Youth in Revolt

When you hear that Michael Cera will be playing yet another nerdy virginal dweeb, your first reaction is likely to include a couple of eyerolls and other dismissive motions. Here he plays an effete high schooler named Nick Twisp who thinks he's found the girl of his dreams during a lakefront vacation. Only to get the girl he needs to man up and become more dangerous, so he invents a subpersona named Francois, a dashing lad full of derring-do. This black comedy has plenty of laughs amid a wacky, absurdist atmosphere.

Nick Twisp. Great name for a fictional character; terrible name for a real person, I would think. Nick is into Frank Sinatra, his computer, and classic prose; he lives with his trailer-trash mom (Jean Smart) and her ne'er-do-well current boyfriend (played with laid-back zeal by Zach Galifianakis). Nick is as stammery as any other Michael Cera character, and his approach to the fairer sex is, unsurprisingly, ineffective.

Things look up when he meets neighbor Sheeni Saunders (Portia Doubleday, who is both enigmatic and ebullient as Sheeni), who's gorgeous and fun to be with. It's not long before Nick decides Sheeni's the one for him. But it's quickly revealed that Sheeni already has a boyfriend, a real manly man named Trent. How can anyone played by Michael Cera compete with a guy named Trent? Easy – by inventing an alter ego that gives voice to his rampaging id, a rogueish cad named Francois (because Sheeni loves French things). Francois allows Nick to do and say things that he'd never otherwise say.

And that's when things really take off. The pleasure of this movie is twofold. First, Cera's delivery and the script by Gustin Nash go together like Forrest Gump and Jenny. The jokes are often laugh-out-loud quality, and it's at least partly due to Cera's sometimes-mumbled, frightened-rabbit replies. His funny lines are played straight, and somehow it works. Second, the absurd escalating situations in which Nick finds himself – as a result of his own actions, it should be noted – are funny the same way Mr. Creosote's predicament was funny in Monty Python's The Meaning of Life. The stuff Nick does at the behest of Francois to win Sheemi's heart are hilarious yet unlikely – and yet they ring true nonetheless.

It also helps that Cera is supported by some damn funny actors: Galifianakis is a hoot in a somewhat dark role; Steve Buscemi plays Nick's dad with vulgar intensity (as if he were a domesticated version of Mr. Pink); Justin Long, of all people, is Sheeni's stoner older brother; M. Emmett Walsh (who's perhaps a tad too old to be the father of a teen) is Sheeni's dad; Mary Kay Place is the mom; Smart as Nick's mom; and Adhir Kalyan as a fellow student who helps Nick in his quest for Sheeni. Oh, and Fred Willard as a neighbor who likes to save illegal immigrants from the INS.

I know the word "quirky" is overused for oddball comedies today, particularly those starring Michael Cera (who, if he plays another Nick, may as well dot his face with bloodied pieces of tissue paper), but this one outquirks most of them. Even with all the madness zooming around this film, at the heart of things is the love between a girl and a boy and the lengths either will go to protect that bond. This movie should appeal to those who like offbeat romances.

Before you ever see the first shot of "Youth in Revolt," you know what's going on. A repetitive motion sound is heard as well as the flipping of pages. Nick Twisp (Cera) is masturbating and almost everyone in the theater knows it. Now that's testament to how far the R-rated comedy sexual revolution has come over the last decade, so it's not surprising to see a film so unabashed about teenage sex let alone one whose entire plot is driven by a teenager's zealous appetite to shed his virginity.

The always soft-spoken and awkwardly verbose Cera plays yet another character that fits his mold in Twisp, a teenager with divorced parents who loves Fellini films and vintage vinyl and really, really wants to get laid. It's a semi-romantic aspiration as well, but the depths to which he'll let his hormones take him is at times even implausibly absurd.

On vacation with his mother (Jean Smart) and her lover Jerry (Zach Galifianakis of "The Hangover"), Nick meets a perfect match in the daughter of two devout Christian trailer park folks named Sheeni Saunders and the two have an awkward but adorable summer fling. Newcomer Portia Doubleday makes an impression in this early portion of the film as Sheeni, teasing Nick and viewers with her poise and charm. When Nick has to go, he realizes their relationship (and his ascent to manhood) is at risk. He devises a scheme to get his father to move to Sheeni's town and his mother to get mad enough to send him to live there. The only problem, is that for it to work, sweet and innocent Nicky will have to be bad.

Nick invents an alternate persona for himself, one based on Sheeni's ideal man. He's a blue- eyed mustached, chain-smoking Frenchman named Francois Dillinger and he's Nick without hesitation or reservation. Cera does wisely in agreeing to be in this film because of this alter- ego aspect. Having to be Francois pushes Cera out of that same old wimpy character box and has him being frank -- and really dirty -- for once. If Cera doesn't want to flame out in the near future, he'll need more parts like this.

