You Are Alone

So I saw this on Amazon Prime and the synopsis looked interesting. Having a couple of hours spare, I thought I'd give it a go.

When it started it did suffer from the trait of super low budget films where the camera was just too close to the actors faces and I considered cutting it short. However, there was something interesting in the characters and whilst I initially railed against Buddy's puritanical interrogation of Daphne, I found myself wanting to know more about both of them and actually see them get it on.

Whilst Daphne's body is lovely to look at, it wasn't the titillation of seeing sex but rather watching two clearly lonely individuals experience a meaningful physical connection.

The film raised questions about prostitution, about appreciating the female form and what power/control that brings and about the crippling feeling of loneliness. It recognised the fantasy fulfillment and sexual needs that it satisfies but it also broached how it can be a way of making a physical connection with another human for a brief period of time.

Richard Brundage does well but I have to commend Jessica Bohl's acting. Whilst she is pleasing to the eye, it's the self assured confidence that she has, or rather portrays in her role, that is so arresting. She comes across as both level headed, capable and responsible but also approachable and vulnerable. I've not researched the careers of anyone connected with the film but I certainly hope that she, and the director, have used their talent to go further in this field.

Overall, a surprising low budget gem that has left an impression on this old and sometimes melancholic guy.

Good show, really good acting, and the director takes us swimming through his storyline in an interesting, unpredictable way, especially since, essentially, it's two people in a room. It doesn't race through like many modern films, but doesn't drag, either. Bohl is flippant enough to believe her in the "now" of her character, which is still involved and not going back on her 'career' choices - so it is believable without the need for her to show us a deep, self-examination of her soul...Brundage has the delicate balance of weight, innocence, meekness, and class to pull off 'Buddy' very well. A bit grainy on the film quality, but it fits the tone of the story. Could use a little polishing on the hair and makeup end of things, but definitely worth watching.

You Are Alone is a beautiful, almost delicate film, smart directed, crisply written, with two complex and riveting performances, and a twist of an ending that no one will see coming, but will make you want to see the film a second time to go back and catch up on all the clues you misread.

The story, about a highschool girl who drowns her depression and awkwardness by working a few hours a week as a $500 an hour "schoolgirl" escort, and the depressed next-door neighbor who discovers her secret and hires her for an afternoon call in a downtown New Haven hotel, features breathtaking performances from both Jessica Bohl, as the girl, and Richard Brundage, as her neighbor.

Bohl as Daphne gives a breakthrough performance on par with Maggie Gyllenhaal in Secretary. She so captures a teenager's angst of growing into her own skin, and when she talks about always being in control, you start to realize she's not in control at all, but in danger of going over the deep end, which I guess in a way she does.

Brundage as Buddy is depressed, angry, heartbroken, a shell of a man. But it isn't until the film's startling conclusion that you grasp a full comprehension of his pain.

After a very brief opening segment, which will hook most independent film lovers, and have the religious right running towards the exits, we are brought into the hotel room. At first you're not sure about these people, or the film-making style. Shaky, annoying...like the characters. Until you realize their back story, told in short flashbacks. They're confrontational at first for a reason, and so is the camera. But as they open up, as the story settles down, likewise, so does the camera. And, I don't know, 20 minutes in, give or take, you find yourself unable to take your eyes away from the screen.

Having just seen the world premiere screening at the Brooklyn Film Fest -- where the director asked the audience if anyone expected the ending and not one person answered yes – I almost wish the film were already on video so I could watch it again. Because thinking back now on some of the conversations in the film, particularly a very candid dialog regarding fantasy and climax, I really thought things were going in a very different direction. But I realize now so much of their conversation meant something completely different than what I imagined. I need to see it again!!! But as dark and sexual as much of the talk is, blunt to say the least, I found myself laughing more than I might have expected at some of its candor, which definitely falls into the "things we think, but lack the nerve to say out loud" category. It's very blunt, especially when you realize so much of it has a completely different meaning. Some of it will make you uncomfortable, especially if you're watching You Are Alone with a partner. You'll definitely have something to talk about – perhaps argue about – afterwards. Perhaps it should come with a warning: You SHOULD be alone when watching! The music is amazing. I would have come home, and purchased the soundtrack at my favorite online music store if I could have. The film looks as good as anything shot on film. After the screening director Gorman Bechard was asked what sort of process he used to get the digital footage to look so good. His answer: none. They couldn't afford it.

I have to give Bechard credit. I am a big fan of his two shorts, The Pretty Girl and Objects in the Mirror, but even they could not have prepared me for the complexities and surprises of this film.

To everyone involved: bravo.

If you're tired by the same repetitive, unintelligent material that the mainstream movie industry releases, you'll enjoy "You Are Alone". It is thought provoking, well shot and riveting.

Without revealing anything that you don't find out in the first few minutes of the movie, this is the story of a young white high school girl from an upper middle class environment who is working as an escort and is discovered by her neighbor. The vast majority of the movie occurs in a hotel room where he hired her to come.

Through their discussion, you explore two shifting views of prostitution, depression, loneliness. Yet the movie is not depressing. It talks about dark things without being depressing.

As a viewer, your emotions and preconceived notions are moved around, but gently. You come out of it with a lot to think about. I like that in a movie.

There were moments when watching, "You Are Alone" at the New England Film + Video Festival recently, when I felt the lead characters seemed very familiar, like old college friends, who gradually become larger than life. The journey these characters undertake is at turns, poignant and hilarious, and a testament to the artistry of screenwriter/director, Gorman Bechard, who wrought such authentic characters, and the actors, Jessica Bohl (Daphne/Britney) and Richard Brundage (Buddy), who brought them to life.

Several comparisons have been made to Coppola's, "Lost in Translation." To me, the film was more reminiscent of Pen-ek Ratanaruang's, "Last Life In the Universe," in terms of its edgy, melancholic beauty, laced with the kind of smoky humor I associate with Jarmusch and the hermetic intimacy of Roehmer.

Finally, much well-deserved ado has already been made about Bechard and Bohl, about which I heartily agree. The only new comment I might add is that the unsung hero in all of this is Richard Brundage, whose nuanced portrayal of Buddy blends equal parts sweetness and menace with deft, and who provides an aching flow of innocence and Weltschmerz to counterpoint and draw out the character of Daphne/Britney.

Kudos to all involved in, "You Are Alone."