movie, and definitely superior to many a stalker flick I've seen lately. Would recommend.