From here on out, "Youth in Revolt" sort of tumbles into a teenage daydream of all the insane things any good, normal kid would do for love and sex -- if it were all fiction. The creation of Francois doesn't exactly justify the ridiculous decisions Nick makes like burning down half of Berkeley, California, for example. It's fun, but not all that memorable.

I've never read the C.D. Payne novel, but you can tell it was much more extensive and that Gustin Nash had a hard time with the adaptation. All the events feel compressed, especially in the middle and last acts. Nothing builds gradually, it just gets stuck in. Some characters such as Sheeni's drug-endorsing older brother (Justin Long) who's snuck in toward the end, feel important to the story in an intangible way, but don't leave any particular impression.

Nash's adaptation, despite having the comedic dialog down, lacks a clear interpretation of Payne's story by which to tailor itself. In other words, deciding on one of the book's messages to craft the adaptation around might've helped eliminate certain parts of the story and alleviate the cramming. Director Miguel Arteta picks up on some subtler ideas such as how the many side characters act as insight on or inspire rebellious behavior, but they mostly get lost in the love story and Nick's sexual coming-of-age.

"Youth In Revolt" is an explicit teenage Rated-R comedy, but not a raunchy one, which ultimately makes it more respectable than more than half the genre off-the-bat. Much respect to The Weinstein Co. and Dimension Films for not trying to taper back for a PG-13 considering R closes the film off to half its intended audience. At the same time, it's not as unique or genre-changing as Areta's indie stylings try and make it out to be. Once again, audiences have grown accustomed to an assortment of male genital references and open discussion about sex. But there are some good performances from young actors and clever dialog in "Youth in Revolt" and it deserves a viewing.

~Steven C

http://moviemusereviews.com

Don't get me wrong. I enjoyed this film, laughed throughout in fact, but as a whole I have to be critical. Including in comparison to other films similar to its nature and when it comes to films involving teens and sex, there are many to choose from. It's been a done a million times, so it's nice to see refreshing and moderately realistic scenario and character interaction, like that of "Superbad" or "Juno". The cast, for one thing is damn amazing. There are many excellent actors, like Steve Buscemi and Ray Liotta, both did wonderfully. Zack Galifianakis and Justin Long were very well into their characters and I loved them on screen. A lot of the characters are pretty memorable, an aspect I enjoyed. I enjoyed seeing the character interaction which is the key to film-making at the base of it all. But Michael Cera as the awkward-nobody is beyond overdone. Sorry, but at this point I've seen too many times. Only when he's donning the Francois persona do I admire his performance and really embrace him as a character.

Not to mention the whole plot at a glance makes his character seem rather pathetic really. He steals cars, travels hundreds of miles, sabotages the girl's education, among many other ridiculous things all for one girl who half the time doesn't really seem to care about him that much. It's a love story I just can't connect with despite my attempts to. So check this one out for some crude laughs but not a masterpiece by any means.

C+

Nothing is worse than knowing that you have met the girl of your dreams only to find out she has a boyfriend that is so unbelievably superior to you that you have no chance to win her over. That is exactly what happens to Nick Twisp (Michael Cera), but instead of meekly accepting his fate like a good little nerd he decides to fight back by creating a persona his French-loving would-be girlfriend cannot resist, Francois Dillinger. Francois appears periodically throughout the film to offer advice and, more often, take control of the situation by flagrantly defying authority or bringing his bad boy machismo into play.

I imagine Francois is what every stock French resistance fighter was like when he was sixteen with no war to fight; well dressed in gleaming white slacks and sandals, sporting a casual-looking button down shirt, but with a thin mustache and cigarette to add mystery and mystique. The very image of Francois makes me laugh. This also happens to be the only movie where parents are the unknowing consumers of illicit narcotics and it is actually funny.

This film is defiantly an "offbeat" comedy. The humour is mixed throughout as though trying to please all audiences, combining cliché "teen movie" jokes with references to obscure films and literature, most likely lost on the average "American Pie" fan. The Tone is unbalanced and the narrative goes all over the place but I suppose that is the point. Acting is well delivered from all, with Cera playing the same socially awkward, insecure guy as usual (but what's wrong with that, he's the right actor for the role)

In short: The story is predictable but that's to be expected. The dialogue between the two leads is interesting and enjoyable. Music works excellently throughout, fitting of each scene. Colour is used well. Cinematography is fine (the scene where the two meet is clichéd but always nice to see.) 5/10. Strong first act, but the rest of the film failed to sustain that level. Worth viewing at least once for fans of the Cera and/or the genre.