Calvaire

Fabrice Du Weiz's thriller mines "The Texas Chainsaw Massacre", "Deliverance" and "Straw Dogs", Still, it is unique enough and original enough in its cinematic eccentricities to be noteworthy.

A travelling showman (Laurent Lucas) finds himself in hostile territory when his van breaks down. A local jack-of-all-trades (Jackie Berroyer) helps him out, but is soon helping himself to Lucas's van, mind and body.

The film takes interesting, perverted turns and dishes the atmosphere thick. A fog-shrouded chase through the woods is almost surreal, and a fantastic dance sequence with hillbilly-like weirdos works a twisted treat and foreshadows a surplus of gloom and doom.

The violence is not plentiful, but the sense of threat is always present. Benoit Debie, who photographed Gasper Noe's IRREVERSIBLE, creates memorable, haunting images and makes expert use of the terrific locales.

A solid, oddball shocker, but overlong at times.

If you are like me and found this film alongside titles such as "Irreversible", "A Serbian Film", and "The Angels' Melanchlia" you will likely be dissapointed. This film is slow burning, yet offers a good story.

This film does have a dark side, and has been produced in an artistically dark manner. Between the stringy orchestras, strangely behaved townfolk, and mysterious protag. it is appealing in a creepy sort of way. But. unfortunately I feel it falls into the category of not "Extreme" but yet not "Hollywood horror" leaving it a smaller window of individuals who truly appreciate the film. Regardless, the plot is unique and though it has been done before this movie adds to the genre. 7/10, well done Bulgium.

At first view, a horror, At the second- story about basic instincts and about the small difference between human and beast. In fact, film about vanity, illusion and reality's ambiguous limit. In essence, a religious movie.

The values of Marc Stevens life are few, mediocre, ordinaries. Nothing very important, nothing special. Powerful taste of job, impressions, and memories of show. He is only shadow of a gray existence, boring and strong. Like many of us. His life's image is the image inside the car. The old lady is a spectator. The sentiments or the passion are not important. So, the punishment is a good solution to end a stupid dream of chimeric glory.

Bartel is, in same time, victim and master. His innocence is charming, his expectation - brave. For him the life has a precious sense and the rules are essence of life. A little man with decent desires. Ordinary people, sensitive and good.

The film is picture of an impact. The impact between two worlds, very different, cruels in special way, the only common element is the form and value of sin.

"Calvaire" presents the heart of world. The heart without glamor, lights, masks or shining skin. Without beautiful illusion and subtle gestures. It is not the wild life or new Lord of the Flies. It is not slice of community's madness. It is only essence of another reality. The reality of cruel gods and perfect faith.

Belgium might not be one of the world's premier film-making nations, but they sure know how to make a good bizarre exploitation flick with the power to get under your skin! Calvaire might not be a film to please the mainstream horror fan, but for those like me who are into the darker, more extreme side of cinema; this film is a treat indeed. Director Fabrice Du Welz has packed his film with a plethora of bizarre sexual acts; which is best illustrated by the fact that the hinted bestiality isn't all that shocking in comparison to some of the other character's delights. The film works from a very simple premise that has been seen in many other films, but it's what comes after that is important. We centre on Marc Stevens; a singer that is unfortunate enough to break down in the middle of a forest during winter. He takes up residence in a near-by farm house owned by a slightly odd old man, who apparently used to have a comedy act. What Marc doesn't bank on is the insanity of his host, which comes out in the form of an ordeal in which Marc is tortured, beaten and humiliated in just about the strangest ways possible...

The biggest standout of this production is director Fabrice Du Welz, who gives the film credibility in spite of its subject matter with some inventive usage of the camera which succeeds both in creating a dark and ominous atmosphere, as well as generating a surreal tidal wave of disorientation. The way that the camera swirls round the deranged characters at a 'family' scene, for example, helps to give the film a nasty tint that excellently compliments the subject material. It has to be said that, at times, the bizarre sexual practices get a little out of hand, and it's hard to really take seriously; although in a way this helps to further implement the stark and surreal atmosphere, which in turn helps the film to achieve its aim of shocking its audience. The acting isn't a strong point, however, as some of the central performances are more than a little flat; although this isn't a massive problem as exploitation cinema has never been known for great performances, and the set of actors do succeed in getting the film's point across. Overall, this is certainly one of the weirdest films to be released in the last few years and comes highly recommended to fans of cult cinema!

I first saw this in the early 2k on a dvd which I own.

Revisited it recently.

The plot - On a Christmas eve, a singer's van breaks down in a deserted and marshy region. The singer takes refuge in an inn run by a hospitable but creepy innkeeper who became psychologically upset with the villagers after his wife left him. The innkeeper offers to repair the singer's van as a token of brotherhood between professional entertainers.

The next morning when the singer tells the innkeeper that he is going for a walk, the innkeeper suddenly becomes paranoid and aggressive, warning the singer not to go into the nearby village.

The movie has tons of atmosphere but is very claustrophobic, surrealistic n horrifying at times.

The bar scene where outta blue the people starts dancing with one another is downright creepy.

The backwoods village without a single female character and not a single sane male character is an epitome of eeriness.