The Mistress of Spices

In India, Tilo (Aishwarya Rai) has the ability of foreseeing the future. When their parents are killed by bandits, she is kidnapped but escapes and is raised by the First Mother (Zohra Segal) in a sort of traditional cult of spices. She becomes the Mistress of Spices and is sent to the Spice Bazaar in San Francisco, with the mission of following three basic rules: help her clients to accomplish their desires with the spices, but never hers; never leave the store; and never be touched in the skin. When she meets the handsome American architect Doug (Dylan McDermott), she feels a great attraction and desire for him, breaking the first rule and being punished by the spices.

"The Mistress of Spices" is a predictable but pleasant film that uses the idea of movies like "Chocolate", "Woman on Top", "Como Agua Para Chocolate" blending romance with food or spice or chocolate or cookies. Therefore, the flawed story has no originality and is quite boring and messy in many moments. However, the cinematography is wonderful, with magnificent colors highlighted on DVD. Further, the gorgeous Miss World 1994 and Queen of Bollywood Aishwarya Rai makes this little film worth with her beauty and participating in most of the scenes. My vote is six.

Title (Brazil): "O Sabor da Magia" ("The Flavor of Magic")

I had almost decided not to watch this movie, what with all the people word-bashing its senselessness. But go I did... fortunately.

Yes, it's not great cinema... of great courage, making you cry... making you angry. But it is good cinema... and a faithful representation of the book. The book is a fairy-tale, simple to the core, and so is the movie.

And who says Aish cannot act? Just look at the finer nuances of her eyes and eyebrows when she is required to emote, and you will realize that this girl knows what it takes to enact a character which has already been "written about" in a book. Yes, she underplays the role... but that is what her character is, right? A woman who is poised, but sometimes the deepest feelings find their vent. I am surely impressed by Aish's restrained expression of feelings... and people who mistake this for an incapacity to act, God give them the subtleties of discernment.

Go watch this movie... not to come out exhilarated or flustered... but to enjoy a good fairy tale, for that's what it is.

In spite of a very heavy schedule I took time off to watch this because I was curious to see how a film would handle the fantastical elements of the book.

I am sorry to say this so baldly: the film borders on the absurd in some parts and proved to be a damp squib in others despite the (ridiculous)numerous shots of bright red hot chilli peppers in almost every frame.

There was absolutely no chemistry between the two main characters,bunches of hot chilli peppers notwithstanding. I have no doubt Aishwarya has thousands of loyal fans who would defend her "acting talent" but again I failed to see any evidence of it in this movie.

That the director is a novice, a wanna be, and could do with some training is a given. He simply did not know how to handle material so rich in possibilities. He lost every opportunity in the book to make the characters come alive. Even worse, he fails to lift the movie from being a mere depiction of absurd hocus pocus to one where magical elements would seem almost natural even in the humdrum life of a Western city.

In the end, I felt impelled to laugh every time I saw Aish go up to the window to gaze out wordlessly with a bunch of red peppers hanging behind her.

Perhaps the director believed he could ride on the bandwagon of success that all Indian things seem to have currently but he seems to have miscalculated his own ability to interpret a story such as this even with wife Gurinder standing by his side.

A die-hard fan of Aishwarya, I must start out by saying that Aishwarya looks absolutely drop-dead gorgeous in the red sari. This is one of her most beautiful looks on screen ever. Mistress of Spices dishes up an interesting fare that deals with Aishwarya, a woman with an extraordinary gift that allows her to envision the problems others are going through and the ability to mix the right spices that will solve their problems. She does this by means of a Spice Bazaar store in San Francisco where customers seek her for help. It is quite interesting to see how she helps her diverse clientèle and loyal customers through the use of spices (which by the way seems very possible, as Indian herbal medicine argues that different spices have different chemicals that control our mind and body). However, being a "mistress of spices," Aishwarya is bound by certain rules, which she begins to find suppressing and enslaving once she begins to fall in love. What is interesting about this movie is that there is not much of a plot and mainly just a small store for sets. This film looks at the art of using spices to improve lives and delves into Aishwarya's internal conflict between love and duty, making this a very interesting and reinvigorating movie.

It's difficult for any one who has a good appreciation for culinary art not to be attracted to this spicy shop, spacious, tastefully appointed, with thousands of colourful spices displayed in so many different interesting fashions. A sheer joy for the eyes.

So is Aishwaryi Rai, Miss World of 1994, who graces the screen with wide-eyed innocence through most of the movie and appears in the last scene radiating with alluring glamour in a bright red evening gown, with her hair finally let down, falling like graceful ripples to her shoulder.

Even accepting the premise of a fairy tale, it's hard to believe how Tilo (Rai) can run her spice shop all by herself without EVER leaving it, the first of three conditions for having her power bestowed by "the spices". The second is easier to abide by if one is careful, not to touch the skin of any human being. The third is not to use the power to benefit herself. This "power" is a vague ability to see other people's past and sometimes future and to use spices to help them.

The romance with dashing architect Doug (Dylan McDermott) is appropriately low-key, and hence believable. Subplots include Tilo's various customers, with their assortment of problems, many caused by cultural clashes in southern California.

All told, this is a delightful little fairy tale which is particularly pleasant visually. I can't help but think that it should also come with these new gimmicks, as a movie with smells. This is the perfect movie for it.