The Eye 2

The Pang Brothers return with a very bizarre sequel to "The Eye". Bizarre, not only due to The Eye 2 not following on from the original film in any way, but also due to the fact that this film almost represents a change of genre. The Eye 2 is more of a supernatural thriller than a typical horror film; the tension arises from mysterious events rather than carnage or bloodshed. The result is an unusual and disturbing entry into one of the best Asian horror franchises.

The Eye 2 introduces us to a new heroine, Joey, who indulges in a shopping spree before swallowing a bottle of pills in a very weak suicide attempt (she asks hotel staff to check in on her before doing the deed). Joey is revived in hospital but her near death experience gives her the ability to see spirits. This new gift only becomes stronger when Joey discovers that she is unexpectedly pregnant. There should be something exploitative about a horror movie that chooses a suicidal, pregnant woman as its subject matter. And to a certain extent, there is a mean spirited edge to The Eye 2. However, this scenario also allows the Pang Brothers to create an intensely disturbing atmosphere and display much of the visual virtuosity that has found them an international following.

The film's sense of tension builds rapidly after a slow first half. Joey begins to see more dead people and after consulting with Buddhists, comes to believe that a spirit is intent on possessing her unborn child. The Pang Brothers explore this set up with a number of memorably set pieces. The image of the falling corpses in the bus-stop scene lingers, the ghost under the table at the restaurant is unnerving and the creepy, womb raiding ghosts would turn anyone off having children.

The Pang Brothers are such masters at creating tension and suspense through their eerie visuals and excellent use of sound that you almost forget that this is all window dressing for a paper thin plot. For example, one of the film's major failings is that Joey's suicidal behaviour is never explained. This makes Joey's incredibly self-destructive behaviour difficult to gage. It's hard to tell if Joey is suicidal or completely psychotic. The reasoning behind this may well have been that Joey's ambiguous mental state increases the sense of hysteria. And to a certain extent it does, but it also makes it difficult to connect with Joey and her plight. The re-incarnation sub-plot is also barely explained and Joey's relationship with her ex-boyfriend remains a mystery.

The film's flaws are more than compensated for by the impressive visual effects, creepy atmosphere and brutality. The Pang Brothers' unique sense of visual style, which could best be described as film noir on hallucinogenic drugs, remains intact. In many ways, this is the only real connection with the first film. The Eye 2 is more derivative than its predecessor. For example, imagery such as the floating ghosts, owe a debt to Japanese horror. However, there is more than enough originality on display here to demonstrate the huge potential of these filmmakers. The visual effects are polished and the Pang Brothers' direction is as hyper as ever.

The film also displays a mean streak that differentiates it from many other movies of its genre. Joey, played with great skill by Taiwanese star Qi Shu, is not your typical scream queen; she's not represented as a fighter or survivor but the victim of circumstance. Joey attempts to commit suicide, is rejected by her boyfriend, finds out she's unexpectedly pregnant, almost raped, asks for an abortion, tries to kill herself at home and then twice more for good measure, in an extended and admirably tasteless scene, in hospital. The imagery may be surreal but the canvas on which it is placed is relentlessly grim and gritty.

The Eye 2 is suspenseful and wonderfully atmospheric but there is little depth to the proceedings. However, this is unlikely to turn off too many genre fans. My only reservation is that the Pang Brothers are clearly capable of more.

Ratjng: * * * *

Synopsis: Joey is unlucky in love. After her third relationship comes to an abrupt end she attempts suicide. But this brush with the other side has left with the ability to see things that a person isn't supposed to see. After she finds out she is pregnant she tries to put her life back in order she finds that she is being menaced by one of the various spirits she now sees. She must save her baby from the spirit at all costs.

Review: This sequel to the highly successful creepy 2002 original stars Shu Qi as the lead Joey. This time around the scares are lessened as the narrative of this sad woman takes center stage. Very good acting across the board lends emotion to the story and at times helps drop your guard long enough to nail you with a good jump. The scares are often creepy little set pieces that add to the overall somber atmosphere of the film. The script incorporates many different elements including suicide, broken hearts and a little reincarnation for good measure. Well written you feel for the Joey character as her life goes to pieces. The Pang Brothers turn out another outstanding chiller full of emotion and chills, two combinations hardly seen together. The look of the film is awesome with a colorful look at times and a drab menacing look when needed. What is this thing that the Pang Brothers have with elevators? The music is very good and frames most of the scares in a usual fashion. A very bassy and cello heavy sound mix run through out the film and lends itself to the atmosphere. Overall a very worth continuation but I had a minor complaint with the ending; it kind of got away but was made up by the cool final scene.

I generally don't go into sequels expecting much. This movie isn't really a sequel, in the traditional sense, as it has nothing at all to do with the original. But it is a very effective little thriller, with some disturbingly good special effects and a decently conceived story. Better than a lot of the fashionable J-horror films currently being imported, and a worthwhile evening's entertainment. Hsu Qi is great as the lead character, a suicidal woman who finds herself unexpectedly pregnant by a former lover. If you fell in love with her in Jackie Chan's "Gorgeous," you will probably enjoy seeing a different depth of her talents here.

I am trying to find something positive I can say about this movie...Shu Qi is still cute (except when she is vomiting)...some scenes were laughable to the point of hilarity...suicide -is- a way out, apparently (which by the way, in spite of what the film's producers may think, is actually contrary to Buddhist teachings)....

Alright, I give up. How badly starved for entertainment would one have to be in order to find this film 'entertaining'? Most of the fanboy reviews here come across as being written by people who are discovering horror films for the first time. The film pilfers everything from a range of predecessors (The Sixth Sense, The Grudge, The Tenant), but reassembles them in the most convoluted fashion. This film could have been funny, but I get the feeling that script writers took their brain fart too seriously. As a jab against Buddhism, this probably would work to offend (I don't know, since I am not a Buddhist). So, one star for at least managing to accomplish something. The other star is for Shu Qi.

While not as intense and emotionally involving as the original Jian Gui, this sequel still provides some interesting ideas about life after death...and life before birth.

Mentally fragile Joey, suffering from a recent break up with her boyfriend, makes yet another suicide attempt. As consciousness fades away, she glimpses shadowy figures gathered around her bedside. Once her stomach is pumped and she makes a full recovery, Joey realizes she is pregnant. As the pregnancy progresses, Joey begins seeing ghosts. They're in taxi cabs, falling off of rooftops and hanging around elevators. They seem particularly interested in the pregnant women that now surround Joey in her everyday activities. One in particular, the ghost of a sorrowful young woman, seems determined to keep Joey from harm, preventing further suicide attempts and even viciously attacking a would-be rapist. Joey realizes that the ghost was once the wife of the man Joey was having an affair with, and who is now the father of her unborn baby. But is it revenge the ghost wants, or something else entirely?

This film lacks some of the scares that the first one provided quite well and moves along rather slowly, but it is by no means a bad movie at all. Its ideas about the dead and the unborn are quite intriguing and the film, much like the first one, proves to be an uplifting experience. The performances are all excellent and the story quite intelligent. A scary scene in a taxi cab with a Ringu- ish ghost is especially tense and worth the wait.

I much prefer the original Jian Gui, but this one is a worthy effort. Fans of the genre shouldn't miss it.