A faux documentary about the rise and fall of fictional country singer Guy Terrifico, featuring some legendary real-life performers.A faux documentary about the rise and fall of fictional country singer Guy Terrifico, featuring some legendary real-life performers.A faux documentary about the rise and fall of fictional country singer Guy Terrifico, featuring some legendary real-life performers.
- Awards
- 2 wins & 2 nominations total
Freddie Powers
- Self
- (as Freddy Powers)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Very entertaining!
I saw this at the SXSW Film Festival in Austin Texas. I can't say enough good things about this movie. The film follows the life of the fictional Guy Terrifico, who made his way up the country music charts in the early 1970's along with greats like Kris Kristofferson, Merle Haggard and Waylon Jennings. The interviews with these country music stars is what gives this film its authentic touch as well as laugh out loud humor. The performance and musical talent of the films star, Matt Murphy, draws you into the often inebriated world of Guy Terrifico. He captures the essence of a true poet who is swept up in the world of super stardom. I talked to many people after the screening who didn't realize they were watching a mockumentary until the end of the film. They thought Guy Teriffico really existed. That's the mark of good film-making. SEE THIS FILM!
Late Canadian country star was a legend in director's mind
In the early 1970s Canadian country/rock legend Guy Terrifico was gunned down at a concert and vanished on his way to the hospital.
Recently some unreleased tapes have surfaced sparking a new recording project and prompting rumors he may still be alive.
Why would Kris Kristofferson, Merle Haggard, Colin Linden and other musical luminaries appear on an album of duets with a man who supposedly died 30 years ago?
"I loved Guy Terrifico," Kristofferson says with a craggy grin. "He was the only guy back in the early 70s who drank more than I did. He made me look like a choirboy."
Indeed the musicians interviewed for this "honky tonk-umentary" seem more interested in talking about Terrifico's excessive lifestyle than his music.
Linden recalls playing at the club Guy bought after winning the lottery.
"As soon as you'd get there for soundcheck he would start plying you with drinks and whatever else he had kicking around. By the time he'd get ready to play a lot of the bands would be too messed up to play. Normally this would be a bar owner's worst nightmare but for Terrifico it was like a dream come true. Guy just wanted to hang out with the bands, that's all."
Haggard recounts an incident at a post gig party when Terrifico got in his face once too often. ("He was an a----hole so I knocked him out.")
The film also includes reminiscences by Ronnie Hawkins, Levon Helm of The Band and Jim Cuddy and Greg Keelor of Blue Rodeo.
So how come you have never heard of him? Simple. He's entirely the product of freshman filmmaker Michael Mabbott's feverish imagination.
A composite of Jerry Jeff Walker, Gordon Lightfoot and Gram Parsons, Terrifico is played with woozy verisimilitude by Halifax musician Matt Murphy.
Playing himself is Parsons' former road manager, Phil Kaufman.(Parsons' real life story was more bizarre than any fictional film.)
Simulated studio and concert footage add to the illusion. "Home movies" of late night jams at the Vancouver apartment Guy shares with wife Mary Lou (Natalie Radford) will strike a responsive chord with survivors of the era and those who are still "living the dream".
Admittedly this mock doc will be best appreciated by a niche audience. So if you're not familiar with Parsons' legacy, you don't have anything by Kris, Merle or The Band in your collection and you've never seen a boomer folk in concert you may not "get" it (or want it).
However, if you can check one of the above, the sly inside humor and musical references will have you chortling with delight like a senior at a rest home who has just realized its Saturday night and there is chocolate pudding for dessert.
Recently some unreleased tapes have surfaced sparking a new recording project and prompting rumors he may still be alive.
Why would Kris Kristofferson, Merle Haggard, Colin Linden and other musical luminaries appear on an album of duets with a man who supposedly died 30 years ago?
"I loved Guy Terrifico," Kristofferson says with a craggy grin. "He was the only guy back in the early 70s who drank more than I did. He made me look like a choirboy."
Indeed the musicians interviewed for this "honky tonk-umentary" seem more interested in talking about Terrifico's excessive lifestyle than his music.
Linden recalls playing at the club Guy bought after winning the lottery.
"As soon as you'd get there for soundcheck he would start plying you with drinks and whatever else he had kicking around. By the time he'd get ready to play a lot of the bands would be too messed up to play. Normally this would be a bar owner's worst nightmare but for Terrifico it was like a dream come true. Guy just wanted to hang out with the bands, that's all."
Haggard recounts an incident at a post gig party when Terrifico got in his face once too often. ("He was an a----hole so I knocked him out.")
The film also includes reminiscences by Ronnie Hawkins, Levon Helm of The Band and Jim Cuddy and Greg Keelor of Blue Rodeo.
So how come you have never heard of him? Simple. He's entirely the product of freshman filmmaker Michael Mabbott's feverish imagination.
A composite of Jerry Jeff Walker, Gordon Lightfoot and Gram Parsons, Terrifico is played with woozy verisimilitude by Halifax musician Matt Murphy.
