Jesse Stone: Night Passage

In this prequel movie Jesse Stone: Night Passage we learn how Jesse Stone became the new police chief of Paradise, Massachusetts. Tom Selleck has not yet begun to deal with his alcohol problem and in fact his police instincts are aroused when the town council actually hires him when he shows up with booze on his breath.

The first two cases that Selleck deals with are linked. He goes to a domestic dispute where Stephen Baldwin is not honoring a restraining order against his estranged wife. Selleck nails him below decks to get his attention and make a point. Then Mike Starr the former police chief of Paradise is found dead off a cliff at the ocean shore in his car. It takes a while to determine, but these cases are inextricably linked.

Tom Selleck shows a considerable range and maturity in age and craft as he plays Jesse Stone. This is not a perfect and he's a most serious individual, light years away from flip detective Thomas Magnum.

The rest of the characters from the town including the other three members of the police force, Viola Davis, Kohl Sudduth, and Vito Rezza are all introduced. As is town attorney Polly Shannon who begins a long term relationship with Selleck.

Fans of Robert B. Parker novels and of Tom Selleck should be very pleased with this film.

Other reviews have addressed details about each installment very well, so I'll stick to overall comments.

I think this has to be some of Selleck's best work. "Think" because I haven't watched any TV to speak of since 1994. His performance throughout is multifaceted, nuanced, and just plain excellent. His Jesse Stone character exudes an honesty, a fairness, and an unswerving loyalty to principle, traits I suspect run through Selleck himself.

He has a real stake in the series - he's listed as Executive Producer - and it shows.

After Selleck himself, what defines the series are the supporting players. I can't remember a single weak performance, and I've been though the whole series several times. Recurring standouts are William "Nobody rides a horse like Monte Walsh" Devane (Dr. Dix), Steven McHattie (Captain Healey), Kohl Sudduth (Luther "Suitcase" Simpson), and especially William Sadler (Gino Fish).

Mention must be made of Stone's dogs, who are very important and integral characters throughout the series - in unexpected and novel ways.

Highly recommended.

Tom Selleck was great as Magnum and is more appealing than ever as Jesse Stone. The two TV-movies made so far with this character have been top-notch in story, characters and mood--very watchable and enjoyable. I believe they've done gangbusters in ratings, too, so let's hope there are more of these to come. Stone is a wonderful character and so far he's had great casting and good writing to back him up. The Stone character is the creation of mystery writer Robert B. Parker. I haven't read the novels, but Parker himself has been interviewed and he had nothing but great things to say about Selleck's performance and how well he nailed the character, who's tough, ironic, smart, wry, funny. Also enjoyed the production values, moody atmosphere and Vancouver (I think) settings, not to mention a couple of very pretty, well-cast ladies. More, more!

At the start of this movie based on the first Robert B. Parker novel about Jesse Stone, the former Los Angeles detective is mistaken for a vagrant on the beach in Santa Monica. He has to explain to a cop that he also is--or was--a cop.

Meanwhile, in the quiet coastal town of Paradise, Massachusetts, police chief Lou Carson (Mike Starr) is celebrating his retirement.

When we see Jesse again, he is crossing the country with his hound dog Boomer, and trying not to drink.

If you have seen the TV movie 'Stone Cold', based on another Parker novel, you know what comes next. The question is: how does Jesse go from drunken bum to the new police chief of Paradise? The answer may be related to the meeting between Lou and Hasty Hathaway, the banker and town administrator, beside a rusting ship tied up at a dock--and the envelope full of cash. This secret conversation may also have a connection to the murder that serves as a primary plot line for the movie.

Having worked in the big city, Jesse does things the way he is used to--much to the dismay of town attorney Abby Taylor (Polly Shannon).

Molly (Viola Crane) is the dispatcher, insisting she is a police officer and not a secretary. The other officers are Anthony D'Angelo (Vito Rezza) and Luther Simpson (Kohl Sudduth), who gets nicknamed 'Suitcase' by Jesse. Hathaway's wife Cissy (Stephanie March) doesn't seem happy with her marriage.

Tom Selleck does a fine job once again as Jesse. His character is confident yet pleasant, intelligent but flawed. He vows not to drink--on the job. One of his best scenes is with troubled teen Michele, whose parents are divorcing, though her abusive father Joe (Stephen Baldwin) insists on remaining close to the family, and he is mysterious about how he makes a living. Saul Rubinek does a good job as Hasty.

This is not an exciting movie, and certainly not the type of movie where one would expect car chases and explosions. In fact, it is not really a murder mystery, though solving the murder does take up more time than any of the other plot lines. The main purpose of the movie is to introduce the characters. Despite the movie's slow pace, I found it entertaining mainly because of Jesse. There is some comedy, and violence is minimal. The language and sexual talk make this inappropriate for young children, though prime-time network TV offers far worse.

I happen to know there will be at least one more Jesse Stone movie, and I look forward to it.

I looked forward to the first Jesse Stone film with positive anticipation, being a big fan of Robert Parker's books and brilliant written dialogue. I thought some younger actor who plays "outwardly stoic, inwardly thoughtful" like Viggo Mortenson or maybe a Chris Noth type would probably be cast, and was pleasantly surprised by Selleck. The questions Parker poses in the running dialogue between Stone and his estranged wife in the books seem a bit "young" for someone Selleck's actual age, but he is able to play 10-15 years younger than himself, making it all quite believable. The good work continued in this film, and Selleck especially tosses off the Parker dialogue very believably. (If you don't recognize or appreciate what I mean about the dialogue, pick any consecutive three or so of the Spenser novels and read them in order; the economy, wit, and "realness" of the dialogue is not often matched in current writing.) The next film should be fun!