Sherlock Holmes and the Case of the Silk Stocking

I really liked that movie. The way Sherlock Holmes is portrayed here strongly reminds me of the 2010 TV show, called Sherlock (which is really great). In contrast to every other Sherlock movie I've watched before, this one resembles the 2010 Sherlock the best and I really like that version of him.

Rupert Everett has the aquiline profile and world-weary vocal delivery that are necessities for a screen Holmes, but he (and the excellent actors around him) are hamstrung by a cliché- ridden script. Sherlock Holmes, telling Watson to "keep your breath to cool your porridge"?? The last two times I heard that expression on screen were both in adaptations of Pride and Prejudice--and I certainly mean no disrespect to either of them. Holmes is also made to deploy a Mary Poppins aphorism about pie crusts and promises--perhaps you remember it from your childhood Disney viewing.

This is a good-looking production (apart from the occasional wobble from the annoyingly popular unsteadicam), though I have it on good authority that London fog did not swirl rapidly around the lampposts and chimneypots. Beautifully designed interiors include a Duchess' drawing room, a Victorian graveyard, an underground lair of the villain (he always has a lair, doesn't he), and a ceramic-tiled morgue. Costumes are in a muted color palette of cream, black, olive green, and brown, and the girls in their costumes for a classical tableau look as if they have stepped out of a Alma-Tadema painting.

In addition to Everett as Holmes, the production is graced with a uniformly strong cast. Ian Hart brings an acerbic vigor to the role of Dr. Watson, and Neil Dudgeon injects Lestrade with some humor. The superb Helen McCrory, as Watson's American fiancée, initially appears brash and pushy (she calls Holmes "Sherlock" throughout, even though his best friend Watson invariably calls him by his last name), an often-observed trait of American women in British film/TV productions, but she is too good an actress to keep to that one-note character. Guy Henry is disgracefully underused--give him a bigger role!

The story is a new one, which is not in itself a criticism; it is creepy and intriguing. The most glaring problem of the show is with the script; I hope that director Simon Cellan Jones continues to make more Holmes stories--but that writer Allan Cubitt will not.

The character of English writer Sir Arthur Conan Doyle, Sherlock Holmes is probably one of the most popular invented detective. He is very calm and has very cool attitude when he's trying to solve a murder. This movie will help you to like even more this brilliant detective. It's mostly because of the actor Rupert Everett who is very good in this roll. Also I have to say something about script. It's not the best that it can be, but it's good, because you cannot understand who is the murder till' the end. This movie takes place in London, where someone is killing young ladies from rich families. This case is been given to the best detective on the world,Sherlock Holmes. He has help from his friend Dr.Watson and from Watson's fiancée Mrs.Vandeleur. This movie is good because of the actors and script. Again I have to mention Rupert Everett who proved that he is very good actor. Also Ian Hart played well as Watson. Please look this movie with patience and watch a good performance from a fine actor.

Stage, screen, and television adaptations or features using Sir Arthur Conan Doyle's characters turn on one simple, inescapable point: do we believe the actor as Holmes? If the answer is yes, then a bad story is still pretty good. If the answer is no, then whatever other attractions the story holds are worthless.

The answer here is clearly yes: Rupert Everett is very good as Sherlock Holmes. The transfer from print to screen is almost flawless. If anything, too much is made of Holmes' obvious flaws as a human being: his recreational drug use, patronizing arrogance, indifference to the feelings of others, preoccupation with the workings of his own mind. This Holmes reminds me of Dorian Gray. It is only his love of solving crimes that keeps him from committing them.

The story is pretty pedestrian. This isn't quite as bad as "the butler did it," but it's close. I won't spoil the movie as others here have by saying more. I liked the scenes where Holmes is reasoning out who the killer is. This was clever, unforeseen, and quite believable. But, from the time the chief suspect is identified, until he was finally caught .. the entire climax of the movie, in other words .. was ..well, trite, clichéd, and elementary, my dear Watson ..

Kudos to Helen McCrory and Perdita Weeks in supporting performances.

As a big Sherlock Holmes fan, I was looking forward to "Silk Stocking," but was very disappointed with Rupert Everett's performance. He gave the distinct impression of being bored all the way through. Also, I was surprised by the scene of him shooting up during the case. My understanding of the "real" Holmes is that he was bored in between cases, and that's when he enjoyed his 7% solution. When in the midst of a case, he was excited and engaged and focused -- none of which Everett showed in his performance. My favorite Holmes remains Jeremy Brett, who showed actual modulation in Holmes' personality (irritation and boredom before the case presented itself; excitement, sometimes to a bizarre extent, during a case; rapture at listening to a classical concert etc.) rather than the sleepy, Johnny-one-note performance of Everett. Four snores.