Empire

Imagine, 2000 years from now, someone decides to tell the story of George Bush. Sure, there are historical records about the time, but why not just make things up as you go along, to "improve" the story? So...there was once an elected king of America, Bush I, whose son wanted to succeed him; but Bush II was challenged by the evil Prince Gore. The people voted and chose Gore, but the 12 Lords of Justice decided the match should be decided by a duel, in which Bush II killed Gore. Hooray! Then America was attacked by a missile fired by King Saddam of Arabia. Bush II, already famous as a fighter pilot, led a jet attack on Saddam, and brought back his head on a stick, which was mounted atop the statue of Abraham Lincoln in the capitol, New York. And so on...

And that's about how seriously the makers of EMPIRE take one of the most crucial, and well-documented, episodes in all of history, the aftermath of the assassination of Julius Caesar and the beginnings of the Roman Empire. Why bother with the incredibly fascinating reality of the people and their times, when we can just make up anything we want? It's all just fodder for the Hollywood TV grist mill, which provides wish-fulfillment fantasies for viewers whom the filmmakers hold beneath contempt. Sad.

Beyond the ludicrous flights of fancy and boneheaded mistakes, some of the glitches are simply careless bloopers, as when the black general (yes, they made him up, too) refers to the "Serbian Walls" that encircle Rome. They're actually called the Servian Walls, and have been for about 2500 years, but who gives a frack?

But...I'll give EMPIRE 1 star for eye-candy, especially Jonathan (can I have it and eat it, too?) Cake. And another star for some not-bad casting. (Fiona Shaw as Fulvia: "I always leave before the orgy.") The rest is all junk.

Viewers interested in a more serious treatment of the same events might want to watch the Euro mini-series AUGUSTUS (available on DVD), starring Peter O'Toole as the emperor, which includes flashbacks to his early days. It's a far more handsomely produced film, with good battle scenes, great costumes, the most realistic interior and exterior sets so far created for a Roman movie, an intelligent script, and a memorable performance by the great Peter O'Toole.

Other commentaries have criticized this series for its historical inaccuracies. Well, it was not presented as a documentary. The critical question in reviewing any film or mini-series is "Is it entertaining?" This series is entertaining. It is presented well. The sets are excellent. The acting is far better than most television fare. The two most engrossing character portrayals are Cassius (Michael Maloney) and Tyrannus (Jonathan Cake). Those two and some of the lesser roles carry the film. Cassius is the most believable villain since Hannibal Lecter. If you enjoy good acting, Mr. Maloney's performance alone makes the series worth watching. The central character, Octavius (Santiago Cabrera) is not strong enough to create an interest for the viewer, think of Colin Farrell in Alexander. The viewer will be far more concerned with the fate of Tyrannus than that of Octavius. Other performances are so strong as to emphasize the weakness of the lead. However, only the first three episodes have been shown to date, and at this point Octavius is only a 17-year-old kid. Perhaps the weakness is an actor's or director's choice and should not be mistaken as a weak performance. As the character grows into Augustus will the performance seem stronger? Time will tell. Until then, pop some corn and enjoy the entertainment.

Yet another example of TV failing to present one of the great stories of history. They spent the time and money on decent sets, costumes, and actors, but seemed to care nothing about history. Strange, because I believe Americans would enjoy seeing the real story if it was created at this level. However, even if you allow that they can spin their own (hi)story (hey, it's their money), this story started off dull and predictable.

Other reviewers have identified historical flaws in the Octavius character, so I won't repeat them here, but the writers also threw in a gladiator character who appears to be a weak extrapolation from the hit movie. These changes are bad decisions when dealing with such a rich era. When two major characters in the series are created poorly, the series will surely suffer.

Instead of watching the rest of this series, I recommend that you read a book (even a fiction one) about this exciting era to prepare yourself for the upcoming HBO series; they should handle this era much better.

Sure its not entirely historically accurate but it is being shown in Australia during the summer, when most of the good shows have gone off. I personally think this mini-series a pretty good as Rome has been reconstructed back to its former glory and the clothes they were especially the women are beautiful. I would watch this mini-series if you like History and even though its not accurate its good entertainment and isn't as boring as most historical films. This mini-series i feel was directed brilliantly and i could watch it again on a rainy day. I'm sure a lot of people who love history won't like this due to the fact its not accurate but who cares? films are meant to entertain and i believe this one does!

I've watched this four-hour TV epic on DVD with many reservations, which mostly turned out to be true. I've stopped counting the historical inaccuracies long ago and am now trying simply to enjoy this mini-series as entertainment but it's still hard to do, what with a retired Roman general named Magonius who is played by a Black man (!), a "gladiator prison" called "Arkham" (!!) and a slave, played by Jonathan (Beef) Cake, who speaks better English than his master (!!!). The treachery of Anthony is particularly appalling in historical terms but is typical of a script that must have been workshopped in a weekend writers' seminar while channeling every Roman epic cliché ever shot (including some from grand opera, like the deviant Vestal virgin) and putting their incidents in a blender, with the Cate Blanchett voice-over from "The Lord of the Rings" and the medical emergencies from "All My Children" thrown in for good measure. The production values are acceptable, the film shows a lot of sex, violence, sadism and decadence but the cinematography is divided into two groups of scenes: luscious long CGI shots of the countryside or cityscapes with great emphasis on colour, time of day, composition etc. and action/crowd scenes where the camera is jittery at all times and only captures the action in grainy or telephoto close-ups (à la "Gladiator") chopped up in an editing style which makes theses scenes very forgiving of little things like missed cues, bad stunt-work and confused direction, but unfortunately robs them of all majesty, grandeur and clarity. I suppose it could have been much worse. One positive thing is that since this was made for American television, all the major story points are repeated at least six times to allow the addle-brained viewer to follow the plot between bathroom and snack breaks. The four hours fly by rather fast even if they make the viewer less informed about Roman times than if he had never seen them.