In mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sara... Read allIn mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sarah.In mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sarah.
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Luke Kearney
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It's a confusing movie with a poor story. I felt I was watching the wrong movie when I stepped into the theater. It took me some time until I could realize what was really happening.
Plus, mentioning the Welsh mythology sounded more like an excuse to hook the story.
Although it contains some disturbing images, it is not scary at all. Well said: 'when a film has to relay on loud music and flashy imagery to scare people then the film isn't scary'. So, that's the whole truth about this movie. I expected something better.
I am completely disappointed.
Plus, mentioning the Welsh mythology sounded more like an excuse to hook the story.
Although it contains some disturbing images, it is not scary at all. Well said: 'when a film has to relay on loud music and flashy imagery to scare people then the film isn't scary'. So, that's the whole truth about this movie. I expected something better.
I am completely disappointed.
The most disappointing thing about this movie is sound FX work. While every other crew member tried to avoid clichés and worked minimalistic the sound operator did his best exactly in the opposite direction. Sure he was proud of himself - every possible library sample from "Horror FX" folder (squeaks, boos, bangs and so on) has been employed at times "to make it scarier".
Otherwise the movie is surprisingly good. Cold and dark Welsh mythology, no fun. Acting is full of nuances. Scares are delivering (reminded me feelings of "Ju-on" (Japanese original of "The Grudge")). No major holes in script, everything is logical, worked in great detail. The climax is overloaded a bit with twists, but except the last one (too confusing way of depicting it) is impressive anyway.
My deepest respect to the cameraman for that catch of the Northern landscapes beauty, for the tricks with focus, for many unusual angles and meaningful use of color FX. That chapter in Annuun treated in sepia is simple and convincing - bravo!
8 marks for the well-worked atmosphere, fresh scares, interesting story, eye pleasures, serious attitude and creativity.
Otherwise the movie is surprisingly good. Cold and dark Welsh mythology, no fun. Acting is full of nuances. Scares are delivering (reminded me feelings of "Ju-on" (Japanese original of "The Grudge")). No major holes in script, everything is logical, worked in great detail. The climax is overloaded a bit with twists, but except the last one (too confusing way of depicting it) is impressive anyway.
My deepest respect to the cameraman for that catch of the Northern landscapes beauty, for the tricks with focus, for many unusual angles and meaningful use of color FX. That chapter in Annuun treated in sepia is simple and convincing - bravo!
8 marks for the well-worked atmosphere, fresh scares, interesting story, eye pleasures, serious attitude and creativity.
OK while not a great film it is very suspenseful. i saw this movie almost 3 month's ago at the Cardiff film festival an i can tell u that the cinema was packed an at the end of the film it got a great applause because of the suspense it held throughout the film! on the whole a throughly enjoyable film i found this too be a film with a level of suspense that i have not seen in many supposed thrillers in a number of years. yes i'll agree that the film didn't have a storyline that truly linked together but this is becoming a much more common trend in many films now. Also the film is made all the more enjoyable because it is a British made film showing the quality of films that can come out of this country when we try to make a good film.
Can a horror film be scary and boring at the same? The Dark has an extremely good effort about equivalent to lifting one's little finger. The plot shows all the attention span of someone reading a Welsh mythology after smoking several reefers. Formulaic scare-mongering knocks you out of your seat at regular intervals, though without enlivening the story or characters much, the most interesting of which, a girl called Ebrill, is temporarily back from the dead after a number of misled churchgoers and nigh on a flock of sheep have been offered in her place.
Young Sarah arrives with her mum at a remote cottage on the Welsh coast where her dad is staying. Legends, hallucinations, nightmares of sheep and people going over a nasty bit of cliff abound and we hear of how it might be possible for some people to pop back and forth between this world and the next at a price.
Director John Fawcett, who showed promise and originality with Ginger Snaps, has here gone for banality enlivened by the most unashamed editing. If you flash a very sudden, very bright image at someone, and simultaneously make a very loud noise, they will jump. Traditionally, filmmakers have used this technique to emphasise a plot turn the appearance of the bogey-man, monster, serial killer. Fawcett doesn't bother, he just inserts it. One minute you're watching the sleep-inducing story and the next you are shocked awake by a loud crash together with a bright light. Explain it to yourself as a deep insight into the unsteady mind of one of the characters? Well if I was a character in such an insipidly put together movie I'd probably need to be deranged for fun too. The trouble with this technique is that there is no plot momentum to keep you excited until the next loud bang. After the first two, I started trying to predict the next one (wait for a false alarm, then a lull, then the bang) and with reasonable accuracy till I lost interest.
It picks up a bit towards the end, and the scares are scary, however contrived. All in all it's standard Saturday night horror fare, nothing that special. If you don't mind the clichés, sit back and go whaaaaaa (as I did!)
Young Sarah arrives with her mum at a remote cottage on the Welsh coast where her dad is staying. Legends, hallucinations, nightmares of sheep and people going over a nasty bit of cliff abound and we hear of how it might be possible for some people to pop back and forth between this world and the next at a price.
Director John Fawcett, who showed promise and originality with Ginger Snaps, has here gone for banality enlivened by the most unashamed editing. If you flash a very sudden, very bright image at someone, and simultaneously make a very loud noise, they will jump. Traditionally, filmmakers have used this technique to emphasise a plot turn the appearance of the bogey-man, monster, serial killer. Fawcett doesn't bother, he just inserts it. One minute you're watching the sleep-inducing story and the next you are shocked awake by a loud crash together with a bright light. Explain it to yourself as a deep insight into the unsteady mind of one of the characters? Well if I was a character in such an insipidly put together movie I'd probably need to be deranged for fun too. The trouble with this technique is that there is no plot momentum to keep you excited until the next loud bang. After the first two, I started trying to predict the next one (wait for a false alarm, then a lull, then the bang) and with reasonable accuracy till I lost interest.
It picks up a bit towards the end, and the scares are scary, however contrived. All in all it's standard Saturday night horror fare, nothing that special. If you don't mind the clichés, sit back and go whaaaaaa (as I did!)
As a huge fan of horror movies, I give pretty much everything in this category a chance. I had never heard of this movie before, just stumbled upon it at the video store. I know a lot of people think it was a stereotypical horror movie but I jumped A LOT. And to be honest, I didn't always see the frights coming. I do see similarity between The Ring and The Dark but I enjoyed it nonetheless. I am still a little unsure about the ending but I guess that happens sometimes in this category. The camera work made it a little difficult at times to see but I guess it is called The Dark for a reason. The little girl was creepy which seems to be a requirement for child roles in horror movies. All and all I would say it's worth a peek.
Did you know
- TriviaAnnwn or Annwyn (pronounted "a-non") is the land of the dead, the underworld or Afterlife, in Welsh mythology. It is said to lay far in the west and could be accessed by the living through a door located at the mouth of the Severn once a year. Surviving from pre-Christian Celtic mythology, it's neither Heaven nor Hell in the Christian sense, and the living can enter spiritually or corporeally.
- GoofsEbrill is consistently mispronounced as 'Ebrith' ('Ebrydd' in Welsh, although there is no such Welsh word). There is no English equivalent for 'll' but it should be pronounced as something closer to 'Ebrych', similar to the 'ch' as in the Scottish 'loch' (although that sound also exists in Welsh).
- Alternate versionsAn alternate ending is included on the USA Region 1 DVD from Sony Pictures.
- ConnectionsEdited into The Dark: Alternate Ending (2006)
- How long is The Dark?Powered by Alexa
Details
Box office
- Budget
- £3,000,000 (estimated)
- Gross worldwide
- $6,593,579
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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