Strange Circus

"Strange Circus" starts out as the story of 12-year-old Mitsuko,who's being sexually abused by her father Gozo and terrorized by her jealous mother Sayuri.Mitsuko is imprisoned in a cello case and forced to watch her parents' intimate liaisons through a peephole.The strange abuse causes Mitsuko to blur the distinction between her mother's pleasure and her own pain.When her mom dies after falling down the stairs,Mitsuko starts believing she is her mother.Sion Sono's return to ero-guro tradition is very stylish and sexually perverse.This strange film even offers lashings of paedophilia on display,fortunately they are not graphic.The carnival atmosphere of circus is well-developed and there is a nice amount of grue.Fans of more dream-like transgressive cinema should give it a look.

... if you like this movie. Neither is the director ... at least I don't think he is. If you watch this movie you might ask yourself these questions, because this is not your usual fair, it is extreme and out there.

I don't even know what to make of it. But I do know, that even though I was disgusted at times, I also was amazed by this movie. Which says much about the craft of the director on work here, who will take you on an emotional journey.

This journey will not be an easy one and you probably won't enjoy it (in fact, you are supposed not to enjoy it). And although you know you watch bad things (even with children involved in them, but never explicitly shown), you get the feeling that this movie is great. Not for the faint of heart then, but definitely for people who are open to challenges!

I started to watch this because Netflix suggested it. I used to love to go to the movies and look for good Hollywood material but nowadays it's scarce. This movie (and the ones like it) are the reason why I still believe movies are art.

This is a piece that will make you struggle to find out what is actually happening. As other reviewers mentioned, it does have its piece of sex, incest and violence, but it is never the focus. The movie uses those resources to make you understand what the protagonist is going through.

It will linger in your mind for several days, and I think that is the greatest compliment a work can get.

It starts a little slow, but it gets better... all the way to the end when you actually think it is going too fast. Do yourself a favor and watch this with an open mind. It's like pure oxygen in the middle of Hollywood pollution.

When i saw Suicide Club for the first time i knew Sion Sono would come to be a director i would look out for, and with Strange Circus he delivers, that's not to say that you will automatically like this one if you loved suicide club, because this is is something different.

If suicide club was his pitch black pulpy look at Japanese culture, this is his nightmarish avant garde look on a dysfunctional family. This is art-house the way it should be, confrontational, engaging and intelligent.

This is at some points extremely unwatchable as it deals with themes such as incest, but the way it is portrayed is absolutely stylish but still jaw droppingly tense.

It reminded me of David Lynch and Alejandro Jorodowsky because of the dreamlike sequences and the constant pondering on what is real and what isn't.

This movie is shot beautifully, even Kubrick came to mind at some scenes. Without spoiling anything i can say that this movie is very open to interpretation and it works and many levels.

I would highly recommend this movie to anyone who likes deeply psychological drama, horror and art-house combined), but a warning, this is not for the faint of heart and i can really understand why people would condemn this film as perverted trash (such as people will condemn Lars Von Triers Antichrist), although i genuinely think that anyone with a love for cinema would grasp the deeper things this movie has to offer and will enjoy the beauty in this nightmarish vision.

This is a very fine and brave film but so extreme and at times confusing that it lost me at times. I see the film has won awards in Montreal and Berlin but I can safely say that it could not even be shown legally in the UK. Even apart from the extended sequences of implied and actual child sex abuse the degree of violence, especially when shown in a sexual context would have the jolly BBFC boys in somewhat of a lather. With all the effort put in by the director and leading actress, Masumi Miyazaki, who is sensational in her roles, it is a shame that the resulting film is not more coherent. Possibly it is because the material is so extreme that I tended to distance myself a little and thereby lose the plot a little, but only a second viewing will settle that one and I'm not up to that right now!