The First World War

I was eagerly looking forward to this ten episode, four DVD set (8 hours and 23 minutes in all) based on the claims on the box of previously unseen film footage and newly accessible archival material from Central and Eastern European sources and most especially the ties to a book by a "professor" (presumably of history - Hew Strachan). Unfortunately, as assembled (in an initially promising chronological format) by BBC 4, there is little or no pretense of objective history and far too many omissions and distortions in the service of a strictly British viewpoint. The over all effect, despite copious quotations from participants on all sides, is like a history of World War II's "D-Day" told entirely from Field Marshall Montgomery's aide de camp's viewpoint.

The vast majority of film footage (mostly acknowledged - but not some of the obvious naval model work; possibly from faked "newsreels"?) is from 1920's and 30's film reconstructions and fictionalizations mixed with color footage of locales as they look today. While there is interesting period movie footage, it is almost all behind the lines and of close-up non-action scenes and TV cameras scanning across still photos.

One of the single most desired sequences, the final newsreel footage of the Archduke Franz Ferdinand leaving the Serajevo City Hall moments before his assassination, is only shown in the abbreviated and already much circulated cut. The reasons for Franz Ferdinand - a fascinating, complex figure given very short shrift here (and his Sophie) being in Bosnia that day (their 14th Wedding Anniversary) are totally omitted - as are any understanding of his reigning Uncle, Emperor Franz Joseph at the head of a great multi-cultural empire or the reasons the majority of Moslem Bosnia was opposed to Eastern Orthodox Serbian pretensions over their territory since both broke away from the shrinking Ottoman Empire.

Once the war itself started (you will be hard pressed to understand why from the sketchy story told here), the British documentary almost entirely ignores the original combatants but focuses on the British and their conflict with Austria's unsubtle allies in Germany.

Because of the British confrontations (to their considerable discomfort) with the Ottoman Turk, much time is spent on this front, allowing at least rudimentary (and that's about all) discussion of the source of the continuing Armenian question in Episode Four, but even here, there is almost no followable line of the way the Ottoman wobbled in and out of the war until finally committing to the Central Powers following the second Russian Revolution in 1917, removing them from the war. There is even less discussion of impact of the tenuous Japanese alliance with the Russians and British springing from the settlement of the Russo-Japanese War in 1905.

A far better look at the complexity of World War I (although neither attempt or claim to be as complete in the material covered), with far more actual footage from the period in question is available in several documentaries ranging from Hollywood GOES TO WAR to WORLD WAR I IN COLOR. This Anglophile attempt at history is only for the dedicated Anglophile looking for entertainment pretending to be serious, not the serious amateur historian who will see too many holes spoiling the fun.

A very interesting and detailed WWI series which is based on the excellent book. The series consists of 10 episodes.

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The series uses a mixture of narration, maps, archive pictures, archive videos and also filming from the battlefields as they exist today. It gives a good deal of focus to the eastern front which not all British TV programmes do. The series also makes excellent use of first hand diary accounts of ordinary people such as a 12 year old Serbian girl fleeing her country or a Belgium boy living in his now occupied town to give you a taste of how it was experienced by those who were there. While nothing will probably ever top the 1964 series this comes close. The program attempts to explain the causes of the war and the forces which kept the enemy countries locked in mutual embrace for so long.

The music in the series is also superb, it also goes on into 1919-1921 examining the way in which those affected continued to reflect on it. The series also rightly acknowledges the results of the war: a communist Russia, a contained Austria and Germany, a powerful position for the USA and also what it failed to achieve.

The series for me also manages to convey the mass scale of the suffering without falling into the usual trap of blaming all of this on bad tactics by the leadership or arguing it was all for nothing.

Given my love of history, the cataclysmic, foolhardy nightmare that this represents was something I wanted to investigate further. Video could add a dimension that even a brilliant book could not illustrate.

Lucky me, and fortunate viewer, who took the time to watch this dazzling miniseries! I rented this a few days after the UK's last veteran, and world's oldest man, passed away. He had been in many ways a guardian, helping others comprehend the nightmare, and was so forgiving as to insist on adding German pallbearers at his funeral, age 114.

The miniseries is expansive (as others have mentioned), fascinating, and most importantly, brings the horror to life (and death). A great compliment - it had me racing back to read more about the conflict, especially the myriad ideas on WHY it began.

There are so many memorable scenes! The use of personal memoirs, and the film footage, then and now, are wonderful.

Most highly recommended!

You would not recommend reading only one history book, so why would anyone recommend only one documentary about World War I? This is a good documentary because it covers a great deal and very engagingly, but sometimes it tries to cover too much and necessarily leaves gaps.

If you watch other documentaries, you will find out that the first great tank breakthrough was preceded by a tank failure and that the British Expeditionary Force was so unprepared for the breakthrough when it came that they failed to send enough troops into the breach to secure it, leading to the German recapture of the temporarily lost territory.

There is confusion, too, as when it is said that German commander von Hutier's attack on Amiens, France had no purpose, but a few minutes later it is said that when Ludendorff decided to attack Amiens he had an objective of smashing the railroad nexus there. Had Hutier succeeded, wouldn't that have served the same purpose even if accidentally?

A mass of information is presented that dizzies the old hand let alone the beginner, but even so, I was glad that this documentary offers a wealth of stimulating information about all sides of the conflict. The fact that it is British-made gives it an unavoidable bias that is made up for by its attempt to bring other nation's voices into the narrative, using the accounts of both well-known and relatively unknown participants.

There are many documentaries about World War I that are also good. Some, for example, focus more than this one on the war from the point of view of those outside of Europe. This one gives a lot of information about that aspect of the war even though it tries to cover too much ground to tell the viewer all the details. This is a survey, and a pretty good starting point. Learn more about World War I, and you will come to see that there are other opinions on some of the topics. There is more subject matter than this documentary had time to cover, and you might even think that what they left out is awfully important. You might, nevertheless, always remember "The First World War" fondly as an equally informative and moving introduction.

This IS a very well done documentary. In fact, it is so well done that it leaves me speechless that the credits are so poor, both in the original 10 episodes and at IMDb.com. Who, for example, actually wrote the series? At the closing of each episode, the series is credited as being "based on a book by Hew Strachan." Does this mean he actually wrote the script? If not, who did? Was it Jonathan Lewis, who was credited as the series narrator? Even more irritating is that NONE of the actors who read from diaries and other primary source material are credited at all. The IMDb site credits the actual historical figures, as if they were still alive to read out loud material that is now almost 100 years old! Very weird at best, and unnecessarily dodgy at worst.