Falling for Grace

Saw the film in Sausalito. Walked by the Marin Theater and saw a flier the producers were handing out describing the movie as charming. I don't usually go for romantic comedies but this lived up to their advertising. It is a really charming film with interesting twists, LOL funny in places and really endearing family scenes. I even choked up in a couple of places. All the actors were great and the two lead characters, Grace and Andrew, had wonderful believable chemistry. So often in movies like this chemistry between the two leads seemed forced. In Falling For Grace, you really want the two of them to get together in the end. The only actors I recognized were Margaret Cho, Christine Baranksi and Lewis Black and they were all great. The Chinese family I had never seen before but they were excellent. T The producer was there at the end and he gave interesting details that added to the wonderful theater going experience. I totally recommend!

"Falling for Grace" is a wonderful film that pulls on all those heart strings and is the perfect film for the entire family. My young daughters enjoyed it just as much as their grandparents. I loved the story line and the fact that the character, Grace is an intelligent, successful woman.

This movie is more than just a romantic comedy with a predictable ending. It provides a window to the life in Chinatown and the struggles around race, class, and gender. The most enduring parts of the film are Grace's relationship with her family. I could relate to Grace's connection with her parents, her challenges in the corporate world, and her childhood dreams and desires to shine.

Finally a film that stars an Asian American actor. Considering this is Fay Lee's first feature film, I think she did an incredible job. This movie far exceeds Maid in Manhattan...better story line, believable characters, and more depth. If you want to experience an uplifting and wonderful film, go see "Falling for Grace", you'll love it.

"East Broadway" is an entrant in the Cinderella sweepstakes, and makes absolutely no bones about it. It is very handsomely photographed (it's shot like a mainstream movie, on 35mm film) and uses its New York setting -- Chinatown, Central Park, Chelsea Piers, the Upper East Side, etc. -- effectively. It's a romantic comedy with a central mistaken identity plot, a few subplots, and an original contribution to make in its interracial theme.

The comparison will inevitably be made by W.A.S.P.s like myself to "My Big Fat Greek Wedding," with Grace's Chinese identity being simply a variable in the minority/ majority equation, but that comparison will be very much beside the point, I've learned, to anybody Asian. Nia Vardalos being Greek does absolutely nothing to gratify Chinese-Americans (unless they identify with it) but Grace being Chinese does plenty. When I saw the film on Friday, I was sitting next to 5 Chinese-American girls who were grooving on the picture, and there were many other Chinese-Americans in the audience reacting strongly.

Apparently it's not been uncommon for Chinese people to speak to one another in American films using not only wildly different accents but different dialects -- a question in Mandarin would receive a reply in Cantonese. I'd be none the wiser, but a Chinese-American would be offended, and Lee was very careful that this film would be nothing of the kind. To the scenes in Grace's family's apartment, which were delightful to me subtitled, the reaction from the Chinese in the audience was simply uproarious – not just amusement but veritable Christmas morning delight. Before any Caucasian dismisses the film as unoriginal, such proprietary reactions should give him pause.

A film that stakes a claim to the romantic comedy genre, and to the Cinderella story, on behalf of Chinese-Americans, using all the familiar conventions of the genre, is staking an equal claim to those conventions, and consciously. Why eschew anything that can be made common cultural property in such an enterprise? The conventions, the expectations, the accustomed devices, are part of the loot. Using them is making a statement that they're yours as much as anybody's now that you've arrived. "East Broadway" – even in its conventionality – should be viewed as a triumphant statement of arrival.

Gale Harold looks great and turns on the romance (the kissing scene is pretty hot) but I see more than a standard-issue Prince Charming, and I think others will too. There's such mystery about him. We are left wanting more. Fay Ann Lee is attractive (if no Gong Li) and exudes intelligence. The supporting cast is good. Roger Rees chews the scenery a tad, but is more convincing as Gale's father than one might expect. Margaret Cho and B.D. Wong are particularly delightful. Ken Leung as the brother, and Clem Cheung and Elizabeth Sung as the parents, are extremely effective.

This film will stand or fall on audience reaction, and the audience I saw it with reacted strongly. The audience at the other four Tribeca screenings apparently did so as well. It's a crowd pleaser, not a critical darling, but it does exactly what it sets out to do, and what it sets out to be is partly an artifact of social progress. How many films achieve even their modest aims, and how many have even this much originality?

This film had its Arizona premiere near my hometown, in Lakeside, AZ. By a strange turn of events, I now find myself doing a kind of bootlegging marketing campaign for a film that desperately needs some more attention. So here goes:

Falling for Grace is the story of Grace Tang — a street-smart business gal — who meets Andrew Barrington Jr., son of a high-profile businessman at a high-society event. While stepping lightly around other socialites, Grace is mistaken for Grace Tang, a wealthy woman who owns "Shanghai Tang," a boutique on Madison Ave. Here Chinatown and the Cinderella story collide.

The content stews together into a rather atypical romantic comedy. The Chinese overtones of the film are multi-faceted, from an anti-sweatshop subplot to the hilarious and highly believable conversations between Grace, her brother Ming and her parents. Nearly a quarter of the dialogue — and some of the funniest scenes in the film — was delivered in Cantonese and subtitled in English.

This was just a fabulous little movie, one had the feel of a big-bucks feature with the unpredictability of an indie film. The cast was great and the character development had the right mix of believable dialogue, family interaction and jokes in Cantonese.

In short, this film was well-written, witty, and slyly sweet.

All aspects of the production were extremely well done. This is an indie that was put together by big kids who know their business. Things like camera work, editing, lighting and sound were really paid due attention. Also impressive were sets, costuming and especially casting and acting. I don't often see this, but all the moving parts (people, places and things) meshed together beautifully. The director and editor both did a superb job.

The only thing I can reasonably gripe about is that the music choices got sappy at times. But, it's a romantic comedy – not my usual neighborhood.

As to the Whole Package, I left the theater feeling my ten bucks was well spent. But, it's one of those movies that I like better the more it rattles about in my brain. Which it won't. stop. doing. Oh no! As I suggested earlier this isn't my usual fare; but this one is a charmer. If it's in your quadrant, check it out.