Lovelorn

Yavuz Turgul's cinema has always been so kind to human's soul. The only comment that can be made for this film is: If there is sadness than there is always hope... Sener Sen (Turkey's best actor)is an idealist teacher who has never give enough care to his family, Devin Özgün Çinar(Sener Sen's daughter who has never seen enough care from her father), Meltem Cumbul (a singer who has problems with her psychologically unstable husband)and Timuçin Esen (husband of Meltem Cumbul) did an excellent work of acting. Soundtrack of film contains songs from some big singers of Turkish traditional music. Yavuz Turgul has a great observation talent and always uses this ability generously. I recommend this film everyone who liked Roberto Benigni's masterwork La vita è Bella...

Gonul Yarasi is an above average movie in the tradition of classical Turkish drama. Idealist elementary school teacher Nazim (named after the great communist poet Nazim Hikmet) retires and returns home, Istanbul, after a 15 year term in the poor, forgotten Kurdish-Alevite village in Eastern Turkey. Politely ignored by his children who secretly despise him since he chose his ideal over his family long ago, he begins a new (night)life as a taxi driver. There he meets a fallen single mother who works as a "singer" in a sleazy night club. He takes the mother and her daugther in to protect them from the stalker ex-husband, falls in love with her, and the drama unfolds.

Yavuz Turgul, a master of storytelling, is not at his best, and the film cannot surpass his former masterpieces such as 'Eskiya' or 'Golge Oyunu' - though the movie is among the best of the season. Sener Sen, Meltem Cumbul and Guven Kirac give solid performances, but Timucin Esen proves outstanding with his portrayal of the multi-faceted, psychologically unstable ex-husband. The film, in the Yavuz Turgul tradition, inevitably ends with the tragedy-redemption-hope sequence.

Turgul likes to give subliminal social and political messages in his movies, but he is less subtle in this one.

One of the best Turkish movies I've ever watched. Sener Sen, one of the greatest Turkish actors did not surprise me with the great performance and success but Meltem Cumbul really made me surprised. I used to think she was a all-in-one contemporary model but she proved shes also a good actress. She has tried her chance in many fields like singing, TV shows etc. She has singed perfectly in the movie but in fact she should act, not to do anything else. The movie is simple, with no hi-tech effects, no super models, no hip-hop etc.. its just people, telling you to turn back and see what is important in life, at all. Especially if you're living in a complicated country like Turkiye. Life is hard..

As a person who has written a 100-page thesis on Turkish 'sinema,' I concur with populist sentiment that "Gonul Yarasi/Lovelorn" is an exceptional film. I think it tops "Eskiya/The Bandit" and now has to be considered Yavuz Turgul's best film. It is amazing to think that someone who first directed a Kemal Sunal (Turkey's closest equivalent to Jerry Lewis, alas Sunal is no longer with us) film in 1976 is among the masters of contemporary Turkish film. He has formed an excellent artistic partnership with Sener Sen, who is once as brilliant here he was in "Eskiya." And, enough words of praise can not be given to Meltem Cumbul. I loved her in "Propganda," loved her even more in Faith Akin's "Head-On," and this is a captivating performance here. I think the fact that her character is named Dunya, which means WORLD in English, hints that her character is a symbol for Turkey's acceptance into the outside world. Dunya's struggles and her bitter setbacks make me believe this might well be Turgul's intentions. I think her ex-husband, represents Turkey's modern state and Sen is a symbol of Turkey's once prosperous past. There is almost too much going on at once to concentrate fully on what is going on in the film! I think one thing which has been incorrectly cited as a flaw in this film is the melodrama element. I think this is such a central element to all Turkish films, whether they be the American film rip-offs of the '70s (Dunyayi Kurtaran Adam/Turkish Star Wars) or the great films of Yilmaz Guney, "Yol" and "Arkadas/The Friend," there is always that aspect of Turkish films. The notable exception seems to be the films of Zeki Demirkubuz and Nuri Bilge Ceylan, but both have stated they have been more influenced by Russian and French filmmakers, such as Tarkovsky and Bresson, than the likes of Guney or Atif Yilmaz, considered to be a pioneer of Turkish cinema- he directed in Sen in many films as well. But, "Gonul Yarasi" is splendid. It is well-edited, well-cast and well-directed. If a person knows nothing about Turkey or Turkish cinema, they may not fully appreciate this film, but I firmly feel that just about anyone who does will really like this film tremendously.

I think the movie is a masterpiece.Turkey's best actor Sener Sen acts wonderfully from beginning to the end and when the movie ends you thank him for the job he made.The movie is about a teacher working in east part of Turkey for several years and got used to life there.When he comes back to the place he was born it would be hard for him to get used to life again.He becomes to work as a taxi driver and meets a singer then his life would never be the same again.Wonderful scenario,actors filled into the roles perfectly,dramatic story and a different ending.I recommend this movie to everyone.Sener Sen is the rising star of Turkey and soon he should be rewarded with an award.