Young siblings Abby and Ethan are adopted by outwardly perfect parents Eve and Raymond Goode, only to find that that their new guardian's remote mansion is far from the idyllic abode that it... Read allYoung siblings Abby and Ethan are adopted by outwardly perfect parents Eve and Raymond Goode, only to find that that their new guardian's remote mansion is far from the idyllic abode that it initially appears to be.Young siblings Abby and Ethan are adopted by outwardly perfect parents Eve and Raymond Goode, only to find that that their new guardian's remote mansion is far from the idyllic abode that it initially appears to be.
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Having lived with an abusive stepparent, this hit the nail bang on the head. DAMNED scary. Soundtrack was nice, acting superb all around, and the photography lush and brilliantly planned.
Actually, I'd rate this as an 8.5, because the enabling stepfather was just a little TOO accommodating, although the writing is otherwise well-crafted. The reason I gave this a ten is to offset the overly biased previous postings which don't give this movie its due. The visuals are truly stunning, the sets gorgeous, and the camera-work clever and innovative.
Oh, and the actresses are unbelievably beautiful. The "stepmother" is a latter-day Ali McGraw, and it's testament to her talent that she can go from dazzlingly, breathtakingly sexy to skin-crawlingly scary within a matter of seconds.
The "stepdaughter" is also great, absolutely believable and so pretty and vulnerable you know she's going to be a major heartbreaker as she matures.
Don't listen to the negative voices. Judge for yourself. A solid, high-tension, superbly-crafted thriller.
(And no, I have no connection whatsoever to anyone involved.)
Actually, I'd rate this as an 8.5, because the enabling stepfather was just a little TOO accommodating, although the writing is otherwise well-crafted. The reason I gave this a ten is to offset the overly biased previous postings which don't give this movie its due. The visuals are truly stunning, the sets gorgeous, and the camera-work clever and innovative.
Oh, and the actresses are unbelievably beautiful. The "stepmother" is a latter-day Ali McGraw, and it's testament to her talent that she can go from dazzlingly, breathtakingly sexy to skin-crawlingly scary within a matter of seconds.
The "stepdaughter" is also great, absolutely believable and so pretty and vulnerable you know she's going to be a major heartbreaker as she matures.
Don't listen to the negative voices. Judge for yourself. A solid, high-tension, superbly-crafted thriller.
(And no, I have no connection whatsoever to anyone involved.)
Plot done over and over and over again. This one no different than any other. Evil woman who gets away with murder and empty headed men who go along with the stupidity. Again we're supposed to believe women can be evil and men can be patsies. Brett Merryman wrote this crap and Steve Antin directed not so good actors. Angie Harmon gets boring along the way with this constant evil stare all the time. Joel Gretsch as her doting vacant husband goes around whining all the time. Then there's the children played by Jordan Hinson and Bobby London. London spends most of the time sick in bed and Hinson seems to be running around in circles looking for a way out. But never seems to find the door. Jason London plays a detective without a clue. Of course he gets it from the witch mother. So there you have it. A trite not so original LMN movie with the same theme, the same bitchy women, and the same weak men. Typical LMN crap.
When a sequel is direct to video and ups the ante to a 'R' rating, shouldn't the audience hope for a more salacious and violent viewing experience? Unfortunately, with the perpetually stern and severe, though gorgeous, Angie Harmon starring, those hopes are laid to rest. Whereas the original was proud of its B-roots and had an excellent slimy, perverted performance from Stellan Skaarsgaard...this film actually wants the audience to take the plot of a grieiving mother gone overprotective gone crazy, seriously. The original had a PG-13 rating, and yet delighted in ingénue Leelee Sobieski's nubile, well-developed frame while providing its audience with delightful action and a propulsive narrative. In this poor sequel, we get a whiny prudish protagonist, very little violence, and stultefyingly lame tension. The original was set in that amazingly austere cold house, made of actual glass. "The Glass House 2: the Good Mother" instead employs its characters in an adobe-styled Spanish château, which leads me to the poor choice of cinematography. The allegiance to using a gold-hued tint to add Latina flair to the visuals was poor decision-making especially considering the milquetoast energies enemating from the acting crew. (There are white people still in Cali, y'know.) I like Joel Gretsch, but when Jason London has more inner force than any of the other talent, "Houston, we may have a problem."
I must admit i did think this might be just another of those dreary drag along movies. But I can honestly say its not. Angie Harmon plays a very convincing role as a troubled mother & keeps you squirming in your seat. Shes backed up well by Joel Gretsch as her doting husband, with a very fine performance from unknown Jordon Hinson. The plot it self is a very simple one & its been seen before in a number of good movies, but this doesn't take anything away from the excitement or suspense. The characters all develop well as the story unfolds, & still gives you a ending with a surprise twist. Its a very entertaining effort, its no blockbuster but I,m sure it will be well received in video stores.
Well, after seeing "The Good Mother" my heart was still racing. It was basically about,grieving mother,Eve Goode and her obsessive desire to be a caring, protective, loving, healing mother, who's recent victims happen to be recently orphaned Abby and Ethan Snow. Abby soon finds out that her foster mother's obsessive desire is as extreme as it is deadly, when she finds out her foster mother's frightening secret.
Sequel to The Glass House, which itself was entertaining, "The Good Mother" fit along well with the previous plot. It was quite close to being the same thing.
I personally enjoyed the film, It was suspenseful at times and very interesting.The acting was good and the emotion was evident.I recommend it, to all who enjoy suspenseful,and thrilling films with a little bite to it.
Sequel to The Glass House, which itself was entertaining, "The Good Mother" fit along well with the previous plot. It was quite close to being the same thing.
I personally enjoyed the film, It was suspenseful at times and very interesting.The acting was good and the emotion was evident.I recommend it, to all who enjoy suspenseful,and thrilling films with a little bite to it.
Did you know
- TriviaJoel Gretsch had to be persuaded into taking his shirt off in the sex scene as he felt that his body wasn't in good enough shape. (As can be seen by his excellent physique in the final edit, Gretsch needn't have worried.)
- GoofsWhen Abby goes to check on Ethan right after he gets sick, her wrist isn't wrapped in the bandages, though it is in the scenes directly before and after.
- ConnectionsFollows The Glass House (2001)
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- Also known as
- Glass Houses: The Good Mother
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- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.85 : 1
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