Playing himself is Parsons' former road manager, Phil Kaufman.(Parsons' real life story was more bizarre than any fictional film.)
Simulated studio and concert footage add to the illusion. "Home movies" of late night jams at the Vancouver apartment Guy shares with wife Mary Lou (Natalie Radford) will strike a responsive chord with survivors of the era and those who are still "living the dream".
Admittedly this mock doc will be best appreciated by a niche audience. So if you're not familiar with Parsons' legacy, you don't have anything by Kris, Merle or The Band in your collection and you've never seen a boomer folk in concert you may not "get" it (or want it).
However, if you can check one of the above, the sly inside humor and musical references will have you chortling with delight like a senior at a rest home who has just realized its Saturday night and there is chocolate pudding for dessert.
Go see this film. It's funny and deserves to make money.
This is a very funny film and I highly recommend it. It's beautifully written and the actors are priceless. It's a pleasure to see an independent film of such high quality. If you're like me, and never much cared for country music, you'll still love this film because it contains the key elements of a good story that everyone can relate to and can appreciate. Oh, and did I mention that it's stinking funny?
This was a feature pick at the Toronto International Film Festival for a good reason. The original music, the characters and love that the writer had for his material makes this a classic must see mockumentary that rivals Spinal Tap.
This was a feature pick at the Toronto International Film Festival for a good reason. The original music, the characters and love that the writer had for his material makes this a classic must see mockumentary that rivals Spinal Tap.
Who in the hell green-lighted this film??
Being an overly ridiculous Gram Parsons/ 'traditional country' fan, I unfortunately purchased this less-than-god awful "honkey-tonkumentary" for five bucks after noticing the names of some of Bakersfield's' best shouting out at me in large font on the front cover. Obviously a smart move, most likely on the part of the distributors of this "turkey" to entice a sucker like myself to give it a look.
I should have known better by the photos of what looked to be a welfare throwback of the great Nudie suits of the sixties and seventies. Seriously, a blind retard would have been a better choice in the set and wardrobe department.
As far as the 'plot' or, lack thereof is concerned it seems as if scenes were just being made up on the spot, reducing what little of a back story that may have at one time existed to laugh less dick and fart jokes(literally) we now so often hilariously see in such blockbuster gems as those one-hundred plus straight-to-DVD new Lampoon movies.
Overall, I could write a funnier and far more entertaining script on what I can only name as a place where this movie belongs-THE TOILET.
Sorry...Go Cry About It.
~G.C.
I should have known better by the photos of what looked to be a welfare throwback of the great Nudie suits of the sixties and seventies. Seriously, a blind retard would have been a better choice in the set and wardrobe department.
As far as the 'plot' or, lack thereof is concerned it seems as if scenes were just being made up on the spot, reducing what little of a back story that may have at one time existed to laugh less dick and fart jokes(literally) we now so often hilariously see in such blockbuster gems as those one-hundred plus straight-to-DVD new Lampoon movies.
Overall, I could write a funnier and far more entertaining script on what I can only name as a place where this movie belongs-THE TOILET.
Sorry...Go Cry About It.
~G.C.
A caricature of the 1970's rockstar life that's so outrageous it's believable, so believable it's funny
I just finished watching this "honky-tonkumentary" and I thoroughly enjoyed it. It is compelling, it is funny, it has surprisingly good music, but most of all, it is thoroughly believable. The Life and Hard Times of Guy Terrifico has a feeling of authenticity about it that few mockumentaries can match. The acting is superb. Best of all are the interviews about Guy Terrifico with real stars (Ronnie Hawkins, Merle Haggard, Chris Kristofferson, etc.). They come across sounding so impromptu, that I wonder whether they were scripted or in fact improvised? Actually, I found myself wondering the same thing often throughout the movie. Nothing seems put on or forced. When Guy and the band are writing their music, it really seems that the actors are playing and singing the songs for the first time. And as much as I generally dislike country, the soundtrack was amazing - definitely worth buying. Most of the humour in the film comes from the outrageous way it caricatures the lives of 1970's rockstars: it's so outrageous it's believable; it's so believable, it's funny. There is so much to recommend about this film that I can't imagine anyone disliking it.
Did you know
- TriviaIn a deleted scene on the DVD, in which David Christo plays Guy Jr. and Lynne Griffin plays Ophelia, we see what happened to Guy during his mysterious disappearance.
- Crazy creditsSpecial Thanks: Michael's poker tables East & West
- ConnectionsReferences The Last Waltz (1978)
- SoundtracksThe New Mr. Me
Written by Kris Kristofferson
Performed by Kris Kristofferson (guitar, vocals), Matt Murphy (guitar,
vocals), Tracy Stevens (bass), Dave Marsh (drums), Dale Murray (dobro, back-up vocals), Brian Mitton (banjo),
, Bill Stevenson (piano), Ruth Minnikin (back-up vocals) & Al Tuck (back-up vocals)
Details
- Release date
- Country of origin
- Language
- Also known as
- La vie trépidante de Guy Terrifico
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 26m(86 min)
- Color
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