A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.
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- 22 wins & 15 nominations total
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Featured reviews
10levingem
I just saw this film in Cannes, and Miranda July just won the Camera D'Or for best first feature. I think the jurors were right on for giving this film an award. It's a simple film that creates identifiable and likable characters that are all loosely connected. I suppose there is one central story line, but the film's strength lies in the individual scenes and interactions between these characters. July successfully depicts the innocence of childhood, the sexual curiosity of teenagers, and the complex emotions of adulthood through personal and original stories and situations. I don't want to give a lot away but simply recommend anyone reading this to at least give it a shot. You'll either love it or hate it, but I think the majority of you will love it.
I really loved this film! All the way from the beginning it surprised me at every scene, it was very funny and did not try to overdo its humor, and the characters are unforgettable. To be honest, so many expressions and individual ideas that are conveyed in this movie through its characters, it's kind of hard to pin point what I loved most. It is a sexual film, probably not suitable for the young, but it portrays people as they are, something that we find awkward and strange in this movie - they all exist around us in real life and this film is not afraid to show it. Ultimately we all look for love. In this film, even the strange moments are romantic.
I had the good fortune to see this film last night at a Sundance Film Festival screening in Salt Lake City. Having viewed a few of Miranda July's shorts on her website), I hoped this film would live up to the level set there. It does. July plays the lead character in what turns out to be an ensemble of people, each with his/her own quirks, who are somehow linked together (most simply by being neighbors). This movie is made up of what might be a string of perfect little short films. Each scene builds on the previous scene, adding one more enticing facet to a personality; one more little twist to a story. By the final scene, each character has as much depth and complexity as some of the real people we know. Indeed, one might wish that everyone was as interesting as the characters in this film.
i had the supreme pleasure of seeing this film last night as the grand opener of the seattle international film festival. (this was the first time in the 31 year span of the festival that the opener was directed by a woman!) i loved it! contrary to some previous comments, i found the writing and the approach to the subject matter very adult. a less mature screenwriter could have too easily fallen into a dour and pessimistic mood given the subject matter, especially the instances of desires pedophilia and families torn apart. i think it takes a remarkable, mature writer and director to take these themes and turn them into a heart-warming piece of work rather than just another fatalistic, world-hating film.
the performances were stellar across the board. every character was completely fleshed out and truly human. i think that's what struck me the most about this film, the complete humanity of it. the title is apt, it really is a universal story of you and me and everyone we know. the comedy didn't have to be forced, it was funny because we could all identify and sympathize with the awkwardness of life.
i'd love to see more out of miranda july to this caliber. this was a huge feat for a first feature, but i have a lot of hope and faith in her talents for the future.
the performances were stellar across the board. every character was completely fleshed out and truly human. i think that's what struck me the most about this film, the complete humanity of it. the title is apt, it really is a universal story of you and me and everyone we know. the comedy didn't have to be forced, it was funny because we could all identify and sympathize with the awkwardness of life.
i'd love to see more out of miranda july to this caliber. this was a huge feat for a first feature, but i have a lot of hope and faith in her talents for the future.
I was fortunate enough to see this at the IFC screening a couple of nights ago, and it was truly one of the most refreshing and genuinely enjoyable films I have seen in a long time. It reminded me of an artsier, less commercial Garden State with a female protagonist. And unlike Garden State (which is still a great film), it captured those random, lovely, hard-to-put-into-words bits of human emotion without having to try as hard.
Two very pleasant surprises were the young actors who played the shoe salesmen's sons, more specifically, the six-year-old. I won't spoil the movie for any of you who are planning on seeing it, but the scenes involving the kids on the computer is priceless - it's going to have me laughing for a few years, I think.
I was disappointed that Miranda July did not stay for the entire screening because I would have loved to congratulate her on such an amazing movie. I hope she gets the recognition she deserves!
Two very pleasant surprises were the young actors who played the shoe salesmen's sons, more specifically, the six-year-old. I won't spoil the movie for any of you who are planning on seeing it, but the scenes involving the kids on the computer is priceless - it's going to have me laughing for a few years, I think.
I was disappointed that Miranda July did not stay for the entire screening because I would have loved to congratulate her on such an amazing movie. I hope she gets the recognition she deserves!
Did you know
- TriviaThe 1985 Honda Accord Christine drives in the film was July's own car, passed down from her grandmother.
- GoofsWhile Peter and Robby are singing the hymn to Richard, they walk past the same white picket fence three times.
- Crazy creditsSpecial thanks to The Bertram Family
- ConnectionsFeatured in Siskel & Ebert: The Best Films of 2005 (2005)
- SoundtracksWhere Are We Going
Written and Performed by Ryeland Allison
Published by Silver Outlet Music (BMI)
Courtesy of Silver Outlet Music America
- How long is Me and You and Everyone We Know?Powered by Alexa
Details
Box office
- Budget
- $800,000 (estimated)
- Gross US & Canada
- $3,885,134
- Opening weekend US & Canada
- $30,801
- Jun 19, 2005
- Gross worldwide
- $8,012,838
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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