I Am a Sex Addict

Obviously not a Hollywood, high-budget film, but if you can get past that it is really interesting. Yes, the Producer/Director/Writer/Star is being very self indulgent. Of course you learn from the film that he has always been that way. But this film is an outstanding a study of a male viewpoint of relationships and sex.

He repeatedly says that all he wants is someone he can be totally honest with, and he hears several women tell him they want that honesty. Of course the truth is that we only want our partners to be honest when it matches our own view of reality. When their truth conflicts with our view of reality we either try to argue them out of their truth or force them to deny it. In fact, as much as Caveh wants the freedom of being honest with his partners he never gives them that same freedom.

Don't rent this for the sex scenes and don't rent this for a great plot. But if you like psychological studies of relationships, this film is well worth the time and money.

I saw this film at the Tribeca Film Festival and loved every minute of it. The film chronicles the director Caveh Zahedi's own proclivity for prostitutes and how this "addiction" ruined two marriages and numerous relationships. When he meets his match in Deven, played superbly by an actress I have never seen before, the film moves from hilarious to deeply moving. Deven has addictions of her own, and suddenly Caveh is confronted with a mirror of his insensitivity to others. What seems like a film that might only appeal to a male audience, turns out out to be fascinating and touching for women too. Zahedi's policy of complete honesty may have tortured many of his ex's but it puts us, the audience, in the cat-bird seat. This film has great potential for reaching a mass audience in my opinion.

Caveh, the director and lead actor of the film has a rather interesting problem; he is addicted to sex with prostitutes. The film is comprised of narrations re-telling the stories of his failed attempts to stop his addiction and the relationships that are destroyed as a result. Mixed in the narration is interview footage of Caveh just before his wedding (his third), where he narrates his struggle. He eventually finds recovery in a 12-step program, and finds a level of happiness.

At the U.S. premiere at the Tribeca Film festival, he revealed that the vast majority of these very personal and embarrassing stories were true. Also, his wife was in the audience and he reports that after 7 years his relationship is strong.

As for the film, it's actually very funny, as Caveh is able to present dysfunctional scenarios in a self-defacing and humorous light. It's a shame that a movie like this will probably never get distributed world-wide, but if you see it at a film festival, go see it. Highly recommended.

I really liked this movie when it started. It is quirky and funny and very different with a style of its own. It is low budget but made in style with lot of disclaimers so that even the low budget becomes a plot point. In many respects it is similar in style to "Private Parts" which was a movie about Howard Sterns. I loved that movie. But unlike that movie which had a story to tell, this one doesn't.

It just comes across as a collection of incidents rather than a whole story. And it is awfully repetitive. Also after watching it for some time you get more and more tired of the narcissistic director/lead of the movie. I do think that the movie has potential and is still worth a watch. But frankly it could have been much better, especially with a better script.

A fascinating watch as we see one man use film making as a kind of therapy. This has probably been done before, but never so openly. We follow Zahedi as he bluntly discusses his addiction to sex and prostitutes. Zahedi is an honest and endearing man. His naivety translates well into both comedy and genuine emotion. The constant breaking of the forth wall and laying out facts about the film's production, as well as his story, make this sometimes jumbled, but always enjoyable. I got a real feel for Zahedi, but this film doesn't wallow in self pity or excuse his actions. It's low budget helps Zahedi create some wonderful little quirks.