Tjenare kungen

I liked this movie and I found the actors/actress and the plot to be great. OK, it really brings back the memories of my own youth (14 and a punk back in 1984) but yet I'm trying to be objective. Great to see new good actors/actress and I hope to see most of them in the future (well I guess that Kjell will always find his way into your living room ? ..). A movie about teenagers may easily stumble in a lot of "klyshor" (translate that one for me??) but I think this movie held them off in a great way. Check it out.. What? 10 lines required... huh, what, am I writing a novel or what? Well, the movies surroundings and props are correct and accurate for the 80s and its always great to see an authentic "hocky frilla".

(r#67)

Sorry, but I couldn't enjoy this... at all. The plot went on and on with no focus whatsoever. Whenever it seemed that the movie was going to end, our female lead Abra went into another fit of rage or had a mental breakdown. Ultimately this became insulting to the audience's intelligence as the plot was quite obviously deliberately drawn out and contrived. The subplot about the evil manager of the sausage company lead absolutely no where, and the acting left a *lot* to be desired.

The movie is just too pointless and emotionally devoid to be memorable. It is probably not among the worst of all time, or even in the same ballpark, but it's definitely not worth spending money on. I'm going to be fair and say I enjoyed director Ulf Malmros's earlier outing, "Den Bästa Sommaren" from 2000, but this just wasn't up to par. Avoid.

If you are familiar with Ulf Malmros' previous works, you know that a stylish movie about music and set in the 80s, is just up his alley. Malmros is without doubt Sweden's best director when it comes to using music to create mood.

For Tjenare Kungen, he has been given an historically big budget to buy tunes for. The result is - of course - as good as anyone could have hoped. With everything from Alphaville to Thåström, Tjenare Kungen swiftly transfers us back to 1984.

The entire movie is in fact an orgy in everything that made the 80s so special (?). A lot of time has been put into little - but oh so important - details like clothes and hair-cuts.

As with Smala Sussie, Ulf Malmros has once again found a bunch of very talented debutants. Josefin Neldén (Abra) and Cecilia Wallin (Millan) are both extremely believable and lovable as the two girls forming a punk band. When you leave the theatre, it is impossible not to have a little crush on Abra.

Tjenare Kungen is not ground-breaking in any way. It is a simple story that follows a formula proved to be good. It is not as heart-warmening as Den bästa sommaren, and the dialogue isn't as quirky and hilarious as in Smala Sussie. However, when you leave the theatre, you do it with a big smile on your lips. Knowing that you have just had one of your best cinematic moments this year.

And with that I mean, I sat in a theater watching this movie, and within 10 minutes I was ready to leave, I don't know, I just couldn't relate at all with the story...

The real confoundment came to me when leaving the theater (To this date, I have never walked out on a movie for better or worse) and my friends totally loved it. It was like I was watching some other movie altogether...

Don't get me wrong with saying that and giving it a 3... I just think that I wasn't intended as part of the audience, because yes, it's beautifully shot. Yes it contain a bunch of exceptional characters, yes, it has some hilarious scenes and all that but the story never connected to me... I don't know, I just honestly don't know. It could be that all of the pal's that was at the theater had a background as struggling garage-bands. I didn't. You might love it...

This all got to me as a surprise. I totally loved Malmros's last film, Smala Sussie, which had a wacky plot about movie-lovers/makers, a category of people that I feel included of, and I think I now can say that those that didn't love Smala Sussie probably was in the same seat as I am with this picture... I just don't get it. To me it was a movie about a struggling band with far too much Moodysson (a filmmaker that I never understood the greatness of) thrown in it... It's a shame and pity... I wanted to love it, but in the long run didn't care when the credits rolled...

The plot is simple; Abra lives in a small town not to far away of Gothenburg. She has a punk band and her dream is to release a single and become famous. The band splits up after a member of the bands boyfriend abuses Abra. On a concert in her village she meets Millan a stage re-arranger (roddare). After an unfortunate event she escapes with the band and lies about that she really lives in Gothenburg. But in some miraculous way they believe in her. She lies about some other things and gets to live with Millan. They start a band together and their goal is to release a single before Christmas. The year is 1984 The movie has a great soundtrack with old Punk songs. And the camera shots are amazing. One thing that I really hated about the movie was that the movie is as Swedish as a Swedish movie can be.

When something is supposed to be sexy and in sex scenes we always see one of the woman's breast and the movie has a sugar sweet ending Malmros has done a great movie but a bit to Swedish and a too simple plot.