Warm Springs

"Warm Springs" is a tour de force by Branagh who portrays FDR as a man of money and privilege who is struck down by polio in the early days of his political career. Unable to use his legs he begins to wallow in self pity until he visits a Georgia mineral water spa called Warm Springs where he finds honesty, compassion, kinship, and most of all himself, his wife, and a new sense of purpose. A very pretty period film with good production value, an excellent supporting cast, and sterling performances by Branagh and Nixon, "Warm Springs" would have made an enjoyable stand alone drama. The fact that it's also a biopic about FDR only serves to make it that much more interesting. Another winner for the whole family from HBO. (B+)

Having been a a patient at Warm Springs for many years during the 1930s and late 1940s, I feel qualified to critique the HBO movie, Warm Springs. The feel of the period and the scenes of the Warm Springs area were fairly realistic. The Meriwether Inn and the surrounding grounds were located on top of a hill, and not on flat ground. The pool where everyone swam was the authentic pool that FDR asked his friend Edsel Ford to build for him, after he acquired the property. I have swum in the pool many times. FDR was a man of great humor, and this is what is lacking in Kenneth Branagh's portrayal. Branagh completely missed the essence of the man, but so would any actor who attempted to portray FDR. Fred Botts was a great friend of mine, and when he arrived in Warm Springs, it was in the baggage car of the train. His brother accompanied him, and had modified a packing crate for him to rest in. He couldn't sit up for very long without experiencing great discomfort. He could stand up, or he could lie down, so he asked his brother to build him the crate so he could ride in comfort from Pittsburgh to Warm Springs. FDR's first words to him upon Fred's arrival were, "You must be the skeleton from Pennsylvania." Fred was tall and very thin. In 1916, Fred was working toward his debut with the Metropolitan Opera in New York City. Among his admirers and supporters was Enrico Caruso. When polio struck him, his singing career ended, and he returned home to Pennsylvania, where he remained a prisoner in his family home for 10 years. When he arrived at Warm Springs, he and FDR immediately became great friends, and he remained as the registrar of the hospital until his death in the 1950s. He was FDR's favorite singer, and he used his great bass voice to lead the Companions (the term for the first patients of Dr. Roosevelt) in singing at the many picnics that FDR had up on Pine Mountain. He was not the callow youth portrayed in the movie. Tom Loyless was, in fact, the co-owner of the Columbus, GA Ledger, and not a failed newspaperman as portrayed in the movie. Doctor Lovett was the first doctor at the hospital, and he did much good work among the patients. The report he supposedly wrote about FDR's condition is a fiction, as far as I know. The trip to the medical convention in Atlanta was mostly Hollywood propaganda. The pushboys were FDR's invention, and not Helena Mahoney's. FDR's appearance at the Democratic Convention in Houston happened much the way it was portrayed in the movie. Overall, the movie portrayed FDR's family situation fairly accurately. He experienced great pressure from his mother to come to Hyde Park and hide in the family home. It is to his great credit that he did not do this. A final note, it's a pity that FDR's law partner in New York, Basil O'Conner, was left out of the film. FDR persuaded O'Conner to become the Chairman of the National Foundation for Infantile Paralysis. It wasn't long until the March of Dimes became the major funding effort for the National foundation, and Warm Springs was on solid financial ground. Comedian Eddie Cantor came up with the March of Dimes idea.

In this splendid new HBO film about Franklin Delano Roosevelt, his wife Eleanor says to him, "You have done a brilliant thing here, a magnificent thing." She's speaking of his work at Warm Springs, the polio rehabilitation center in Georgia, but the same can be said for Kenneth Branagh's charismatic portrayal of America's almost legendary president, who was elected four times and died in office in 1945. So many fine comments have been made about the film that I won't go over the same ground. It has obviously been created with love and care -- the production values are top notch, the screenplay and direction are strong. The casting could not been better -- there's not a weak performance in it, down to the smallest role. Mr. Branagh leads a superb company which includes Cynthia Nixon, David Paymer, Kathy Bates, Jane Alexander -- I add a special word for Tim Blake Nelson who gives a heartbreaking performance as the manager of Warm Springs. I can't imagine anyone who would fail to enjoy this film. Bravo, HBO!

In spite of some liberties being taken with events and personages for dramatic effect, this is a remarkably well-done retelling of the first four years after Franklin Roosevelt was stricken with infantile paralysis.

This version is less sentimental and perhaps more truthful than "Sunrise at Campobello", Dory Shary's play and film, from 1958 and 1960, covering the same events. Perhaps that is because many of the people involved were still living at the time, and the events and personages were still in living memory for so many in the audience for that piece, in 1960.

This version, however, minces no words and does not turn away from the grim reality of all the challenges Franklin faced, emotional and physical, in dealing with his illness. The performances of all involved are excellent. It is a challenge to portray people so well known to so many, and these actors, all of them, shine in their roles.

Central to all of this of course must be the performance of the actor playing FDR. For many, after "Sunrise at Campobello", only Ralph Bellamy could play Roosevelt, and he did it with great panache, even to repeating his performance twice, twenty and thirty years later, in the miniseries "Winds of War" and "War and Remembrance" in the 80s.

Without a doubt Kenneth Branagh gives what must be one of the best performances on film I have ever seen. He never descends to caricature or impersonation, he does not really look like FDR, he only gives suggestions of Franklin's speech rhythms and accent. But this actor inhabits the character as written so completely, with such wide emotional, physical and vocal range that I for one was totally convinced. This is truly a great film performance, worthy of any awards that it gets. And I hope it is recognized.

I'm in shock that two people gave this excellent film a 1 out of 10. I can perhaps see how some didn't enjoy it quite as much as I did, but to rate it as awful shows just plain ignorance to me.

Not only is this gem beautifully scripted, wonderfully shot and edited, as well as tremendously directed, but Cynthia Nixon and Kenneth Branagh dominate. I am familiar with a wide selection of Branagh's work, and this is one of his best performances to date! FDR is my favorite President, and I surely feel that Branagh does justice to the man.

On a personal note, I was brought to tears on three separate occasions when watching this film. Now, this may not seem like much, but rare is it that a tear falls from my eye even once during a showing.

Please, please see this film, if only for it's inspiration. I believe this is a sadly overlooked masterpiece, and we must not allow it to be forgotten. If you liked his Hamlet, you'll love his Franklin.